Christopher Walken Impersonated in Natalie Wood Death Case

From a reliable source: A sports talk radio employee, posing as Christopher Walken, fans the flames of a re-opened investigation into the 30 year old death of Natalie Wood. AP picks up the story and then kills it, claiming they were hoaxed.



First the retraction:

AP-US–Natalie Wood-Investigation, KILL,57
^BULLETIN STORY REMOVED: BC-US–Natalie Wood-Investigation
Eds: BULLETIN KILL. Do NOT use BC-US–Natalie Wood-Investigation. A kill is mandatory. The story was based on a purported interview with Christopher Walken that was a radio station hoax.

Los Angeles (AP) — The Associated Press has withdrawn the 12th and 13th Ld-Writethrus of its story about the Natalie Wood investigation. The story quoted Christopher Walken telling Washington, D.C. sports talk radio station ESPN980 about his recollections from the night that Wood died. The station now says that it was a hoax involving a station employee who was impersonating Walken.

(Copyright 2011 by The Associated Press. All Rights Reserved.) APTV 11-18-11 1259PST


and here’s the story that was killed… Continue reading “Christopher Walken Impersonated in Natalie Wood Death Case”

The Artiness of Naughtiness

Update, April 3, 2011: You can now listen to this 30:00 radio show here on Joey Skaggs’ website.


This radio show, produced by Rob Alexander, hosted by Toby Amies and featuring Joey Skaggs, among others, aired on BBC Radio Friday, April 1 at 11:30 a.m. UK time. You can listen to it on the BBC Radio site until April 7, 2011.


The Artiness of Naughtiness
Friday 1 April, 2011 at 11:30am on BBC Radio 4

Toby Amies discovers how tricksters have turned the poking of fun into an art form.

What have Jonathon Swift, Orson Welles, Marcel Duchamp, Yoko Ono, Malcolm Mclaren, Jeremy Beadle, and Sacha Baron Cohen got in common? Toby Amies discovers how tricksters and pranksters have turned the poking of fun into an art form.

Pranking is such a part of society, we’ve got a specially sanctioned day of misrule in the calendar. Mark Twain described the 1st of April as “the day we remember what we are the other 364 days of the year”. But for some people April Fool’s day is just not enough; generally opposed to the status quo, they are determined to alter our relationship with reality by forcing us to question its veracity.

There are pranksters who have been determined to show us our folly all year round and most have philosophical, political and artistic reason to do so.

Toby investigates this reasoning behind pranking – discovering why people will risk consequences as serious as prison to make a point or get a laugh. Sometime the motivation behind a prank is not always only a good laugh at someone else’s expense. It can be a very serious business.

Toby draws a wobbly line from the court jester to the hoaxes of Swift and Welles to Yves Klein to the playful Marxism[!] of Debord and the Situationsists, through to the commercial modern pranking industry and the work of Sacha Baron Cohen, Improv Everywhere, Jeremy Beadle and America’s king of the prank, Joey Skaggs.

A Pier Production for BBC Radio 4

Joaquin Phoenix & Casey Affleck Expose Themselves

Update from news.softpedia.com, September 21, 2010: David Letterman Was In on the Joaquin Phoenix Hoax


Documentary? Better Call It Performance Art
by Michael Cieply
The New York Times
September 16, 2010

Casey Affleck wants to come clean.

South Pasadena, Calif. His new movie, “I”m Still Here,” was performance. Almost every bit of it. Including Joaquin Phoenix”s disturbing appearance on David Letterman”s late-night show in 2009, Mr. Affleck said in a candid interview at a cafe here on Thursday morning.

“It”s a terrific performance, it”s the performance of his career,” Mr. Affleck said. He was speaking of Mr. Phoenix”s two-year portrayal of himself “” on screen and off “” as a bearded, drug-addled aspiring rap star, who, as Mr. Affleck tells it, put his professional life on the line to star in a bit of “gonzo filmmaking” modeled on the reality-bending journalism of Hunter S. Thompson.

I”m Still Here” was released last week by Magnolia Pictures to scathing reviews by a number of critics, including Roger Ebert, who wrote that the film was “a sad and painful documentary that serves little useful purpose other than to pound another nail into the coffin.”

“The reviews were so angry,” said Mr. Affleck, who attributed much of the hostility to his own long silence about a film that left more than a few viewers wondering what was real “” The drugs? The hookers? The childhood home-movie sequences in the beginning? “” and what was not. Continue reading “Joaquin Phoenix & Casey Affleck Expose Themselves”

Skaggs, Blags and Rags: Hoaxes and the Press

Submitted by Mark Borkowski from Borkowski Blog. Mark is author of The Fame Formula: How Hollywood’s Fixers, Fakers and Star Makers Shaped the Publicity Industry


Skaggs, Blags and Rags: Hoaxes and the Press
October 16th, 2009

If you want proof that stunts are an art form, your best bet is to head down to the Tate Modern”s Pop exhibition and take a long, hard look at the Andy Warhol and Jeff Koons exhibits. Here are two prime examples of early stops at one of the stations of the cross of Consumerism, part of its steady progress to becoming the prime 21st Century religion.

And proof is needed that stunts are an art form – they are making something of a comeback at the moment, but the latest examples – the Starsuckers film and Balloon Boy – are in need of a bit of spit and polish if they are to really shine.

http://i.cdn.turner.com/cnn/.element/js/2.0/video/evp/module.js?loc=dom&vid=/video/bestoftv/2009/10/16/cb.balloon.boy.cnnEmbedded video from CNN Video

Despite all this, there has been not one mention of the master of the hoax, Joey Skaggs, the master Culture Jammer whose hoaxes have always had a pertinent point to make. This is a pity because the Starsuckers team could learn a trick or two from him. Continue reading “Skaggs, Blags and Rags: Hoaxes and the Press”