Spanish Art and Activism Collective Homo Velamine Interviews Joey Skaggs [Spanish and English]

Joey Skaggs: “A fool is a fool, no matter what their political leaning is”
by Demófila Martínez and Luis Platypus
Homo Velamine
October 31, 2019

Joey Skaggs. PHOTO: Sam Ortiz for Observer

Homo Velamine: The increase of fake news in the media in recent years makes us feel that the limits between fact and fiction are more unclear than ever. In the documentary Art of the Prank (2015), you let the viewer peek into the creative process behind one of your hoaxes. The trickiest part seems to be deciding how far you can take it, without crossing the limits of plausibility and creating something that is impossible to believe. After all these years, does it still surprise you how far this limit can actually be pushed? Which of your performances would you say has pushed this limit the farthest and still has been successful?

Joey Skaggs: Pushing the limits of plausibility is the fun part for me. I create the problem and I create the solution. I take a gamble that what I’m doing is so ridiculous that no one’s going to believe it. I want it to be totally absurd because if the news media does fall for it, it will be even funnier and more effective in revealing their gullibility and/or hypocrisy. (more…)

In 1995, Joey Skaggs launched his Solomon Project hoax. Solomon (so he said) was a distributed program running on a set of super computers that would deliberate on the facts and evidence of a case and deliver a definitive verdict, eliminating the need for juries and radically reducing the role of judges. CNN fell for the Solomon Project hook, line and sinker. Reality may finally be catching up with Skaggs. h/t Felipe

Robot judges ‘will pass sentence with no human bias’ in AI courts
by Michael Moran
Daily Star
October 19, 2019

Increasing use of AI in legal system points the way to an all-robot courtroom

It’s likely that most people locked in our jails believe that with a better lawyer, a more lenient judge or a more understanding jury things might have been very different for them.

Human error, they will say, is to blame for them being banged up.

But can the human element be removed? Law firms are already using computer algorithms to perform background research other tasks traditionally performed by human staff. And that’s just the beginning.

As computer researchers get closer to creating true Artificial Intelligence, it’s predicted to eliminate most paralegal and legal research positions within the next decade.

The next step inevitably involves artificial intelligences aiding, or even completely replacing lawyers. And if we have robot lawyers, why not automated judges and juries too? Why not a fully solid-state legal system?

Read the rest of this article here »

Is that social media influencer you’re following real?

These Influencers Aren’t Flesh and Blood, Yet Millions Follow Them
by Tiffany Hsu
The New York Times
June 17, 2019

Balmain commissioned the former fashion photographer Cameron-James Wilson to create a “virtual army” of digital models, including, from left, Margot, Shudu and Zhi. Credit Balmain.

The kiss between Bella Hadid and Miquela Sousa, part of a Calvin Klein commercial last month, struck many viewers as unrealistic, even offensive.

Ms. Hadid, a supermodel, identifies as heterosexual, and the ad sparked complaints that Calvin Klein was deceiving customers with a sham lesbian encounter. The fashion company apologized for “queerbaiting” after the 30-second spot appeared online.

But Ms. Hadid, at least, is human. Everything about Ms. Sousa, better known as Lil Miquela, is manufactured: the straight-cut bangs, the Brazilian-Spanish heritage, the bevy of beautiful friends.

Lil Miquela, who has 1.6 million Instagram followers, is a computer-generated character. Introduced in 2016 by a Los Angeles company backed by Silicon Valley money, she belongs to a growing cadre of social media marketers known as virtual influencers.

Each month, more than 80,000 people stream Lil Miquela’s songs on Spotify. She has worked with the Italian fashion label Prada, given interviews from Coachella and flaunted a tattoo designed by an artist who inked Miley Cyrus.

Until last year, when her creators orchestrated a publicity stunt to reveal her provenance, many of her fans assumed she was a flesh-and-blood 19-year-old. But Lil Miquela is made of pixels, and she was designed to attract follows and likes. (more…)

Posting fake photos on a fake TV news website about your fake arrest because of your fake meth lab in the basement. Hmmm… What could go wrong? h/t Ed

My Breaking Bad Prank Gone Wrong Almost Cost Me $150,000
Vice
July 24, 2019

Inspired by his favorite show, “Breaking Bad” Josh decided to pull a prank that went terribly wrong. What started off as a harmless joke meant for his friends, quickly spread online resulting in unforeseen consequences that Josh could never have imagined.

Watch the video

Adding to the annals of nautical history is the second crossing of the Pacific Ocean on a paddleboard. The first was in 1983, when J.J. Skaggs (aka Joey Skaggs) crossed in the opposite direction against prevailing winds and currents on a windsurfer without any shelter. Read the full story here: Windsurfing from Hawaii to California Thanks Wayne Zebzda.

Man rides stand-up paddleboard from California to Hawaii
Fox5 San Diego from CNN Wire
August 27, 2019

SAN FRANCISCO — A three-month paddleboat float across the Pacific Ocean might seem crazy to the rest of us, but for Antonio de la Rosa it was just another challenge.

The Spanish endurance athlete completed a 2,951-mile journey from San Francisco, California, to Oahu, Hawaii, on Saturday, using just a specially-designed stand-up paddleboard.

The journey took him 76 days…

Read the whole article here.

Deliveroo food delivery app accepts bogus restaurant run out of prankster’s apartment… Buyer beware!

Italian Stallion’ scams food delivery app with microwaved meatballs
by Hannah Frishberg
New York Post
September 11, 2019

It’s not delivery, it’s deception.

A YouTube prankster with more than 1 million followers exposed the shortcomings of food delivery app Deliveroo’s restaurant vetting — or lack thereof — when he set up a fake restaurant called the Italian Stallion.

Josh Pieters, 25, and two buddies launched a website for the egregious eatery, listing his own apartment as the address and buying Instagram followers to bolster its social-media presence.

Watch the video:

“We knew Deliveroo would check our website, so it would have to look good,” says the South African social-media star in a video uploaded to his YouTube account.

Pieters and his friends took funny food photos, posted nonsense recipes and registered “Italian Stallion, Ltd” before ringing up Deliveroo to explain their lack of a hygiene rating. “One day on the phone, [a customer service rep] said you can start so long as you notify the council and then they will assign a hygiene rating to your premises,” Pieters tells Insider.

“I don’t think they’re doing any checks on who’s applying to have a restaurant on Deliveroo,” Pieters says in his video documenting the restaurant’s short-lived existence. “So despite having a picture of [UK TV personality] Gemma Collins [as head chef] and an AirPod as feta cheese and no food-hygiene inspection of any kind, Deliveroo were happy for us to get going.” (more…)

This must-see “DeepFake” video transforms Bill Hader, when he was on Late Night with David Letterman, into Tom Cruise before your very eyes.

Watch the video: Bill Hader channels Tom Cruise [DeepFake], YouTube

A little bit of history: In 1987, an interview with Joey Skaggs was published in a book by RE/Search Pubs called Pranks! in which he predicts and discusses the implications of this exact technology.

AJ: “What is reality?”
JS: “Right. What is reality, and how can you know what is history?
“I’d also like to talk about technology and where we’re going. With the ability to comptuer-enerate photo images and do montage, collage and eventually holograms, we’ll have Hitler alive in South America totally fabricated. We’ll have a home movie of JFK actually screwing Marilyn Monroe, or whatever twisted historical thing we want to create. And it will be virtually impossible to detect that it’s a creation, because of the advancements in technology. We are coming to the forefront tehcnologically of a really frightening media reality. If we don’t sharpen our tools now, our integrity, we’re in for even bigger trouble.”

Read the entire RE/Search Pranks! interview here.

Excerpt:

The op-ed site Quillette has risen to prominence in the Trump-era conservative firmament by condemning progressive orthodoxies around race and gender, providing a platform for accused sexual predators, defending “Google Memo” author James “Fired4Truth” Damore, and promoting the “Sokal Squared” hoax, an effort to discredit academic disciplines by categorizing them as “grievance studies.”

This week, the site took a blow to its own credibility when left-aligned mischief-maker “Archie Carter” submitted a critique of the Democratic Socialists of America littered with lies, cliches, and errata. The piece was promptly published and promptly retracted by Quillette, leaving leftist publications Alternet and Jacobin (along with broad swaths of Twitter) to gloat over the fallout.

Will Sommer, a journalist/provocateur focused on far-right movements, scored an interview with the hoaxer.

Quillette Duped by Left-Wing Hoaxer Posing as Communist Construction Worker
by Will Sommer
The Daily Beast
August 9, 2019

Construction worker and avowed Leninist Archie Carter has plenty of gripes with the Democratic Socialists of America, the left-wing group that’s enjoyed a new wave of popularity during the Trump era.

In an essay published Thursday on the conservative op-ed website Quillette, Carter declared that DSA had been overrun with overeducated, oversensitive college graduates, blinding itself to the true needs of the working class.

“DSA is doomed,” Carter wrote.

Carter’s piece seemed like exactly the kind of argument that’s turned Quillette, a self-described “platform for free thought,” into a hotbed for the right-wing online “Intellectual Dark Web” movement. Carter had impeccable blue-collar bona fides, with his Quillette bio describing him as a committed union member who’s always “watching the Mets blow a lead.”

But there’s one problem with Carter’s story: He doesn’t exist.

DSA members started picking holes in Carter’s story almost as soon it went live on Quillette. New York City’s DSA local couldn’t find any record of a member, current or former, named Archie Carter. And while Carter claimed to have participated in sit-in protests as part of his DSA work, the group hadn’t organized sit-ins in New York in years.

By Thursday evening, Quillette had retracted Carter’s essay, saying Carter had failed to “supply answers to our follow-up questions in timely fashion.” Read more.

The writing’s on the wall. Fake as fake can be. President Trump unknowingly stands in front of a fake presidential seal. Hilarity ensues. Says Charles Leazott, the person who designed the seal as a joke years ago, “There’s no way this was an accident is all I’m saying,” adding that whomever is the culprit is “my absolute hero.” h/t Kate.

Washington Post: Former Republican designed fake presidential seal that appeared behind Trump
by Veronica Stracqualursi
CNN
July 26, 2019

Washington (CNN)– A former Republican voter from Virginia is the man who made a parody image of the presidential seal that was shown behind President Donald Trump at a conservative teen summit, according to The Washington Post.

Graphic designer Charles Leazott, 46, created the fake presidential seal that features a two-headed eagle — lifted from the Russian Federation coat of arms — clutching a set of golf clubs in its talons, according to the Post.

“This is the most petty piece of art I have ever created,” Leazott told the Post.

Leazott, who dislikes Trump and says he voted twice for George W. Bush, created the fake seal after the 2016 election as

“just a goofy thing for some people I knew,” the Post reported.

Trump spoke on Tuesday at a summit for conservative students hosted by the group Turning Point USA, and for a brief moment, the President appeared before the doctored seal evoking imagery of the Russian coat of arms on stage.

Read the whole story here.

Sadly, my friend Paul Krassner, satirist, activist, comedian, author, and publisher of The Realist, has passed away. Since the 1960s, he was always there for me, as I was for him.

Paul was with me on my Hippie Bus Tour To Queens and was part of my Vietnamese Christmas Nativity Burning in Central Park, both in 1968.

In 1969, he published a photo of himself standing with my Grotesque Statues of Liberty on the back cover of his book How a satirical editor became a Yippie conspirator in ten easy years.

Paul used his voice to draw attention to social injustice, inequality and challenges to our freedom. I’ll miss his satirical wit.

Here’s his full obit in The New York Times (for people who can’t access it).

[Editor’s note: The New York Times covered my Hippie Bus Tour to Queens in 1968 when it happened. Years later, in 1992, they misattributed it to Abbie Hoffman and had to print a retraction. They’ve now done it a second time in Paul’s obit. Paul was one of 60 hippies who accompanied me on the tour (Hippie Bus Tour to Queens Remembered 50 years later! by Joey Skaggs, Artsy.net). I know he’d want to set this record straight.]

Paul Krassner, Anarchist, Prankster and a Yippies Founder, Dies at 87
by Joseph Berger
The New York Times
July 21, 2019

Paul Krassner, right, in 1969 with, from left, Ed Sanders of the rock group the Fugs and Abbie Hoffman. Mr. Krassner helped start the Yippie movement and was the founder of The Realist magazine. Credit The New York Times

He was a prankster, a master of the put-on that thumbed its nose at what he saw as a stuffy and blundering political establishment. (more…)

Joey Skaggs visited Vienna, Austria, in June. Coincidentally, a surreptitiously filmed video had just been released showing the far-right Freedom Party’s leader and then vice chancellor of the Austrian government, Heinz-Christian Strache, scheming to overthrow the rest of the government.

In the video, Strache, thinking he’s talking to the niece of a wealthy Russian oligarch with connections in high places, offers her a controlling share in a national newspaper and sweetheart construction contracts in return for hefty (and illegal) campaign donations. Turns out she wasn’t who she said she was and the video shows him to be an ambitious, scheming fool.

The video caused a loss of confidence in the entire Austrian government and resulted in its total collapse. In essence, the Austrian government had just been toppled by a prank. What timing. Joey swears he had nothing to do with this!

Joey’s presentation at FH-Wien University in Vienna prompted interviews with FM4, Austria’s national radio network, and NJOY 91.3, the FH-Wien University radio station. It was a great opportunity for him to talk about the power of the political prank, President Trump’s fixation with “fake news”, and the unsettling potential of deepfakes, which he had predicted in a 1986 interview in Pranks! (RE/Search No. 11). Check out page 41.

The FM4 radio interview with Felix Diewald is no longer available, however its web page (in German) is terrific.

The NJOY 91.3 radio interview with Michel Mehle is fun and edifying. It starts out in German and switches to English at 2:11.

John Law, co-editor of Tales of the San Francisco Cacophony Society, is a pioneering adventurer who defies gravity and the status quo. From the Suicide Club to Burning Man to the Billboard Liberation Front to the Cacophony Society and beyond, John is a true inspiration to artists and activists. He’s also a helluva driver. I’m glad to call him a friend. His one-man show “SIGNMAN: John Law” is at the Pro Arts Gallery in Oakland until August 24.

John Law, iconic Bay Area prankster, now has his own ‘art’ show
by Angela Hill
Mercury News
July 5, 2019

A famed Bay Area prankster and underground artist just got his first exhibit

Here’s the way one of John Law’s longtime cohorts describes an early encounter with the neon artist/prankster/culture jammer/urban adventurer/enigma:

It was 1982 and Mark Pauline got a phone call from Law saying he had a bunch of body parts in the refrigerator at his house and they had to get them out of there before the cops came. “Sure enough, he had a big plastic bag full of human body parts, preserved in formaldehyde,” says Pauline, director of performance art group Survival Research Labs (known for building things that spew fire and blow stuff up).

“John was in the Cacophony Society and those guys would go in abandoned buildings and do adventures,” Pauline says. “They’d gone into an abandoned mortuary college and found all these body parts left in these tubs there, so they took ‘em.”

Frankenstein-style, for another pal to tattoo and display in a big Lexan case which hung around for a while and eventually cracked and rats got in and ate all the skin. But that’s a story for another day.

“That is one of my hundreds of John Law tales,” Pauline says. “At least one we can talk about in public.”

Indeed, if you add up all the pranks and adventures and happenings Law’s been part of over the decades, it becomes a cacophonous calculus, an astronomical amalgamation of mischief in the Bay Area’s underground arts scene.

Now, Law has gone above ground for his first art show, “SIGNMAN: John Law,” a retrospective of his four-plus decades of devilish deeds, on view at Pro Arts Gallery in downtown Oakland through Aug. 24. All this despite the fact that he doesn’t really consider himself an artist and uses air quotes whenever he talks about his “work.”

So who is this man? Culture jammer? Gentleman joker? Prankster with a purpose?

“I’m an unindicted co-conspirator,” he says, a sly smile curling above his silver goatee. “But I guess I’m an artist now, since I have an art show.”

Read more…

r/Place, an incredible 2017 reddit experiment with a simple premise and strict parameters, stands out for the spirit of challenge and community it ignited. It brought the best of collaborative street art into the heart of the digital realm, it earned its place in the annals of internet culture, and it’s worth revisiting and remembering. Here’s how it went down, through the eyes of one very engaged participant.

(If you’re unfamiliar with reddit, here’s a pretty good primer.)

“The story of r/Place. As told by a foot soldier for r/Mexico.”
By Arturo Gutierrez
ART + Marketing
April 3, 2017

I’m sure other historians can tell you who was the first. Others much more knowledgeable than me who can pinpoint where exactly in the vast Canvas did the cursors of hundreds aimed themselves into a singular area, and willed order out of the chaos. But I’m not the one to tell.

Instead, what I saw as a bystander that April 1st was the emergence of life, color, and memes of all sizes and kinds growing almost by magic. And as the hours passed, as I laid a pixel here, waited, and laid another pixel there, the whole Canvas evolved and grew between each of my visits. It was an amazing sight to behold. An inspiring feat of human ingenuity, humor, and improvised politics in slow motion.

Yes, that’s right. For even in these early hours, even before the dedicated subreddits, the forums, Discord channels and massive bot armies of the later days, a silent, wordless body of politics was being established right before our eyes. Read more.

See more photos here.

Watch the video:

From Jesse Brown, host of Canadaland Podcast:

The greatest media prankster alive talks to Jesse for our April Fools episode.