The New York April Fools’ Committee Is Proud to Announce:
NEW YORK CITY’S 36th ANNUAL APRIL FOOLS’ DAY PARADE

New York’s irreverent April Fools’ Day Parade, poking fun at the past year’s displays of hype, hypocrisy, deceit, bigotry, and downright stupidity, is back for the 36th year!

The public is invited to create outrageous floats and dress up as look-alikes in colorful costumes to reflect the folly of the nuttiest politicians, crooked corporate leaders, silly celebrities, and whoever else has proved to be a total fool in the past year.

Floats should be no wider than 10’ and no longer than 30’. They can be self-propelled, towed, pushed or pulled. Customized bicycles, tricycles, baby carriages and helium balloons are welcome. The Parade Committee assumes no liability for damage caused by satire.

The theme of the parade this year is “DENY, DENY, LIE, LIE!” The parade’s Grand Marshall is Texas Senator Ted Cruz in a sombrero dragging a rolling suitcase. He’ll be followed by the QAnon Marching Band singing the Village People’s “Macho Man.” Color commentary will be provided by former Fox News commentator Lou Dobbs. Security will be provided by the Proud Boys and Oath Keepers who will be standing back and standing by.

The parade will lead off with Donald Trump Jr. driving a Trump 2024 Campaign Bus. Anyone voicing opposition to his dad’s claims of voter fraud will be promptly thrown under the bus. Next up is the Georgia Republican Election Officials Float waving 11,780 Biden votes they’ve miraculously found for Trump. This will be followed by a float with a Scale Model of Mount Rushmore with Trump’s Face Added, an Exhibition of Displaced Confederate Statues, and a Shipping Container brimming with Stolen Podiums, Flags, Computers, Important Papers, and Cell Phones from the January 6 Capitol Insurrection. All of these and some Spin Art attached to a Non-Fungible Token (NFT) on the Mobile Ethereum Mining Float will be auctioned by Christie’s to help fund next year’s event (Cryptocurrency only).

Visit http://aprilfoolsdayparade.com for more details.

In 1969 on Valentine’s Day, artist Joey Skaggs satirized male chauvinist Wall Street workers by stretching a fifty foot brassiere across the U.S. Treasury building on Wall Street in New York City. He called it his Big Bust.

Read the whole story here.

50′ Bra Video (no audio)

The back story on Francine Gottfried (from Wikipedia)

Francine Gottfried (born 1947) is a clerical worker in New York City’s Financial District who acquired sudden brief celebrity when, in the space of two weeks in September 1968, increasing numbers of men began watching her as she walked to work. Newspapers dubbed her “Wall Street’s Sweater Girl” as her curvaceous figure seemed to be the sole reason that crowds formed spontaneously around her whenever she appeared in the financial district.

Gottfried started working at Chemical Bank in the financial district on May 27, 1968. By late August, a small band of creeps had noticed her, and that she always followed the same route. They timed her daily arrival and started spreading the word to their colleagues and co-workers. For three weeks, the band of gawkers grew exponentially larger until on September 18 there were 2,000 people waiting for her. (more…)

Joe Enright takes a walk down memory lane and reviews Joey Skaggs Satire and Art Activism, 1960s to the Present and Beyond, the new oral history series debuting at the New Jersey Film Festival on Friday, February 12, 2021

Joey Skaggs: 60 Years of Satire, Psychic Attorneys & Mobile Confessionals, by Joe Enright, Argyle Heights, February 10, 2021

In the mid-1960s, a Lower East Side artist organized crucifixion performances in the East Village on Easter Sunday, protesting social injustice and the Vietnam War. They created…wait for it…wait for it…controversy! The cops swarmed and he was busted. This inspired some Hollywood filmmakers to option his life story for a movie. To which the young man responded: “What life story? I’m only 20!” Indeed, there would be so much more to his story.

Joey Skaggs went on to become a satirist and prankster with an extraordinary history of accomplishments, only some of which were crammed into the hilarious 2015 documentary, Art of the Prank. But many scholars also consider him a progenitor of “culture jamming” and “reality hacking,” decades before such high-falutin’ terms were invented to describe his sly takeover of the language and visual trappings of American culture in order to subversively critique it. His pranks are never vicious, never illegal, but they do require a deadpan sense of humor, good acting skills, well-crafted press releases, financing for props, costumes, videos and above all, a wonderful imagination with the planning necessary to carry it all forward.

Skaggs is foremost a very versatile artist, but when pressed for a definitive occupational title I could pin on him for this profile, Joey chose “Pataphysician,” defined by the 19th century French writer Alfred Jarry as a practitioner of “the science of imaginary solutions.” Among Skaggs’ long list of solutions that have brought joy to many fellow citizens, and embarrassment to bamboozled reporters and societal gate-keepers, some stand out for their sheer audacity. Read the whole article here.

Who is Joey Skaggs?

Find out more as the New Jersey Film Festival screens the first four oral histories in the new series, Joey Skaggs Satire and Art Activism, 1960s to the Present and Beyond this Friday, February 12, 2021.

The screening is virtual and is available for streaming anywhere (not just in New Jersey) for 24 hours as of 12:01 am. From the moment you begin watching, you have 24 hours to finish it.

Teaser trailer

Richard Milner is the author of Darwin’s Universe: Evolution from A to Z.

Margo St. James, the media prankster, former hooker and champion of sexual freedom, died on January 11 in her hometown of Bellingham, Washington. She was 83. During her decades as a counterculture activist in San Francisco (1960s through 1980s), she led the crusade to upgrade legal rights for “ladies of the evening,” whom she described with respect as ‘sex workers.” To that end, she founded COYOTE — “Call Off Your Old Tired Ethics” — which she characterized as “a loose union of women,” or perhaps “a union of loose women.” She was a serious unionist. When a reporter referred to her as a “former madam,” she demanded a retraction and proudly proclaimed, “I was never management.”

But I always thought Margo’s best claim to fame was as “the Realist Nun,” which is how I first heard of her. What, you may ask, was the Realist Nun?

In 1958, a satirist, social critic, and prankster named Paul Krassner founded an outrageous underground magazine called “The Realist”. It was inevitable that in the San Francisco of the 1960s Margo and Paul would meet and become longtime pals and co-conspirators. Margo got hold of an authentic nun’s habit and began wearing it when stepping out with Paul. Once they visited an airport and lingered at the departure gate, where they embraced and began kissing passionately, with Margo attired in the nun’s outfit. Finally, when they were through, she said in a loud voice, “Goodbye, have a great flight, Father Berrigan!” And thus began the annals of The Realist Nun. (more…)

A scene in Sacha Baron Cohen’s news movie “Borat Subsequent Moviefilm” exposes Rudy Giuliani, ex-Mayor of New York and Donald Trump’s personal attorney, in a compromising position. He makes a play for a sexy young journalist who is interviewing him and gets caught on film appearing to put his hand down his pants. Rudy says he was just tucking in his shirt.

You decide. Watch the footage of the scene here:

And here’s Sacha Baron Cohen’s response in character as Borat defending Rudy.

Read more at The Guardian: Rudy Giuliani faces questions after compromising scene in new Borat film

Here’s a creative prescription for managing your medical bills.

Oversized hospital bill paintings sold to pay off medical debts, by Oscar Holland, CNN, October 5, 2020

An art collective has come up with a novel way of paying off three people’s medical debt: turning their hospital bills into huge paintings and selling them to collectors for thousands of dollars.

The paintings were sold for the same amount owed on each bill, with the money used to pay off the applicants’ medical debts. Credit: MSCHF

New York-based MSCHF, which is known for its irreverent art projects, identified Americans with sizable medical debt, including one with a bill for over $47,000. The group then hand-painted the invoices on 6-foot-tall canvases and sold them on the art market for precisely the amount owed.

Beyond settling these individuals’ debts with the money generated, the artists aim to make a wider commentary about the US health care system. Over 137 million people in the United States reported medical financial hardship, a 2019 study found.

Read more here.

Check out Indecline’s new film in Rolling Stone. h/t Dino

From: Indecline Debuts ‘The Art of Protest’ Documentary, Rolling Stone

In activist-artist collective Indecline’s new documentary, protest art is shown as not only relevant, but necessary for change

When Indecline started work on their documentary The Art of Protest in late 2018, they wanted to tell the history of resistance art. Over the previous two years — since they broke onto the national consciousness with their naked-Trump, guerilla-art instillation The Emperor Has No Balls, the activist-artist collective has staged numerous pieces of public art in protest of the Trump presidency. To tell the story, they reached out to Colin Day (director of Saving Banksy) and started shopping around the idea to streaming services. But as the pandemic unfolded, and the Black Lives Matter movement reignited across the streets of the nation, their mission changed. As a representative for Indecline puts it: “What was once set up to be a deep dive into the history of resistance art, soon became a ‘call to action.’”

Now, the 45-minute film — executive produced and distributed by Zero Cool films and premiering here on Rolling Stone — traces the history of protest art, from the Civil Rights movement through the 2020 Black Lives Matter protests. It does so in a way that is equal parts gut-wrenching and exhilarating, illustrating how despite the passage of time, little has changed. To this end, they were careful in their curation of who to talk to: not only did they bring in the heavy hitters most associated with the modern protest-art movement — like Shephard Fairey, Nadya Tolokonnikova, Tom Morello, and Dave Navarro (who also helped to finance the film) — they were careful to incorporate a wider range of voices. Leaders from youth-run 501(c) The Sunrise Movement talk about uniting movements, while the Yes Men discuss bringing absurdity to Capitol Hill. Atlanta’s Ash Nash remembers organizing the “Kaeperbowl” in Atlanta in 2019, spurring artists across the city to paint images of Colin Kaepernick in public places as the Super Bowl rolled into town. Damien Echols, one of the West Memphis Three, speaks to being literally saved from death row by protest art.

At the heart of the film is Indecline’s work over the past four years. Read the rest of this article here.

Guerrilla projections highlight workers concerns.

“Open for Exploitation”: Artists Project Messages on Guggenheim Museum Ahead of Reopening, by Hakim Bishara, Hyperallergic.com, September 29, 2020

The artist-activist groups Artists for Workers and the Illuminator organized the projections in solidarity with the Guggenheim’s unionized workers and workers of Guggenheim Abu Dhabi.

A guerrilla projection on the Guggenheim Museum’s facade, reading “Seeking New Management” (all images from Illuminator)

Yesterday, September 28, the artist-activist groups Artists for Workers (AFW) and the Illuminator descended on the Guggenheim Museum in New York for a series of guerrilla projections on its facade. The action was held in solidarity with the Guggenheim’s unionized workers and workers of Guggenheim Abu Dhabi ahead of the museum’s New York reopening this week (September 30 for members and October 3rd for the general public).

Traffic was scarce on Manhattan’s Fifth Avenue when an old white van parked in front of the Guggenheim at 7:40pm last night. The vehicle, retrofitted to raise a large projector through an opening in its roof, belonged to the Illuminator. This is the third time that the group directed its projector at the Guggenheim’s spiral structure: It did it with the group Gulf Ultra Luxury Faction (G.U.L.F.) in 2016 and 2014, and with Visual AIDS in 2015.

Members of the Illuminator setting up their projector in front of the Guggenheim

Read more here.

Wife’s prank on sleeping husband goes viral. Read the whole story on CNN here.

Meet the man, His Excellency President Kevin Baugh, who runs his own country, the Republic of Molossia, inside the U.S.
h/t Eli Gesner

Click to watch a video on Instagram from @cnn

Alternative animated video about The Republic of Molossia

Jimmy Kimmel presents “Mr Baby Trump” who never ever ever does anything wrong…
h/t Andrea & Linda

New York’s irreverent April Fools’ Day Parade, poking fun at the past year’s displays of hype, hypocrisy, deceit, bigotry, and downright foolishness, is not cancelled! The theme this year is “WITCH HUNT!”

But for the first time in the 35-year history, due to the COVID-19 Pandemic, the parade will be conceptual. Imagine it on Wednesday, April 1, 12 Noon to 3 PM starting at 5th Ave. & 59th St. and marching down to Washington Square Park.

Stay home, stay healthy, flatten the curve and survive! And join us between now and Wednesday, April 1 by virtually designing your own floats and voting for the King of Fools (your choice from countless fools). Post on FB, Twitter or Instagram using #aprilfoolsdayparade and tag us at Facebook, Twitter or Instagram.

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A very important public service announcement from Pluto Living…

Mal Sharpe, comedic pioneer and a very funny man, has left us. In 2007 the Art of the Prank blog published access to 20 of his early Imposter Podcasts, which are recordings of his street sketches (more like comedic ambushes) with his comedy partner Jim Coyle, who passed away in 1993. These recordings had been re-purposed and released by Jesse Thorn of the Maximum Fun site, where all 100 episodes reside:

In the early 1960s, James P. Coyle and Mal Sharpe roamed the streets of San Francisco, microphone in hand, roping strangers into bizarre schemes and surreal stunts. These original recordings are from the Sharpe family archive, which is tended by Mal’s daughter, Jennifer Sharpe.

We extend condolences to the family. Here’s his obit from The New York Times:

Mal Sharpe, Groundbreaker in Street-Level Pranking, Dies at 83
by Neil Genzlinger
The New York Times
March 19, 2020

Long before late-night talk show hosts began doing it, he conducted absurd interviews with gullible passersby with his comedic partner, Jim Coyle.

Two strangers approach a man named George on the streets of San Francisco.

“George,” one of them says, “would you yourself participate in a program of inter-protoplasm flow?”

George doesn’t hesitate. “If I needed it, I guess I would,” he says.

One of the strangers, earnestly impressing on George the seriousness of that commitment, elaborates: (more…)