A scene in Sacha Baron Cohen’s news movie “Borat Subsequent Moviefilm” exposes Rudy Giuliani, ex-Mayor of New York and Donald Trump’s personal attorney, in a compromising position. He makes a play for a sexy young journalist who is interviewing him and gets caught on film appearing to put his hand down his pants. Rudy says he was just tucking in his shirt.

You decide. Watch the footage of the scene here:

And here’s Sacha Baron Cohen’s response in character as Borat defending Rudy.

Read more at The Guardian: Rudy Giuliani faces questions after compromising scene in new Borat film

Here’s a creative prescription for managing your medical bills.

Oversized hospital bill paintings sold to pay off medical debts, by Oscar Holland, CNN, October 5, 2020

An art collective has come up with a novel way of paying off three people’s medical debt: turning their hospital bills into huge paintings and selling them to collectors for thousands of dollars.

The paintings were sold for the same amount owed on each bill, with the money used to pay off the applicants’ medical debts. Credit: MSCHF

New York-based MSCHF, which is known for its irreverent art projects, identified Americans with sizable medical debt, including one with a bill for over $47,000. The group then hand-painted the invoices on 6-foot-tall canvases and sold them on the art market for precisely the amount owed.

Beyond settling these individuals’ debts with the money generated, the artists aim to make a wider commentary about the US health care system. Over 137 million people in the United States reported medical financial hardship, a 2019 study found.

Read more here.

Check out Indecline’s new film in Rolling Stone. h/t Dino

From: Indecline Debuts ‘The Art of Protest’ Documentary, Rolling Stone

In activist-artist collective Indecline’s new documentary, protest art is shown as not only relevant, but necessary for change

When Indecline started work on their documentary The Art of Protest in late 2018, they wanted to tell the history of resistance art. Over the previous two years — since they broke onto the national consciousness with their naked-Trump, guerilla-art instillation The Emperor Has No Balls, the activist-artist collective has staged numerous pieces of public art in protest of the Trump presidency. To tell the story, they reached out to Colin Day (director of Saving Banksy) and started shopping around the idea to streaming services. But as the pandemic unfolded, and the Black Lives Matter movement reignited across the streets of the nation, their mission changed. As a representative for Indecline puts it: “What was once set up to be a deep dive into the history of resistance art, soon became a ‘call to action.’”

Now, the 45-minute film — executive produced and distributed by Zero Cool films and premiering here on Rolling Stone — traces the history of protest art, from the Civil Rights movement through the 2020 Black Lives Matter protests. It does so in a way that is equal parts gut-wrenching and exhilarating, illustrating how despite the passage of time, little has changed. To this end, they were careful in their curation of who to talk to: not only did they bring in the heavy hitters most associated with the modern protest-art movement — like Shephard Fairey, Nadya Tolokonnikova, Tom Morello, and Dave Navarro (who also helped to finance the film) — they were careful to incorporate a wider range of voices. Leaders from youth-run 501(c) The Sunrise Movement talk about uniting movements, while the Yes Men discuss bringing absurdity to Capitol Hill. Atlanta’s Ash Nash remembers organizing the “Kaeperbowl” in Atlanta in 2019, spurring artists across the city to paint images of Colin Kaepernick in public places as the Super Bowl rolled into town. Damien Echols, one of the West Memphis Three, speaks to being literally saved from death row by protest art.

At the heart of the film is Indecline’s work over the past four years. Read the rest of this article here.

Guerrilla projections highlight workers concerns.

“Open for Exploitation”: Artists Project Messages on Guggenheim Museum Ahead of Reopening, by Hakim Bishara, Hyperallergic.com, September 29, 2020

The artist-activist groups Artists for Workers and the Illuminator organized the projections in solidarity with the Guggenheim’s unionized workers and workers of Guggenheim Abu Dhabi.

A guerrilla projection on the Guggenheim Museum’s facade, reading “Seeking New Management” (all images from Illuminator)

Yesterday, September 28, the artist-activist groups Artists for Workers (AFW) and the Illuminator descended on the Guggenheim Museum in New York for a series of guerrilla projections on its facade. The action was held in solidarity with the Guggenheim’s unionized workers and workers of Guggenheim Abu Dhabi ahead of the museum’s New York reopening this week (September 30 for members and October 3rd for the general public).

Traffic was scarce on Manhattan’s Fifth Avenue when an old white van parked in front of the Guggenheim at 7:40pm last night. The vehicle, retrofitted to raise a large projector through an opening in its roof, belonged to the Illuminator. This is the third time that the group directed its projector at the Guggenheim’s spiral structure: It did it with the group Gulf Ultra Luxury Faction (G.U.L.F.) in 2016 and 2014, and with Visual AIDS in 2015.

Members of the Illuminator setting up their projector in front of the Guggenheim

Read more here.

Wife’s prank on sleeping husband goes viral. Read the whole story on CNN here.

Meet the man, His Excellency President Kevin Baugh, who runs his own country, the Republic of Molossia, inside the U.S.
h/t Eli Gesner

Click to watch a video on Instagram from @cnn

Alternative animated video about The Republic of Molossia

Jimmy Kimmel presents “Mr Baby Trump” who never ever ever does anything wrong…
h/t Andrea & Linda

New York’s irreverent April Fools’ Day Parade, poking fun at the past year’s displays of hype, hypocrisy, deceit, bigotry, and downright foolishness, is not cancelled! The theme this year is “WITCH HUNT!”

But for the first time in the 35-year history, due to the COVID-19 Pandemic, the parade will be conceptual. Imagine it on Wednesday, April 1, 12 Noon to 3 PM starting at 5th Ave. & 59th St. and marching down to Washington Square Park.

Stay home, stay healthy, flatten the curve and survive! And join us between now and Wednesday, April 1 by virtually designing your own floats and voting for the King of Fools (your choice from countless fools). Post on FB, Twitter or Instagram using #aprilfoolsdayparade and tag us at Facebook, Twitter or Instagram.

FACEBOOK EVENT
VIEW FULL ANNOUNCEMENT
VIEW ALL PAST PARADE PRESS RELEASES

A very important public service announcement from Pluto Living…

Mal Sharpe, comedic pioneer and a very funny man, has left us. In 2007 the Art of the Prank blog published access to 20 of his early Imposter Podcasts, which are recordings of his street sketches (more like comedic ambushes) with his comedy partner Jim Coyle, who passed away in 1993. These recordings had been re-purposed and released by Jesse Thorn of the Maximum Fun site, where all 100 episodes reside:

In the early 1960s, James P. Coyle and Mal Sharpe roamed the streets of San Francisco, microphone in hand, roping strangers into bizarre schemes and surreal stunts. These original recordings are from the Sharpe family archive, which is tended by Mal’s daughter, Jennifer Sharpe.

We extend condolences to the family. Here’s his obit from The New York Times:

Mal Sharpe, Groundbreaker in Street-Level Pranking, Dies at 83
by Neil Genzlinger
The New York Times
March 19, 2020

Long before late-night talk show hosts began doing it, he conducted absurd interviews with gullible passersby with his comedic partner, Jim Coyle.

Two strangers approach a man named George on the streets of San Francisco.

“George,” one of them says, “would you yourself participate in a program of inter-protoplasm flow?”

George doesn’t hesitate. “If I needed it, I guess I would,” he says.

One of the strangers, earnestly impressing on George the seriousness of that commitment, elaborates: (more…)

Honest government advertising at its best:

The New York April Fools’ Committee Is Proud to Announce:
NEW YORK CITY’S 35th ANNUAL APRIL FOOLS’ DAY PARADE

“WITCH HUNT!”

New York’s irreverent April Fools’ Day Parade, poking fun at the past year’s displays of outrageous hype, hypocrisy, deceit, bigotry, and downright foolishness, returns! For the 35th year, the public is invited to create outrageous floats and dress up as look-alikes in colorful costumes to reflect the folly of the nuttiest politicians, crooked corporate leaders, silly celebrities, and whoever else has proved to be a total fool in the past year.

The theme of the parade this year is “WITCH HUNT!”. It will begin at Fifth Ave and 59th Street at 12 Noon, Wednesday, April 1, 2020, rain or shine. The procession will march down Fifth Avenue to Washington Square Park for the climactic crowning of the King of Fools.

The parade’s Grand Marshall is again President Donald Trump, who this year will be wearing a witch’s cape and hat, and will be riding a witch’s broom. On his tail will be the “Whistleblowers’ Marching Band” playing “Season of the Witch” by Donovan. Dueling color commentary will be provided by Counselor to the President Kellyanne Conway, and her husband, Attorney George T. Conway.

Chased by the mob of whistleblowers, Trump will be screaming “Witch Hunt!!!” as he attempts to outrun the crowd. Senator Rand Paul will be in hot pursuit attempting to out the identity of each whistleblower. The public is invited to bring their own whistles and join the stampede…

Says organizer Joey Skaggs, “With this parade, we are starting a Whistleblowers Campaign. Blow your whistle at every Trump encounter! Let’s vote for change in 2020. We need new fools to make fun of.”

READ THE WHOLE STORY HERE

For parade information contact:
Joey Skaggs, Committee Chair, 212-254-7878
info@joeyskaggs.com, http://aprilfoolsdayparade.com
Facebook, Twitter, Instagram

PRINT FULL ANNOUNCEMENT (PDF)
VIEW ALL PAST PARADE PRESS RELEASES

Spanish Art and Activism Collective Homo Velamine Interviews Joey Skaggs [Spanish and English]

Joey Skaggs: “A fool is a fool, no matter what their political leaning is”
by Demófila Martínez and Luis Platypus
Homo Velamine
October 31, 2019

Joey Skaggs. PHOTO: Sam Ortiz for Observer

Homo Velamine: The increase of fake news in the media in recent years makes us feel that the limits between fact and fiction are more unclear than ever. In the documentary Art of the Prank (2015), you let the viewer peek into the creative process behind one of your hoaxes. The trickiest part seems to be deciding how far you can take it, without crossing the limits of plausibility and creating something that is impossible to believe. After all these years, does it still surprise you how far this limit can actually be pushed? Which of your performances would you say has pushed this limit the farthest and still has been successful?

Joey Skaggs: Pushing the limits of plausibility is the fun part for me. I create the problem and I create the solution. I take a gamble that what I’m doing is so ridiculous that no one’s going to believe it. I want it to be totally absurd because if the news media does fall for it, it will be even funnier and more effective in revealing their gullibility and/or hypocrisy. (more…)

In 1995, Joey Skaggs launched his Solomon Project hoax. Solomon (so he said) was a distributed program running on a set of super computers that would deliberate on the facts and evidence of a case and deliver a definitive verdict, eliminating the need for juries and radically reducing the role of judges. CNN fell for the Solomon Project hook, line and sinker. Reality may finally be catching up with Skaggs. h/t Felipe

Robot judges ‘will pass sentence with no human bias’ in AI courts
by Michael Moran
Daily Star
October 19, 2019

Increasing use of AI in legal system points the way to an all-robot courtroom

It’s likely that most people locked in our jails believe that with a better lawyer, a more lenient judge or a more understanding jury things might have been very different for them.

Human error, they will say, is to blame for them being banged up.

But can the human element be removed? Law firms are already using computer algorithms to perform background research other tasks traditionally performed by human staff. And that’s just the beginning.

As computer researchers get closer to creating true Artificial Intelligence, it’s predicted to eliminate most paralegal and legal research positions within the next decade.

The next step inevitably involves artificial intelligences aiding, or even completely replacing lawyers. And if we have robot lawyers, why not automated judges and juries too? Why not a fully solid-state legal system?

Read the rest of this article here »

Is that social media influencer you’re following real?

These Influencers Aren’t Flesh and Blood, Yet Millions Follow Them
by Tiffany Hsu
The New York Times
June 17, 2019

Balmain commissioned the former fashion photographer Cameron-James Wilson to create a “virtual army” of digital models, including, from left, Margot, Shudu and Zhi. Credit Balmain.

The kiss between Bella Hadid and Miquela Sousa, part of a Calvin Klein commercial last month, struck many viewers as unrealistic, even offensive.

Ms. Hadid, a supermodel, identifies as heterosexual, and the ad sparked complaints that Calvin Klein was deceiving customers with a sham lesbian encounter. The fashion company apologized for “queerbaiting” after the 30-second spot appeared online.

But Ms. Hadid, at least, is human. Everything about Ms. Sousa, better known as Lil Miquela, is manufactured: the straight-cut bangs, the Brazilian-Spanish heritage, the bevy of beautiful friends.

Lil Miquela, who has 1.6 million Instagram followers, is a computer-generated character. Introduced in 2016 by a Los Angeles company backed by Silicon Valley money, she belongs to a growing cadre of social media marketers known as virtual influencers.

Each month, more than 80,000 people stream Lil Miquela’s songs on Spotify. She has worked with the Italian fashion label Prada, given interviews from Coachella and flaunted a tattoo designed by an artist who inked Miley Cyrus.

Until last year, when her creators orchestrated a publicity stunt to reveal her provenance, many of her fans assumed she was a flesh-and-blood 19-year-old. But Lil Miquela is made of pixels, and she was designed to attract follows and likes. (more…)