Blog Posts
ART OF THE PRANK movie Blu-rays with 38 minutes of never before seen Extras and DVDs are now available!
**Use coupon code “ABRACADABRA” to magically get $5.00 off of each disc purchased.**
From ElaraPictures on Instagram, a hilarious Mash-up of Brett Kavanaugh’s Senate testimony on September 28 2018 With Samuel Jackson in Pulp Fiction.
Fifty years ago, artist/activist Joey Skaggs took sixty hippies on a sight-seeing bus tour to suburban Queens. He called this satirical performance his “cultural exchange tour”.
Read his story here on Artsy.net
Here’s a preview…
When Pranks Become Works of Art
Artsy.net
September 19, 2018
Fifty years ago, on a beautiful Sunday morning—September 22, 1968—I stood welcoming my guests onto a rented Greyhound sightseeing bus on the corner of St. Mark’s and 2nd Avenue in New York City. While the rock band the Group Image loaded their equipment into the luggage area on the side of the bus, writer Paul Krassner quipped hilariously about our upcoming odyssey. The 60-seat Greyhound bus was soon to be completely filled with long-haired, beaded, camera-toting hippies—some friends, some total strangers. The plan was to visit the borough of Queens in an ironic reversal, mocking the tour buses that relentlessly came to Greenwich Village and the Lower East Side to gawk at the hippies. It was my cultural exchange tour. We were excited. We felt like pirates on a galleon. After Howard Smith wrote up my plan in his weekly Village Voice column, artist Yayoi Kusama asked if she could come paint polka dots on a troupe of naked dancers when we stopped at a local head shop on Queens Boulevard, where the Group Image would play.
I was young, but already known for my provocative art. In 1966, on Easter Sunday, I had dragged a decayed skeleton of Jesus Christ on a 10-foot-tall cross to Tompkins Square Park on the Lower East Side, to protest man’s inhumanity to man. I took the sculpture out again on Easter in 1967, this time to a Central Park “Be In.” This notoriety may have led to a visit by a neatly dressed, middle-aged black man who rang the buzzer of my loft on East 2nd Street, between Bowery and Second Avenue. He said he had come to buy a ticket for his daughter to ride on my bus to Queens. It seemed highly unlikely, so I told him I wasn’t charging for the sightseeing tour. It was completely free.
He reached in his pocket, pulled out a $5 bill, and insisted that I take it. I told him I didn’t want it, but he literally forced it on me. He then pulled out a badge and said I was busted for illegally operating a tour guide business without a license.
Better check the coffin!
Alan Abel, Hoaxer Extraordinaire, Is (on Good Authority) Dead at 94
by Margalit Fox
The New York Times
Sept. 17, 2018
Credit Larry Stoddard/Associated Press
Alan Abel, a professional hoaxer who for more than half a century gleefully hoodwinked the American public — not least of all by making himself the subject of an earnest news obituary in The New York Times in 1980 — apparently actually did die, on Friday, at his home in Southbury, Conn. He was 94.
His daughter, Jenny Abel, said the cause was complications of cancer and heart failure.
Mr. Abel’s putative 1980 death, orchestrated with his characteristic military precision and involving a dozen accomplices, had been confirmed to The Times by several rigorously rehearsed confederates. One masqueraded as the grieving widow. Another posed as an undertaker, answering fact-checking calls from the newspaper on a dedicated phone line that Mr. Abel had installed, complete with its own directory-information business listing.
After the obituary was published, Mr. Abel, symbolically rising from the grave, held a gleeful news conference, and a much-abashed Times ran a retraction.
This time around, Mr. Abel’s death was additionally confirmed by the Regional Hospice and Palliative Care in Connecticut, which said it had tended to him in his last days, and Carpino Funeral Home in Southbury, which said it was overseeing the arrangements.
Art Collective Indecline and cartoonist Rob Rogers writ large.
Bay Area Protests Trump’s Child Detention Policy with Billboard and Projection
Hyperallergic
by Benjamin Sutton
June 21, 2018
A clandestine modification of a junk removal billboard and a nighttime projection of a political cartoon called out the president’s family separation policy.
Is the US Immigration and Customs Enforcement (ICE) advertising its brutal practice of separating migrant families? If you were driving along Interstate 80 in California’s East Bay last night or early this morning, you might have seen what appeared to be a billboard for ICE flaunting its inhumane expertise — “We make kids disappear” — alongside the Munchian image of a shocked and screaming child.
The ignoble advertisement is in fact the work of satiric and shadowy public art collective Indecline, whose members scaled the billboard (which formerly promoted 1-800-Got-Junk?’s ability to “make junk disappear”) in the night and transformed it into a provocative indictment of ICE. At the time this article was published, a spokesperson for Indecline said that the modified billboard was still in place.
Read more here.
In 1981, Don Joyce launched Over the Edge, a weekly program on KPFA in Berkeley comprised of cut-up tapes and surrealist social commentary. By the time he passed in 2015, he had been a core member of the legendary avant-garde rock band Negativland, engaged in numerous high-profile intellectual property controversies (including tangles with Pepsi and U2), helped popularize the plunderphonics movement (which intersected with hip-hop and helped define internet culture), and coined the phrase “culture jamming.”
A new documentary takes a thoughtful and haunting look at this bold, brilliant, and stubborn creative force.
An Affectionate and Honest Filmic Portrait of Negativland’s Don Joyce
By Paul Riismandel
Radio Survivor
April 8, 2018
Musician, DJ and radio artist Don Joyce passed away nearly three years ago, on July 22, 2015. He left behind a voluminous archive of his KPFA radio program “Over the Edge,” which took off in new, chaotic and creative directions when he welcomed the participation of the experimental band Negativland in 1981, then joining the group.
The documentary “How Radio Isn’t Done
Hey! What’s my face doing on a porn star’s body?
Everything You Need To Know About The Face-Swap Technology That’s Sweeping The Internet (And Getting Banned Everywhere)
Digg
February 8, 2018
Gal Gadot’s face on someone else’s body. Image: Screenshot from SendVids
In the past couple of months, “deepfake” has gone from a nonsense word to a widely-used synonym for videos in which one person’s face is digitally grafted onto another person’s body. The most popular - and troubling - type of deepfake is artificially produced porn appearing to star famous actresses like Gal Gadot, Daisy Ridley and Scarlett Johansson. Sites like Reddit and Pornhub have made moves to ban pornographic deepfakes in recent days, but it’s never been easier for anyone with an internet connection to make disturbingly real-looking porn by mapping almost anyone’s face over those of porn performers. Here’s what you need to know.
‘Deepfake’ Celebrity Porn First Emerged In December
In an only somewhat hyperbolically titled article called “AI-Assisted Fake Porn Is Here and We’re All Fucked,” Motherboard’s Samantha Cole interviewed the first Redditor to post convincing face-swapped videos, who called himself “deepfakes.” (“Deepfake” which has since become a term used the doctored videos produced by the technology.) “Deepfakes” explained how he created a porn video appearing to star Gal Gadot. Read the rest here.
Update January 25, 2018: Vice Video: How to Become TripAdvisor’s #1 Fake Restaurant. Thanks Frank.
The London restaurant so exclusive that no one could ever get a reservation. H/t Bob O’Keefe.
Bonus: Oobah Butler’s Vice play book on how he pulled it off.
“The Shed at Dulwich” was London’s top-rated restaurant. Just one problem: It didn’t exist.
By Eli Rosenberg
The Washington Post
December 8, 2017
It was a unique restaurant in London and certainly the hardest to get into. And it beat out thousands of upscale restaurants in the city to earn the top ranking on the popular review site TripAdvisor for a time, drawing a flood of interest.
There was just one small problem: It didn’t exist.
The restaurant was just a listing created this year by a freelance writer, Oobah Butler, who used his home — a shed in the Dulwich area in South London — as the inspiration for a high-concept new restaurant that he posted on TripAdvisor: “The Shed at Dulwich.”
With hardly more than some fake reviews — “Best shed based experience in London!” a particularly cheeky one read — and a website, it had gamed the site’s ratings in London, a highly sought after designation that could bring a surge of business to any restaurant, let alone one in major global capital.
The story has by now traveled around the globe and back, after Butler wrote a piece that exposed the ruse on Vice. It has been hailed as an incredible feat. But in an era increasingly influenced by disinformation online, it also has served as another reminder of the ease with which pranksters and other dishonest actors are able to manipulate online platforms to sometimes unthinkable results. Read more.
Oscar nominated movie poster alteration in service of the truth… h/t Miss Cellania
If The Posters For This Year's Oscar-Nominated Movies Were Honest
by Caleb Reading
uproxx.com
January 24, 2018
This year's Oscar nominations are in, and there have been some surprises, like a Wolverine sequel becoming the first superhero movie to garner a screenplay nomination. It seems The Academy seeks to reshape its image, and you know what would really reshape everyone's attitude toward this business of show? If movie posters were brutally, hilariously honest.
As we have in previous years, we've collected our favorite honest posters for the films with at least one nomination in any category for the 90th Academy Awards (full nominees list here). Many of these come courtesy of The Shiznit and this College Humor post, along with several other posts. Read more
The beloved, long-running animated satirical program’s eerie track record of anticipating the future. h/t Andrea!
From Breitbart on down, well-compensated conservative media trolls ramp up their presence in the entertainment capital of the world.
“How Hollywood’s Conservative ‘Street Artists’ Troll the Industry”
By Paul Bond
The Hollywood Reporter
December 22, 2018
In a booth on the Westside of Los Angeles sit a trio of conservative provocateurs plotting their next “street art” prank on a liberal celebrity destined to be thrust into the limelight for reasons beyond the person’s control. The restaurant has become a watering hole for conservatives who work in Hollywood and don't usually share their political opinions with their liberal colleagues for fear of retribution.
Friends of Abe, the private group of Hollywood conservatives, used to meet at the same place. The three artists, in fact were often spotted at FOA gatherings, where actors like Tom Selleck, Gary Sinise, Robert Duvall, Kelsey Grammer and Patricia Heaton generously hobnobbed with others in the entertainment industry who lacked their fame and fortune.
One of the street artists usually works independent of the others, but recently they've banded together to focus their efforts on Harvey Weinstein and all those who, they claim, allegedly enabled his predatory behavior for decades. Their aim is to call out Hollywood for its "hypocrisy," they say. Two of them have careers in the industry to protect so they remain anonymous, and their anonymity is fodder for detractors who take to social media to call them out for cowardice and slander.
One justifies his secrecy by noting he'd surely be fired for his very public artwork - which sometimes amounts to attacks on actors, movies and TV shows he is associated with through his full-time job. Another is a freelancer in the industry who used to design interactive media for Steven Spielberg. Read more.
As long as computers have been part of mainstream life, people have been mad at them. This history of one of the first viral videos tells the tale of how information spreads across the digital landscape. Interestingly… having nothing to do with its enormous popularity… it wasn’t at all what it was purported to be.
“The Strange History of One of the Internet’s First Viral Videos”
By Joe Veix
Wired
January 12, 2018
You’ve seen the video. Everyone on the internet has. A man sits in a cubicle and pounds his keyboard in frustration. A few seconds later, the Angry Man picks up the keyboard and swings it like a baseball bat at his screen-it's an old PC from the ’90s, with a big CRT monitor-whacking it off the desk. A frightened coworker's head pops up over the cubicle wall, just in time to watch the Angry Man get up and kick the monitor across the floor. Cut to black.
The clip began to circulate online, mostly via email, in 1997. Dubbed "badday.mpg," it's likely one of the first internet videos ever to go viral. Sometimes GIFs of it still float across Twitter and Facebook feeds. (Most memes barely have a shelf life of 20 minutes, let alone 20 years.)
Beyond its impressive resilience, it's also unexpectedly significant as the prime mover of viral videos. In one clip, you can find everything that's now standard in the genre, like a Lumière brothers film for the internet age: the surveillance footage aesthetic, the sub-30-second runtime, the angry freakout in a typically staid setting, the unhinged destruction of property.
The clip also serves up prime conspiracy fodder. Freeze and enhance: The computer is unplugged. The supposed Angry Man, on closer inspection, is smiling. Was one of the first viral videos-and perhaps the most popular viral video of all time-also one of the first internet hoaxes? Read more.
From Liz Plank’s Twitter @feministabulous. Click through to watch this inspired video:
The president won’t apologize to women so I did it for him.
As the year-end recaps gather on the horizon, many will attempt to make sense of Donald Trump’s ascent to the Presidency. Kurt Andersen’s book Fantasyland: How America Went Haywire provides a fascinating road-map.
The Atlantic posted a long excerpt. This is from Delancey Place about the roots of our inbred susceptibility to advertising.
“Are Americans More Willing to Believe in Advertising?”
Delancey Place
December 4, 2017
From the earliest days, and continuing for decades and even centuries, promoters of the New World enticed colonizers with the promise of riches, causing the historian Daniel Boorstin to suggest that ‘American civilization [has] been shaped by the fact that there was a kind of natural selection here of those people who were willing to believe in advertising’:
“Although [Sir Walter] Raleigh never visited North America himself, he believed that in addition to its gold deposits, his realm might somehow be the biblical Garden of Eden. … A large fraction of the first settlers dispatched by Raleigh became sick and died. He dispatched a second expedition of gold-hunters. It also failed, and all those colonists died. But Sir Walter continued believing the dream of gold.
“In 1606 the new English king, James, despite Raleigh’s colonization disasters, gave a franchise to two new private enterprises, the Virginia Company of London and the Virginia Company of Plymouth, to start colonies. The southern one, under the auspices of London, they named Jamestown after the monarch. Their royal charter was clear about the main mission: ‘to dig, mine, and search for all Manner of Mines of Gold … And to HAVE and enjoy the Gold.’ As Tocqueville wrote in his history two centuries later, ‘It was … gold-seekers who were sent to Virginia. No noble thought or conception above gain presided over the foundation of the new settlements.’ Two-thirds of those first hundred gold-seekers promptly died. But the captain of the expedition returned to England claiming to have found ‘gold showing mountains.’ … In fact, Jamestown ore they dug and refined and shipped to England turned out to be iron pyrite, fool’s gold….” Read more.
Score 1 for investigative journalism on James O’Keefe‘s botched attempt to discredit The Washington Post on behalf of a Senate candidate and alleged pedophile.
“A woman approached The Post with dramatic - and false - tale about Roy Moore. She appears to be part of undercover sting operation.”
By Shawn Boburg, Aaron C. Davis and Alice Crites
The Washington Post
November 27, 2017
A woman who falsely claimed to The Washington Post that Roy Moore, the Republican U.S. Senate candidate in Alabama, impregnated her as a teenager appears to work with an organization that uses deceptive tactics to secretly record conversations in an effort to embarrass its targets.
In a series of interviews over two weeks, the woman shared a dramatic story about an alleged sexual relationship with Moore in 1992 that led to an abortion when she was 15. During the interviews, she repeatedly pressed Post reporters to give their opinions on the effects that her claims could have on Moore's candidacy if she went public.
The Post did not publish an article based on her unsubstantiated account. When Post reporters confronted her with inconsistencies in her story and an Internet posting that raised doubts about her motivations, she insisted that she was not working with any organization that targets journalists.
But on Monday morning, Post reporters saw her walking into the New York offices of Project Veritas, an organization that targets the mainstream news media and left-leaning groups. The organization sets up undercover "stings" that involve using false cover stories and covert video recordings meant to expose what the group says is media bias. Read more.
Welcome to the Art of the Prank, produced and edited by Joey Skaggs. Here you will find insights, information, news and discussions about art, pranks, hoaxes, culture jamming & reality hacking around the world - past, present and future - mainstream and counter culture. You are invited to contribute to its development. May your journey be filled with more than your expectations.
You are currently browsing the archives for the Media Pranks category.
