Culture Jamming and Reality Hacking

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Here’s Why New York City Parks Close at Dusk

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Filed under: Art Pranks, Culture Jamming and Reality Hacking, Political Pranks, Prank News, Pranksters, Satire, Urban Legends

Reminding us about the good old days, artist Joseph Reginella just placed statues around New York commemorating Mayor Ed Koch’s (1978-1989) strategy for ridding the city of taggers by releasing wild wolves in the subway yards. According to Joseph, they’ve since multiplied and are roaming the city’s nether regions. H/T Felipe.


Sculptures of wolves mauling tourist appear in New York City parks
by Rusty Blazenhoff
BoingBoing
October 10, 2019

This is weird.

A series of identical monuments depicting a tourist being mauled by a pack of wolves have surreptitiously been installed in different New York City parks with plaques that read:

Dedicated to the many tourists that go missing every year in New York City.

And a reminder as to why the parks close at dusk.

Erected by the Ed Koch Wolf Foundation and the NYC Fellowship.

A brilliant prankster with mad sculpting skills is taking credit.

Watch the video:

Here’s Mayor Koch pontificating on his brilliant idea:

Read the full story here.

Banking on Banksy

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Filed under: Art Pranks, Creative Activism, Culture Jamming and Reality Hacking, Prank News, Pranksters, Publicity Stunts, Truth that's Stranger than Fiction

Banksy conquers retail with a storefront selling satire.


Banksy Opens London Art Shop Same Week He Sets $12M Auction Record
by Naomi Polonsky
Hyperallergic
October 4, 2019

The anonymous artist has opened a shop in the south London borough of Croydon to showcase some of his characteristically humorous items.

photos by Naomi Polonsky

LONDON — Banksy has always had a complicated relationship with the art market. His unsanctioned street works deliberately challenge the idea of art as a tradeable commodity, but often still end up at auction, commanding astronomical prices. A stunt last year during which his “Girl with a Balloon” (2006) self-destructed at a Sotheby’s sale seemed like a rebuke to the art market, but in fact simply doubled the piece’s value.

But as of this week, Banksy has officially gone into business. A new installation of his work, unveiled on Tuesday, features a storefront filled with branded merchandise. Although Banksy has exhibited his works in storefront installations before, this is the first time that the items are for sale. All of the products will go on sale online in a couple of weeks with prices starting at £10. Gross Domestic Product, which is located in a disused carpet shop in the south London borough of Croydon, includes old and new works by the artist including the iconic stab vest worn by the grime artist Stormzy at Glastonbury last year…

Playing on the double meaning of “gross,” Banksy’s store stocks various disturbing and unsavoury items, such as a rug made from the skin of Tony the Tiger, who has died of diabetes after eating too much Frosted Flakes cereal. A label, written in Banksy’s characteristically irreverent tone, explains that “the floor covering makes quite the conversation piece — especially if the conversation centres around the UK spending over £7.8 million a year on tooth extractions for the under 5s.”

Community Rallies to Save Gem Spa, Center of the Universe

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Filed under: Creative Activism, Culture Jamming and Reality Hacking, Prank News, Pranksters

The legendary Gem Spa received a satirical make-over as “Schitibank” after rumors that Citibank was angling for its location (which Citibank then denied). The event morphed into a “cash mob” as friends and neighbors mobilized to help save the East Village icon from debt and disaster. Read Jesse Jarnow’s Gothamist article here: Gem Spa Rally Turns Beloved East Village Institution Into Mock “Schitibank”. h/t Josh Jasper

Gem Spa, on St. Marks Place and 2nd Avenue in New York, has always been the go-to spot in the East Village; the place where everyone meets everyone else (“Meet you at Gem Spa!”).

In 1968, Joey Skaggs launched the Hippie Bus Tour to Queens from Gem Spa. This was his parody cultural exchange tour, which is memorialized in Artsy on the occasion of its 50th anniversary: When Pranks Become Works of Art.

And, in 1969, Skaggs, his pretend-wife, and a gang of bicyclers held a mock Hell’s Angels wedding parade in front of Gem Spa.

For a terrific historical perspective on St. Marks Place in the East Village, check out “St. Marks Is Dead: The Many Lives of America’s Hippest Street” by Ada Calhoun.


3.8 Million Years Later…

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Filed under: Art Pranks, Creative Activism, Culture Jamming and Reality Hacking, Fact or Fiction?, Political Pranks, Satire

Behold humankind’s most primitive man. h/t Naomi.


Skull of humankind’s oldest-known ancestor unearthed
Associated Press
August 29, 2019

NEW YORK — A fossil from Ethiopia is letting scientists look millions of years into our evolutionary history — and they see a face peering back.

The find, from 3.8 million years ago, reveals the face for a presumed ancestor of the species famously represented by Lucy, the celebrated Ethiopian partial skeleton found in 1974.

Read the whole (real) article here.

Deliveroo Switcheroo

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Filed under: Culture Jamming and Reality Hacking, Media Pranks, Parody, Prank News, Pranksters

Deliveroo food delivery app accepts bogus restaurant run out of prankster’s apartment… Buyer beware!


Italian Stallion’ scams food delivery app with microwaved meatballs
by Hannah Frishberg
New York Post
September 11, 2019

It’s not delivery, it’s deception.

A YouTube prankster with more than 1 million followers exposed the shortcomings of food delivery app Deliveroo’s restaurant vetting — or lack thereof — when he set up a fake restaurant called the Italian Stallion.

Josh Pieters, 25, and two buddies launched a website for the egregious eatery, listing his own apartment as the address and buying Instagram followers to bolster its social-media presence.

Watch the video:

“We knew Deliveroo would check our website, so it would have to look good,” says the South African social-media star in a video uploaded to his YouTube account.

Pieters and his friends took funny food photos, posted nonsense recipes and registered “Italian Stallion, Ltd” before ringing up Deliveroo to explain their lack of a hygiene rating. “One day on the phone, [a customer service rep] said you can start so long as you notify the council and then they will assign a hygiene rating to your premises,” Pieters tells Insider.

“I don’t think they’re doing any checks on who’s applying to have a restaurant on Deliveroo,” Pieters says in his video documenting the restaurant’s short-lived existence. “So despite having a picture of [UK TV personality] Gemma Collins [as head chef] and an AirPod as feta cheese and no food-hygiene inspection of any kind, Deliveroo were happy for us to get going.” (more…)

Be Aware: The Age of DeepFakes is Upon Us

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Filed under: Culture Jamming and Reality Hacking, Illusion and Magic, Media Pranks, Political Pranks, Prank News, Pranksters, Propaganda and Disinformation, Spin, The Future of Pranks, The History of Pranks

This must-see “DeepFake” video transforms Bill Hader, when he was on Late Night with David Letterman, into Tom Cruise before your very eyes.

Watch the video: Bill Hader channels Tom Cruise [DeepFake], YouTube

A little bit of history: In 1987, an interview with Joey Skaggs was published in a book by RE/Search Pubs called Pranks! in which he predicts and discusses the implications of this exact technology.

AJ: “What is reality?”
JS: “Right. What is reality, and how can you know what is history?
“I’d also like to talk about technology and where we’re going. With the ability to comptuer-enerate photo images and do montage, collage and eventually holograms, we’ll have Hitler alive in South America totally fabricated. We’ll have a home movie of JFK actually screwing Marilyn Monroe, or whatever twisted historical thing we want to create. And it will be virtually impossible to detect that it’s a creation, because of the advancements in technology. We are coming to the forefront tehcnologically of a really frightening media reality. If we don’t sharpen our tools now, our integrity, we’re in for even bigger trouble.”

Read the entire RE/Search Pranks! interview here.

Excerpt:

Right-Wing Website Dosed With Own Medicine

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Filed under: Creative Activism, Culture Jamming and Reality Hacking, Fraud and Deception, Media Literacy, Media Pranks, Political Pranks, Prank News, Pranksters, The World of the Prank

The op-ed site Quillette has risen to prominence in the Trump-era conservative firmament by condemning progressive orthodoxies around race and gender, providing a platform for accused sexual predators, defending “Google Memo” author James “Fired4Truth” Damore, and promoting the “Sokal Squared” hoax, an effort to discredit academic disciplines by categorizing them as “grievance studies.”

This week, the site took a blow to its own credibility when left-aligned mischief-maker “Archie Carter” submitted a critique of the Democratic Socialists of America littered with lies, cliches, and errata. The piece was promptly published and promptly retracted by Quillette, leaving leftist publications Alternet and Jacobin (along with broad swaths of Twitter) to gloat over the fallout.

Will Sommer, a journalist/provocateur focused on far-right movements, scored an interview with the hoaxer.


Quillette Duped by Left-Wing Hoaxer Posing as Communist Construction Worker
by Will Sommer
The Daily Beast
August 9, 2019

Construction worker and avowed Leninist Archie Carter has plenty of gripes with the Democratic Socialists of America, the left-wing group that’s enjoyed a new wave of popularity during the Trump era.

In an essay published Thursday on the conservative op-ed website Quillette, Carter declared that DSA had been overrun with overeducated, oversensitive college graduates, blinding itself to the true needs of the working class.

“DSA is doomed,” Carter wrote.

Carter’s piece seemed like exactly the kind of argument that’s turned Quillette, a self-described “platform for free thought,” into a hotbed for the right-wing online “Intellectual Dark Web” movement. Carter had impeccable blue-collar bona fides, with his Quillette bio describing him as a committed union member who’s always “watching the Mets blow a lead.”

But there’s one problem with Carter’s story: He doesn’t exist.

DSA members started picking holes in Carter’s story almost as soon it went live on Quillette. New York City’s DSA local couldn’t find any record of a member, current or former, named Archie Carter. And while Carter claimed to have participated in sit-in protests as part of his DSA work, the group hadn’t organized sit-ins in New York in years.

By Thursday evening, Quillette had retracted Carter’s essay, saying Carter had failed to “supply answers to our follow-up questions in timely fashion.” Read more.


Stephen Barnwell’s Outrageous and Exquisite Moneyart on Exhibit Through September 8

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Filed under: Art Pranks, Creative Activism, Culture Jamming and Reality Hacking, Political Challenges, Political Pranks

Congratulations to artist, activist Stephen Barnwell whose “Capital Offenses” moneyart will be on display at Monmouth Museum, 765 Newman Springs Road, Lincroft, NJ, as part of the NJ Emerging Artists Series, now through September 8, 2019.

Cutting the Cheese Takes on New Meaning

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Filed under: Culture Jamming and Reality Hacking, Parody, Prank News, Pranksters, Publicity Stunts, Truth that's Stranger than Fiction

Food: Bigger than the Plate at Victoria and Albert Museum, “examining various approaches to the future of food through contemporary design, art, and engineering”, opened on May 18 in London and is scheduled to run through October 20, 2019.


These Dairy Devils Are Making Cheese From Celebrities’ Bacteria
by Rohini Chaki
MAY 14, 2019

Aged, ripe, and not for consumption.


(right), trying to brie calm, with Thomas Meany, maker of cheeses from humans. COURTESY OF OPEN CELL

ON MAY 18, A TEAM of renegade cheesemakers will showcase some very outré cheese at the Victoria and Albert Museum’s forthcoming exhibition, Food: Bigger than the Plate. No samplings of this cheese, which will be showcased in climate-controlled glass, shall be on offer. Which is just as well, since they have been made with bacteria from the bodies of British celebrities.

Alex James of the rock band Blur, Michelin-star chef Heston Blumenthal, former Great British Bake Off finalist and author Ruby Tandoh, the singer-songwriter Suggs, and the rapper Professor Green all volunteered their bodily bacteria for science. More specifically, a chef, a synthetic biologist, and a biodesigner turned their body swabs into starter culture for the five cheeses that make up the exhibit, named Selfmade.

Helene Steiner and Thomas Meany are the team behind Open Cell, a biotechnology research hub housed within 45 shipping containers in Shepherd’s Bush, London. Together with chef John Quilter, who goes by Food Busker, the human-cheese artisans have been maturing a cheshire cheese (from Alex James), a comté (Heston Blumenthal), a mozzarella (Professor Green), a Stilton (Ruby Tandoh), and a Cheddar (Suggs). All five cheeses are maturing at the Open Cell lab, and will continue to age at the V&A’s Food exhibition, one of 70 exhibits examining various approaches to the future of food through contemporary design, art, and engineering.

The Selfmade team has launched a Youtube series to promote and explain the project, whose first episode aired on May 11, on Food Busker’s channel. In it, Professor Green gamely declares, “I hate cheese, but I’m here to be made into one.”

Read the rest of this article here.

Paul Krassner, RIP

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Filed under: Creative Activism, Culture Jamming and Reality Hacking, Media Pranks, Political Pranks, Prank News, Pranksters, Publicity Stunts, Satire, The History of Pranks

Sadly, my friend Paul Krassner, satirist, activist, comedian, author, and publisher of The Realist, has passed away. Since the 1960s, he was always there for me, as I was for him.

Paul was with me on my Hippie Bus Tour To Queens and was part of my Vietnamese Christmas Nativity Burning in Central Park, both in 1968.

In 1969, he published a photo of himself standing with my Grotesque Statues of Liberty on the back cover of his book How a satirical editor became a Yippie conspirator in ten easy years.

Paul used his voice to draw attention to social injustice, inequality and challenges to our freedom. I’ll miss his satirical wit.

Here’s his full obit in The New York Times (for people who can’t access it).

[Editor’s note: The New York Times covered my Hippie Bus Tour to Queens in 1968 when it happened. Years later, in 1992, they misattributed it to Abbie Hoffman and had to print a retraction. They’ve now done it a second time in Paul’s obit. Paul was one of 60 hippies who accompanied me on the tour (Hippie Bus Tour to Queens Remembered 50 years later! by Joey Skaggs, Artsy.net). I know he’d want to set this record straight.]


Paul Krassner, Anarchist, Prankster and a Yippies Founder, Dies at 87
by Joseph Berger
The New York Times
July 21, 2019

Paul Krassner, right, in 1969 with, from left, Ed Sanders of the rock group the Fugs and Abbie Hoffman. Mr. Krassner helped start the Yippie movement and was the founder of The Realist magazine. Credit The New York Times

He was a prankster, a master of the put-on that thumbed its nose at what he saw as a stuffy and blundering political establishment. (more…)

Political Prank Topples the Austrian Government. Joey Skaggs Swears He Didn’t Do It! [English and German]

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Filed under: Creative Activism, Culture Jamming and Reality Hacking, Fraud and Deception, Media Pranks, Political Pranks, Prank News, Pranksters, Propaganda and Disinformation, Truth that's Stranger than Fiction

Joey Skaggs visited Vienna, Austria, in June. Coincidentally, a surreptitiously filmed video had just been released showing the far-right Freedom Party’s leader and then vice chancellor of the Austrian government, Heinz-Christian Strache, scheming to overthrow the rest of the government.

In the video, Strache, thinking he’s talking to the niece of a wealthy Russian oligarch with connections in high places, offers her a controlling share in a national newspaper and sweetheart construction contracts in return for hefty (and illegal) campaign donations. Turns out she wasn’t who she said she was and the video shows him to be an ambitious, scheming fool.

The video caused a loss of confidence in the entire Austrian government and resulted in its total collapse. In essence, the Austrian government had just been toppled by a prank. What timing. Joey swears he had nothing to do with this!

Joey’s presentation at FH-Wien University in Vienna prompted interviews with FM4, Austria’s national radio network, and NJOY 91.3, the FH-Wien University radio station. It was a great opportunity for him to talk about the power of the political prank, President Trump’s fixation with “fake news”, and the unsettling potential of deepfakes, which he had predicted in a 1986 interview in Pranks! (RE/Search No. 11). Check out page 41.

The FM4 radio interview with Felix Diewald is no longer available, however its web page (in German) is terrific.

The NJOY 91.3 radio interview with Michel Mehle is fun and edifying. It starts out in German and switches to English at 2:11.

Lawless John Law Revealed

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Filed under: Art Pranks, Creative Activism, Culture Jamming and Reality Hacking, Media Pranks, Political Pranks, Prank News, Pranksters, The History of Pranks

John Law, co-editor of Tales of the San Francisco Cacophony Society, is a pioneering adventurer who defies gravity and the status quo. From the Suicide Club to Burning Man to the Billboard Liberation Front to the Cacophony Society and beyond, John is a true inspiration to artists and activists. He’s also a helluva driver. I’m glad to call him a friend. His one-man show “SIGNMAN: John Law” is at the Pro Arts Gallery in Oakland until August 24.


John Law, iconic Bay Area prankster, now has his own ‘art’ show
by Angela Hill
Mercury News
July 5, 2019

A famed Bay Area prankster and underground artist just got his first exhibit

Here’s the way one of John Law’s longtime cohorts describes an early encounter with the neon artist/prankster/culture jammer/urban adventurer/enigma:

It was 1982 and Mark Pauline got a phone call from Law saying he had a bunch of body parts in the refrigerator at his house and they had to get them out of there before the cops came. “Sure enough, he had a big plastic bag full of human body parts, preserved in formaldehyde,” says Pauline, director of performance art group Survival Research Labs (known for building things that spew fire and blow stuff up).

“John was in the Cacophony Society and those guys would go in abandoned buildings and do adventures,” Pauline says. “They’d gone into an abandoned mortuary college and found all these body parts left in these tubs there, so they took ‘em.”

Frankenstein-style, for another pal to tattoo and display in a big Lexan case which hung around for a while and eventually cracked and rats got in and ate all the skin. But that’s a story for another day.

“That is one of my hundreds of John Law tales,” Pauline says. “At least one we can talk about in public.”

Indeed, if you add up all the pranks and adventures and happenings Law’s been part of over the decades, it becomes a cacophonous calculus, an astronomical amalgamation of mischief in the Bay Area’s underground arts scene.

Now, Law has gone above ground for his first art show, “SIGNMAN: John Law,” a retrospective of his four-plus decades of devilish deeds, on view at Pro Arts Gallery in downtown Oakland through Aug. 24. All this despite the fact that he doesn’t really consider himself an artist and uses air quotes whenever he talks about his “work.”

So who is this man? Culture jammer? Gentleman joker? Prankster with a purpose?

“I’m an unindicted co-conspirator,” he says, a sly smile curling above his silver goatee. “But I guess I’m an artist now, since I have an art show.”

Read more…

JR Brings the Immigrants’ Plight to Ellis Island

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Filed under: Art Pranks, Creative Activism, Culture Jamming and Reality Hacking, Political Pranks, Pranksters

Artist JR has augmented his earlier haunting installation of immigrant photos pasted in the derelict Ellis Island Immigrant Hospital with new photos pasted on the outside of the building. This time, he altered the faces of the 19th and 20th century migrants to the faces of current day Syrian immigrants he had photographed in a refugee camp in Jordan. Asked what the project’s commissioners thought of this unsanctioned transformation, he said, “No one noticed.”


Artist’s hidden message on Ellis Island
by Brit McCandless Farmer
CBS News
July 07, 2019

The street artist JR has brought his trademark oversized photographs to an abandoned immigrants’ hospital, but there’s more than meets the eye

The building is derelict. On the walls, paint peels, illuminated only by what sunlight peeks through the grimy windows. Time has worn the floors. The filing cabinets, covered in dirt and dust, have been sitting empty for decades. Rust peppers the metal lockers.

But turn a corner, and see something remarkable: A group of men, dressed in fine hats and overcoats, appears to ascend the stairs. The sound of the wooden steps creaking under their weight is almost audible. Close a shabby door, and a young girl stares back, her hands folded calmly in front of her. In another vacant room, a family of three gazes out the window. Over their shoulders rises the Statue of Liberty, the symbol of a new life just out of reach.

These black-and-white photographs feature some of the 12 million immigrants who passed through New York Harbor from the late 19th century to the mid-20th century. They’re part of an installation by French street artist JR, who blew them up to life-size and pasted them in the former Ellis Island Immigrant Hospital, where they bring new life to the abandoned building. He also used photos of doctors and nurses who worked at the hospital.

Read more about this second phase of the project

Michael De Feo’s Flowers

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Filed under: Culture Jamming and Reality Hacking

I love telling success stories about my former SVA students. I now have the opportunity to boast about Michael De Feo. His book, “Michael De Feo: Flowers“, was just released by Abrams Books.

Michael De Feo’s dedication and singularity in the use of his iconic flower image has taken him on a creative adventure of self-discovery in a very public arena.

Michael paints flowers on walls and other public spaces. He has also appropriated advertisements, transforming them, much like billboard liberators, taggers, and graffiti artists do, to dramatically change one message to another. His choice to violate these public spaces with his decorative flowers has great irony. It’s non-threatening. One could paint bullet holes. Michael paints flowers. Bullet holes are obvious. You don’t have to think much about the message. But a flower…

The greater irony is that Michael’s work has now been appropriated by the advertisers whose campaigns he altered because of the positive attention he brings to their work. From my perspective, Michael has created a new meaning to the phrase “flower power.”

r/Place: Recollections of a Pop-up Online Subculture

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Filed under: Art Pranks, Creative Activism, Culture Jamming and Reality Hacking, Media Pranks, Sociology and Psychology of Pranks, The History of Pranks, The Prank as Art, The World of the Prank

r/Place, an incredible 2017 reddit experiment with a simple premise and strict parameters, stands out for the spirit of challenge and community it ignited. It brought the best of collaborative street art into the heart of the digital realm, it earned its place in the annals of internet culture, and it’s worth revisiting and remembering. Here’s how it went down, through the eyes of one very engaged participant.

(If you’re unfamiliar with reddit, here’s a pretty good primer.)


“The story of r/Place. As told by a foot soldier for r/Mexico.”
By Arturo Gutierrez
ART + Marketing
April 3, 2017

I’m sure other historians can tell you who was the first. Others much more knowledgeable than me who can pinpoint where exactly in the vast Canvas did the cursors of hundreds aimed themselves into a singular area, and willed order out of the chaos. But I’m not the one to tell.

Instead, what I saw as a bystander that April 1st was the emergence of life, color, and memes of all sizes and kinds growing almost by magic. And as the hours passed, as I laid a pixel here, waited, and laid another pixel there, the whole Canvas evolved and grew between each of my visits. It was an amazing sight to behold. An inspiring feat of human ingenuity, humor, and improvised politics in slow motion.

Yes, that’s right. For even in these early hours, even before the dedicated subreddits, the forums, Discord channels and massive bot armies of the later days, a silent, wordless body of politics was being established right before our eyes. Read more.