Parody

A parody uses elements of a prior work to target the prior work itself, satire uses elements of a prior work to target some other aspect of society.

Blog Posts

In Review: April Fools’ Day 2019 Branding, Marketing, and Media Stunts

by
Filed under: All About Pranks, Fact or Fiction?, Fraud and Deception, Hype, Media Literacy, Media Pranks, Parody, Practical Jokes and Mischief, Prank News, Pranksters, Publicity Stunts, Satire, Sociology and Psychology of Pranks, Spin, The World of the Prank

Before April Fools’ Day 2019 even began, the tech giant Microsoft announced that it would not be indulging in any branded foolishness this year. And that sort of set the tone for the day.

From the rise of the internet and social media through the election of Donald Trump, distinguishing truth from fiction in the online landscape has become less about comedy and more about horror. Even the cutest and cleverest April Fools’ publicity stunts are not as well received as they may have been in the past. The overall online mood is darker, more skittish, and more reflective. Still, there’s still some levity to be found in the chaos and desperation.

A few editorials addressed the cynicism and fatigue around April Fools’ Day from high-level perspectives.

Of the branded pranks that did go down, the most interesting had satirical or meta-comedic elements.

Others were just plain, dumb, silly, marginally self-aware fun. Here are the best of the rest:

And there was even some good news!

As with any holiday, the best way to spend April Fools’ Day is probably not on the internet, but engaged in revelry and camaraderie IRL, fighting the forces of oppression and no-fun-ness in the company of loved ones and loved ones you haven’t met yet. So naturally the best news of the day was the annual April Fools’ Day Parade – see the highlights [HERE].

Nina Katchadourian’s Airplane Art

posted by
Filed under: Culture Jamming and Reality Hacking, Illusion and Magic, Parody

Artist Nina Katchadourian gives new meaning to the Mile High Club.


How Nina Katchadourian Uses Airplanes as Her Studio
by Julia Wolkoff
Artsy.net
March 16, 2019

In 2010, Nina Katchadourian was awaiting takeoff on her flight from Atlanta to New York’s LaGuardia airport when she had a thought that would irrevocably alter her creative production.

“I have two-and-a-half hours ahead of me,” she recalled thinking in a recent interview with Artsy. “Why does it feel like this time already doesn’t count?”

The multidisciplinary New York–based artist was repulsed by the pervasive sense of powerlessness in the face of air travel. Determined to maximize her time on the plane and remain engaged during what is often a numbing experience, Katchadourian developed a kind of game to create things throughout the entire flight—an expansive project that has come to be called “Seat Assignment” (2010–present). “As an artist, I’m always looking at what more there might be in our mundane, everyday surroundings if we pay it interest, give it a second look,” she said. She hadn’t brought materials with her, so she began playing with whatever was at hand on her tray table, and documented the results with her camera phone.

Two-hundred-and-seventy-five trips later, Katchadourian is still making the most of in-flight magazines, complimentary peanuts, and cocktail napkins. She’s created hundreds of compelling photographs—including those in the project’s sub-series “Lavatory Self-Portraits in the Flemish Style,” which became a riotous viral sensation—as well as video animations and a handful of surreptitious music videos filmed in airplane bathrooms. A good portion of the results from her creative experiment are now the subject of “IFICATION,” an exhibition on view at Fridman Gallery in New York through March 31st.

Read the rest of this article here.

Improv Everywhere: Phone Booth Coworking

by
Filed under: Culture Jamming and Reality Hacking, Parody, Practical Jokes and Mischief, Pranksters

This past November, Improv Everywhere turned a pair of phone booths on 6th Avenue into coworking spaces. Real New Yorkers were invited to try out the new “WeWork Street” service and learn about the many benefits of outdoor coworking.

Watch the video:

This unauthorized project was a collaboration with Deanna Director and Maggie McClurken, who we worked with on the Fake Apple Store project, as well as public space artist Jordan Seiler, who lent his phone booth expertise. This project was not a collaboration with WeWork, but we hope they like it and hope they will consider the idea for their ever-expanding empire.

This Rascal’s Obituary is a Collaborative Literary Masterpiece

by
Filed under: Culture Jamming and Reality Hacking, Media Pranks, Parody, Prank News, Pranksters, The World of the Prank

As a fitting tribute to the prank-loving Rick Stein on the occasion of his death, his daughter Alex Walsh took some creative liberties in his honor. Then things got really ridiculous, swelling into a funny and moving tribute to the power of a life irreverently lived.


“A daughter’s hilarious obituary unravels her father’s mysterious life. You have to read to the end to get it.”
by Allison Klein
October 11, 2018
The Washington Post

The obituary that ran last week in Delaware Online is a mystery, the tale of a globe-trotting Renaissance man who disappeared in a single-engine plane over the Atlantic Ocean after learning he had cancer.

It was written by Alex Walsh about her father, Rick Stein, 71, a man who she said had an endless appetite for comedy. The huge response on social media has been comfort to the mourning family, she said, as people who never knew her father have been sending condolences by the dozens.

“All of this is bittersweet,” Walsh, 45, said in an interview with The Washington Post.

The obituary begins:

“Rick Stein, 71, of Wilmington was reported missing and presumed dead on September 27, 2018 when investigators say the single-engine plane he was piloting, The Northrop, suddenly lost communication with air traffic control and disappeared over the Atlantic Ocean off the coast of Rehoboth Beach. Philadelphia police confirm Stein had been a patient at Thomas Jefferson University Hospital where he was being treated for a rare form of cancer. Hospital spokesman Walter Heisenberg says doctors from Stein’s surgical team went to visit him on rounds when they discovered his room was empty. Security footage shows Stein leaving the building at approximately 3:30 Thursday afternoon, but then the video feed mysteriously cuts off.

“Authorities say they believe Stein took an Uber to the Philadelphia airport where they assume he somehow gained access to the aircraft. ‘The sea was angry that day,’ said NTSB lead investigator Greg Fields in a news conference. ‘We have no idea where Mr. Stein may be, but any hope for a rescue is unlikely.”’ (more…)

Good Things Come In Ridiculous Packages

by
Filed under: Parody, Practical Jokes and Mischief, Prank News, Pranksters, Satire

Not sure you’ll choose the perfect holiday gifts for your loved ones? It hardly matters when you use one of these goofy satirical packages.


“Hilarious Prank Gift Boxes Printed With Items of Questionable Taste That Hide the Real Gift Inside”
by Lori Dorn
Laughing Squid
December 4, 2018

Prank-O, a Minneapolis-based comedy company, has a hilarious line of fake gift boxes known as Prank Packs. These gift boxes are printed with items of questionable taste while hiding the real presents inside. Such absurd items include a Plant Urinal, a “Crib Dribbler”, “My First Fire”, “Bathe and Brew”, “Tech Neck”, “Tweet Printer” and “Sizzl Bacon Scented Dryer Sheets”, just to name a few. Read more.

Honest Political Ad!

posted by
Filed under: Creative Activism, Culture Jamming and Reality Hacking, Parody, Political Pranks

Gil Fulbright, aka Phillip Mamouf-Wifarts, is at it again…


Watch the video:

Better Call Mike

posted by
Filed under: Creative Activism, Culture Jamming and Reality Hacking, Parody, Political Pranks, Prank News, Pranksters, Satire

Fake subway ads promoting the services offered by President Trump’s fixer, attorney Michael Cohen, have appeared in New York City subways. The anonymous force behind the ads, website and telephone message you receive when you call the phone number on the ad is interviewed in the Village Voice.


Meet the Creator of the Fake Michael Cohen Subway Ad
by Neil Demause
Village Voice
April 20, 2018

Dirty deeds, done for a reasonable retainer

Photo by Yana Paskova/Getty Images

This week, subway riders may have been surprised during their morning commutes to see a Dr. Zizmor–esque ad for another now-familiar face: “Michael Cohen, Attorney-at-Law. Got Problems? Call ‘The Fixer,’ ” the ad copy reads, above a checklist of services rendered — “Hush Payments, Physical Threats, Pay Off Porn Stars, Playboy Bunnies” — and the smarmily grinning face of Donald Trump’s embattled lawyer.

The ad — which, needless to say, was placed on trains without the knowledge or permission of the MTA — went a step further, though, by including a phone number that leads to a similarly deadpan voicemail message (“Press 3 if you are the president of the United States”), as well as a URL for a website advertising his skill set and office hours. (Apparently the fake Cohen is happy to “commit treason if it means helping a client” but doesn’t work weekends.)

The Voice, in what is apparently going to be an ongoing series of interviews with New Yorkers insistent on joining the daily subway-ad-strip dialogue, tracked down the anonymous Cohen impersonator for a brief email interrogation: Read the full interview here.

April Fools’ Day 2018: Stunt Roundup

by
Filed under: All About Pranks, Creative Activism, Culture Jamming and Reality Hacking, Media Literacy, Parody, Practical Jokes and Mischief, Prank News, Pranksters, Publicity Stunts, Satire, The History of Pranks, The World of the Prank

The smirking array of pranks, stunts, and fake marketing drives has become a predictable April Fool’s Day rite. Our finest brands and capital-C Creative Teams use this opportunity to trot out wacky ideas and to attempt to out-clever each other in a quest for attention.

You can set your sundial by it, but that’s no reason, in itself, to complain. Plenty of brand-based April Fool’s japes are entertaining, and a few pack genuinely subversive elements.

Sunday finds the virtual prank parade already in progress. The clowns have been rolling out all week, in acknowledgement of the holiday schedule, and probably as part of a phenomenon similar to Christmas Creep, in which April Fool’s Day threatens to slowly engulf more and more of the year.

There are few unique challenges against which this year’s festival of cleverness must contend. April Fool’s Day falls on a Sunday, and on the Easter holiday, widely observed in nations where influential marketers and media entities are based. It also falls against a background characterized by extreme distrust and hostility toward advertisers, Silicon Valley tech giants, and a political climate in which the US presidential administration’s most favored PR approach resembles gaslighting. Increasingly, the media treat April Fool’s brand stunts with outward cynicism and exhaustion.

In the wake of the Cambridge Analytica controversy that is grinding away at Facebook, tech brands face a tough room this year. Google, in particular, has always embraced cheeky self-awareness in its pranks, a winking sense of, “everyone seems to think we’re going to control the world someday – and wouldn’t it be kind of neat if we did?” This year’s battery of GOOG yuks, including a “bad joke detector” and an API for different varieties of hummus, acknowledges the inherent absurdity of Google’s algorithmic, data-driven approach to world domination. Google’s work is state-of-the-art in terms of creative skill, but it feels at least few weeks behind the times.

In the Scott Dikkers taxonomy of jokes, irony and parody are hard to make stick in 2018. Gentle absurdity, wordplay, and “madcap” humor may be an easier plan.

Coinciding with Easter Sunday may make it harder to nab eyeballs, but some brands are using it to their advantage. The Chocolate Whopper is one of many gags that draws ridiculous associations with holiday sweets. Following up the success of the emoji car horn, one of the most charming 2017 stunts, Honda returns with another winning exercise in pure silliness. One tech company simply gave a crapload of money to people who need it, which may be the most heartwarming and unorthodox 4/1 tactic on record.

In the non-commercial realm, artists and social critics are addressing the elephant in the room, head on. From anonymous Craigslist pranksters to our own head honcho Joey Skaggs and his annual April Fool’s Day parade, there’s plenty of puckish and ambitious parody directed at Trump and his inherently ridiculous milieu.

Arguably, the best thing that can come from the widespread crisis in confidence that is 2018 is a greater premium on critical thinking and the importance of placing our relentless and exhausting news cycle in its broader context.

As usual, Atlas Obscura does rigorous yet unpretentious work putting curiosities and absurdities against the backdrop of history, in an entertaining and approachable fashion. All week, it has showcased examples of old-school irreverence, from bird dung to a theoretical cactus, as a reminder that high-profile pranks have always been with us, and their spirit is always worth preserving and celebrating. (Thanks to Dr. Bob O’Keefe for the tip on this one.)

The Art of Getting Even

posted by
Filed under: Art Pranks, Parody, Prank News

Don’t get mad get even. Interlochen Center for the Arts prankees prank back… with a flourish.


Art Prank At Museum Fundraiser Goes Viral
by Beth Milligan
Traverse Ticker
Feb. 27, 2018

Instructors in the Visual Arts department at Interlochen Center for the Arts stole the spotlight at the Great Lakes Children’s Museum A-Ha! Fundraiser this weekend with a prank on one of their colleagues – a stunt that went viral on the Internet.

Mindy Ronayne and Megan Hildebrandt, both Interlochen instructors and members of the Great Lakes Children’s Museum board, snuck a last-minute addition into the fundraiser’s silent auction Saturday. The duo submitted a parody painting inspired by a famous portrait of Gerard Andriesz Bicker, painted by the Dutch artist Bartholomeus Van Der Helst in the 17th century and exhibited at the Rijksmuseum in Amsterdam. The head on the parody painting was of Andy Schmitt, director of information technology at Interlochen. The bid card for the painting read:

Portrait of Andrea D. Schmitty: First President of the Grand Traverse Feline Association and sister-in-law of Ann, the wife of lumber baron and Father of Traverse City, Perry Hannah. Andrea was also a successful game hunter and lifelong advocate in the fight to stop the cat skinning trade. Widely known as a tinkering enthusiast.

(more…)

Real Magician’s Never Reveal Their Tricks?

posted by
Filed under: Fact or Fiction?, Parody, Practical Jokes and Mischief, Pranksters

Dead pan parody of a magician’s nemesis revealing all of the tricks. h/t Neatorama


It’s enough to make you pull your hare out! Magician’s thrilling secrets are revealed by his stony-faced assistant
by Joe Sheppard
Daily Mail
October 13, 2017

As traits go, honesty is not really the best policy for a magician’s assistant.

This amusing video shows a prankster revealing all his budding sorcerer friend’s best tricks.

The series of clips filmed by Chinese internet star A Gan shows him attempting a few illusions which are intended to show floating hands, bending bottles and levitating taps.

But each time he tries, the mood is instantly broken by his purple-haired pal, who steps in to reveal the hoax. Read the whole article here.

Short video:

Longer video:

North Koreans Stayin’ Alive

posted by
Filed under: Creative Activism, Culture Jamming and Reality Hacking, Parody, Pranksters

In Misery Seek Root Beer” gets North Korean army high-steppin’ to the Bee Gees. Thanks Andrea!

Watch the video

Simon & Garfunkle Dopplegangers Take on the Science Denialist-in-Chief

posted by
Filed under: Creative Activism, Culture Jamming and Reality Hacking, Parody, Pranksters

From the Parody Project. Art Garfunkel played by Don Caron and Paul Simon played by Linda Gower pin the tail on the elephant in the room with their take on Sounds of Silence.

Confounds the Science – (Parody of) Sound of Silence

Is Trump Full of Hot Air?

posted by
Filed under: Culture Jamming and Reality Hacking, Parody, Political Pranks, Pranksters

Ever wonder what it would feel like to blow up Donald Trump? Thanks Alexa and Nancy


Giant inflatable rat bearing resemblance to Trump appears on Fifth Ave.
by Kerry Burke and Christopher Brennan
New York Daily News
August 14, 2017

New York City's rats have gotten much bigger ... and blond.

A giant inflatable of President Trump, in the style of labor unions' blow up rodents, is greeting Midtown residents and tourists Monday afternoon at Fifth Ave. and 59th St.

The grotesque model of Trump was claimed by gallery Bravin Lee, who said that the inflatable rat is "an enduring sign of resistance and ridicule."

“I was always passing by these non-union construction sites on my bike and I saw these inflatable rats. I was amazed at how effective they were. I marveled at how disgusting they were,” gallery owner John Post Lee told the Daily News.

The inflatable protest was funded through a Kickstarter, and Lee said that it was [designed by artist Jeffrey Beebe and] made in Brunwick, Ohio.

Gallery owner John Post Lee said that he was inspired by labor unions using inflatable rats.

Bravin Lee said they plan to keep the “rat” scurrying around to different events.


Stand-up Comedians Regroup Against Trump’s Shade

posted by
Filed under: Media Literacy, Parody, Political Challenges, Satire, Truth that's Stranger than Fiction

Satire has always been our front line of defense against the insanity of our so-called leaders. But with Trump’s alternative reality reaching such exalted new heights, comedians need new strategies.

As we approach the first summer of the Trump presidency, comics are realizing their job isn't figuring out the perfect way to skewer President Trump-their job is to find the humor that pushes us past him, his acrimony, and his chaos. If that's even possible.


Funny, How? Inside Stand-Up Comedy’s Donald Trump Problem
by Burt Helm
GQ
June 2, 2017

The absurd usually makes for great comedic fodder. But when the source of that ridiculousness is the man tasked with, you know, running the United States…is it still funny? Everyone from Jerrod Carmichael to Michael Che to Lena Dunham is trying to figure that out.

On a Monday night in January, people looking to escape the gloom and chaos of Donald Trump's first two weeks in office gathered at Brooklyn's Knitting Factory for Michael Che's Secret Show. Tickets to the special comedy event, which benefitted Planned Parenthood, went on sale five days after the inauguration and four days after the Women's March became one of the largest-scale protests in American history (also, three days after the birth of “alternative facts," two days after the President pushed false voter fraud rumors, and one day after the first reports of his impending refugee ban). The show sold out in under an hour. As soon as Cipha Sounds, a New York City-based DJ and comedian, took the stage and started spinning, heads in the crowd were bobbing, expectant smiles on their faces. "Out of the five fingers on your hand, which one do you feel represents your feelings toward Donald Trump?" asked Cipha, cranking the volume on CeeLo's "Fuck You."

"It's not about an agenda. It's more about bringing you guys a fun fucking show," Che said, welcoming the audience. He brought up a comedy Dream Team: Kevin Iso, Mike Birbiglia, Amy Schumer, Colin Quinn, Lena Dunham, Leslie Jones, John Mulaney, and Che's partner on Saturday Night Live's “Weekend Update,” Colin Jost. But this was not a night for liberals to forget their woes. None of the performers could finish his or her set without referencing the political climate. They went dark; they looked for bitter laughs. (more…)

Gender Studies Hoaxers Kick an Academic Hornet’s Nest

by
Filed under: Creative Activism, Fraud and Deception, Literary Hoaxes, Media Literacy, Media Pranks, Parody, Political Pranks, Prank News, Pranksters, Satire

Skeptic magazine reveals an Alan Sokal-style hoax on the journal Cogent Social Sciences–an attempt to mock both what the authors perceive to be the excesses of feminist academia and open-access or pay-to-publish journals. So far, they have at least succeeded in getting a lot of attention, pro and con.


“The Conceptual Penis as a Social Construct: A Sokal-Style Hoax on Gender Studies”
by Peter Boghossian and James Lindsey
Skeptic
May 19, 2017

The androcentric scientific and meta-scientific evidence that the penis is the male reproductive organ is considered overwhelming and largely uncontroversial.

That's how we began. We used this preposterous sentence to open a "paper" consisting of 3,000 words of utter nonsense posing as academic scholarship. Then a peer-reviewed academic journal in the social sciences accepted and published it.
This paper should never have been published. Titled, "The Conceptual Penis as a Social Construct," our paper "argues" that "The penis vis-à -vis maleness is an incoherent construct. We argue that the conceptual penis is better understood not as an anatomical organ but as a gender-performative, highly fluid social construct." As if to prove philosopher David Hume's claim that there is a deep gap between what is and what ought to be, our should-never-have-been-published paper was published in the open-access (meaning that articles are freely accessible and not behind a paywall), peer-reviewed journal Cogent Social Sciences. (In case the PDF is removed, we've archived it.)

Assuming the pen names "Jamie Lindsay" and "Peter Boyle," and writing for the fictitious "Southeast Independent Social Research Group," we wrote an absurd paper loosely composed in the style of post-structuralist discursive gender theory. The paper was ridiculous by intention, essentially arguing that penises shouldn't be thought of as male genital organs but as damaging social constructions. We made no attempt to find out what "post-structuralist discursive gender theory" actually means. We assumed that if we were merely clear in our moral implications that maleness is intrinsically bad and that the penis is somehow at the root of it, we could get the paper published in a respectable journal. Read more.