…Exploring the role of the prankster as artist, activist and social observer and the significance of the prank in society.
Welcome to Art of the Prank, produced and edited by Joey Skaggs. Here you will find insights, information, news and discussions about art, pranks, hoaxes, culture jamming & reality hacking around the world – past, present and future – mainstream and counter culture. You are invited to contribute to its development. May your journey be filled with more than your expectations.
JOEY SKAGGS SATIRE AND ART ACTIVISM,
1960s TO THE PRESENT AND BEYOND
A new series of short oral history films,
produced and directed by Judy Drosd and Joey Skaggs
ART OF THE PRANK, THE MOVIE:
Andrea Marini’s award winning feature documentary about
New York artist and activist Joey Skaggs
This “sticky” post will be here for a while. Scroll down for other posts.
60 years ago, in 1966 on Easter Sunday, Joey Skaggs dragged his iconoclastic sculpture of a naked and decayed figure of Jesus Christ on a crucifix into Tompkins Square Park on the lower east side. It was his personal statement about the war in Vietnam and the hypocrisy of religion.
This was the beginning of Skaggs’ career as an artist who used the streets as his theater.
New York City’s greatest pranks, from fantastical parades to a phony Mets star, by Samantha Max, Gothamist, April 1, 2026
Artist and activist Joey Skaggs has been inviting members of the New York City media to his annual April Fools’ Day parade along Fifth Avenue since 1986.
Press releases archived on Skaggs’ website describe the event as an attempt to “bring people back in touch with their inherent foolishness” and celebrate “the public’s right to laugh in the face of authority.” Past parades have included a President Donald Trump look-alike contest and a Y2K-themed end-of-the-world party. This year’s press release invites participants to ponder “what’s real and what’s not” at a parade led by the president himself, followed by a screening of the “Melania mockumentary” and a reading of all redacted names in the Jeffrey Epstein files, other than victims.
50 years ago on April 1, 1976, in response to a subpoena issued by the New York State Attorney General, Joey Skaggs revealed that his Cathouse for Dogs (doggy bordello) was a satirical media performance hoax.
Sometimes you need a cloak of invisibility, sometimes you need a coat of armor, and sometimes you just need to go naked! I encourage any attempt to provoke positive change.
Social Malpractice in the Age of Cultural Compliance, by Ed Woodham, Hyperallergic, March 25, 2026.
What happens when the language of social practice becomes a tool of the very systems it once hoped to challenge?
We are living in a strangely apocalyptic moment where a perverse logic runs the machinery of public life while insisting everything is just fine. Around the world, political systems are tightening control over commerce, education, culture, and communication. Independent critical thinking is increasingly treated as subversive rather than a civic virtue. Public space, once the laboratory for egalitarian expression, is shrinking under surveillance, privatization, and corporate branding.
So where does socially engaged art fit into a world progressively hostile to independent thought? Read the whole article here.
Strong voices speak out against Trump’s attack on our freedom of expression.
Artists detonate attack on Trump at the Kennedy Center, by Ashley Murray, Indiana Capital Chronicle, AlterNet, March 28, 2026.
WASHINGTON — A host of celebrities outside the John F. Kennedy Center for the Performing Arts on Friday kicked off a weekend of protest against President Donald Trump’s expansion of executive power and his administration’s pressure on freedom of expression — from theater programming in the nation’s capital, to late-night television.
More than a dozen activist performers and creators rallied for Artists United for Our Freedoms, an event organized by the advocacy group Committee for the First Amendment. Read the whole article here.