For information about Andrea Marini’s award winning
ART OF THE PRANK movie, visit
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Roaches are yummy and good for you too! Joey Skaggs’ Metamorphosis: Miracle Roach Hormone Cure hoax remembered…

The Right Chemistry: Cockroach milk a ‘superfood’?
by Joe Schwarcz
Montreal Gazette via The London Free Press
October 12, 2018

It’s not a prank, but any suggestion that the crystals represent a viable alternative to dairy milk for people is a very, very big stretch.

Back in 1981, entomologist Josef Gregor called a press conference to announce a remarkable discovery. He had bred a novel species of cockroach from which he managed to extract a hormone that, when incorporated into a pill, exhibited amazing properties. It cured conditions ranging from acne and allergies to asthma and arthritis! “Roach hormone hailed as miracle drug” crowed headlines. Some 175 newspapers went on to feature testimonials attesting to the wonders of the hormone pills.

Subsequently, Gregor was invited to appear on various television programs where he described that cockroaches were impervious to radiation and that in addition to its curative properties for a plethora of ailments, his pills would offer protection against radiation exposure. It all sounded great, but there was one tiny little problem. There was no Josef Gregor, and there was no cockroach hormone! Gregor was actually Joey Skaggs, a teacher at New York’s School of Visual Arts, who relished pulling off hoaxes to show how the media could be duped into reporting nonsensical stories because of a failure to fact-check. And that was decades before the current wave of publicity about “fake news!”

Watch the video

Recalling the “cockroach hormone” episode, I figured a prankster must have been at work when the headline, “Scientists Think Cockroach Milk Could Be the Next Superfood,” recently scooted across the internet. Obviously, fact-checking was in order. While the headline was typical click-bait, it was actually spawned by legitimate research.

In 2016, a paper in the Journal of the International Union of Crystallography reported some intriguing research about the unique “Pacific Beetle” cockroach (Diploptera punctate). Why unique? Because it is viviparous, meaning the females give birth to live offspring. The term derives from the Latin “vivus” for “alive,” and “parere,” meaning “to bring forth” or “to bear.”

Read the rest of this article here.

A good prank attempts to shed light on issues to change perceptions or awareness by jolting sensibilities. MutualArt pays homage to Joey Skaggs’ April Fools’ Day Parade. In 2017, it became real with Trump’s Golden Throne.

A Look Behind Some of the Biggest Pranks in Art History
by Adam Heardman
MutualArt
October 8, 2018

Pretty-much-anonymous street artist Banksy was back in the headlines this weekend thanks to his self-shredding picture. We take a look at other classic art-world pranks that have confounded and delighted through history.

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As a street artist and activist, Banksy’s career has consisted almost exclusively of anti-establishment pranks and stunts. On Friday evening, at Sotheby’s Contemporary Art auction, the hammer fell on a print of his Balloon Girl image at a price of $1.1 million. Seconds later, an alarm sounded through the room and the print began feeding through the bottom of its own frame, inside which was a hidden shredder, leaving half of the work in ribbons.

Promptly, the piece’s value doubled. Commodification appears to move as quickly as protest in the contemporary market-place.

Speculation already abounds as to how far Banksy collaborated with Sotheby’s in setting up the stunt. It certainly seems far-fetched that the auction house’s handlers wouldn’t have noticed the machinery in the frame.

But the impact of the prank has been huge, bringing Banksy his biggest burst of media-attention since Dismaland closed. His market-value has increased. Haters have been won over. The search for his true identity is back on. All in all, it’s been a successful prank.

As a space in which publicity, politics, and aesthetics can meet, ‘the prank’ is an established mode within the art world. Here are some of the more prominent and successful examples from art history.

1. Hogarth and Wilson’s Rembrandt Roast – Read this here.

2. Joey Skaggs’ Fake ‘Fake Parade’

Prank artist Joey Skaggs

Joey Skaggs is the maybe the most prolific prankster out there. Over the years, the performance artist and writer has staged the thieving of celebrity sperm, “attempted” to “windsurf across the Pacific”, and exposed Western racism by fooling people into thinking that a Chinese businessman was buying dogs to make into soup.

Every April Fools’ Day since 1986, Skaggs has held a Parade with floats, banners, streamers extensive press coverage and pertinent contemporary themes. Except that the Parade doesn’t ever actually take place, existing purely within the press-hype. Fake News.

Until last year, that is. In a neat reversal of his own prank, Skaggs actually did hold a real-life parade on April 1st, 2017 after 31 years of pretending. The march functioned as a protest against Donald Trump’s presidency and was also the largest gathering of Trump-look-alikes in history. The imposters marched to Trump Tower and sat tweeting on golden thrones. Maybe Joey Skaggs’ greatest prank was to make Fake News real.

3. Stromberg’s Stickers – Read the rest of this article here.

The Hippie Bus Tour To Queens revisited…

Before Banksy: Art pranksters and provocateurs who Banksy’d us first
by Mookie Katigbak-Lacuesta
ANC news.abs-cbn.com
October 10, 2018

As that cynical adage goes, It’s all been done before. But at least in the art world, each prank takes on a wildly different form

Banky’s latest stunt at a Sotheby’s auction (a self-destructing artwork automated to shred itself after being sold) recalled other art pranksters who played the system with the same wink wink nudge nudge kind of subversion. There’s a joke that’s being played and it’s not on the artist—which means it’s on whoever believes that the numbers on a price tag equate to the value of a work of art. Other pranksters have also poked fun at institutions that house high art (what is high art anyway?), or at spectators of art who don’t know what art is. Here are a few stunning and smug indictments of all of us art heathens.

Harvey Stromberg’s Stickers

In 1971, Harvey Stromberg wad described by the New York Times as a “photographer, or a media manipulator, or a self-made chance factor, or a guerilla artist or a fraud. All of the above. None of the above.” This description set the tone for how he was regarded in the art world.

One prank he famously pulled was a photographic “exhibit” at the Museum of Modern Art (MOMA) where he made exact-to-scale photographs of utility objects—light switches, alarm buzzers, bricks, and keyholes, among other things. Using double-sided tape, Stromberg stuck these photographs in spaces it was customary to find them. It was described as the “longest-running one-man photo exhibit,” as it took museum personnel all of two years to discover and remove the stickers. The “show” ran hitchless for two years so Stromberg threw in another prank. He decided it was time to officially “open” the exhibit at the MOMA—complete with formal invitations to both guests and media. If MOMA administrators treated the opening nonchalantly, it would encourage other such pranks; if they treated it as a criminal offense, it would cheapen their position as champions of conceptual art.

Joey Skaggs and “The Hippie Bus Tour to Queens”

Joey Skaggs and his East Village “hippie” friends would be gawked at as city curiosities by bridge and tunnel people—so he decided to change the narrative and turn the show around. In 1968, he rented a Greyhound bus and took 60 hippies to Queens where they could take snapshots of, and gawk at, normal people going about their typical, suburban preoccupations. “Look, it’s someone mowing the lawn!,” one can imagine one of the passengers saying, or “Look it’s a man washing his car!” or even “Why’s the plumber taking so long at Mrs. Robinson’s house?”

Read the rest of this article here.

ART OF THE PRANK movie Blu-rays with 38 minutes of never before seen Extras and DVDs are now available!

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Banksy pulls confetti stunt with/at auction house to shock art buyers.

Banksy painting ‘self-destructs’ moments after being sold for $1.4 million at auction
CNN
by Andreas Preuss
October 6, 2018

For an artist that’s known for his stunts, this could be Banksy’s most perfect art world prank.

After the gavel fell Friday at Sotheby’s auction house in London, Banksy’s Girl with Balloon was reduced to shreds — another apparent act in the disruptive career of the anonymous British graffiti artist.

The iconic image of a girl reaching out for a red, heart-shaped balloon, sold for $1.4 million and moments later, a shredder hidden inside the “artist’s frame” started its work, according to a news release from Sotheby’s and the art “self-destructed.”

Banksy summed up the stunt with this quote on his Instagram account – “Going, going, gone…” and a posted picture showed stunned onlookers as the shredded art emerges from the bottom of the frame. Read more…

Three academic scholars prove once again that you can’t trust academic journalism, especially when it comes to “grievance studies”. From Vinay Menon in The Star: “They are self-described liberals. They are merely exposing what many others have claimed in recent years, namely that radicals are polluting certain disciplines from the inside. These “social justice warriors,” the argument goes, are sacrificing objective truth for social constructivism. They are blowing up enlightenment values and the scientific method to advance agendas in the culture wars.”

h/t Peter, Linda, Susanne

Universities get schooled on ‘breastaurants’ and ‘fat bodybuilding’
by Vinay Menon
The Star
October 5, 2018

Oh, the humanities.

Fake news grabbed academia by the tweedy lapels this week, after three scholars confessed to a brazen hoax. Over the last year, Helen Pluckrose, Peter Boghossian and James A. Lindsay wrote bogus papers, which they submitted to peer-reviewed journals in various fields they now lump together as “grievance studies.”

James Lindsay, Helen Pluckrose and Peter Boghossian (Mike Nayna)

In one “study,” published in a journal of “feminist geography,” they analyzed “rape culture” in three Portland dog parks: “How do human companions manage, contribute, and respond to violence in dogs?”

In another, using a contrived thesis inspired by Frankenstein and Lacanian psychoanalysis, they argued artificial intelligence is a threat to humanity due to the underlying “masculinist and imperialist” programming.

They advocated for introducing a new category — “fat bodybuilding” — to the muscle-biased sport. They called for “queer astrology” to be included in astronomy. They offered a “feminist rewrite” of a chapter from Hitler’s Mein Kampf. They searched for postmodern answers to ridiculous queries such as: why do straight men enjoy eating at “breastaurants” such as Hooters? Read more…

From ElaraPictures on Instagram, a hilarious Mash-up of Brett Kavanaugh’s Senate testimony on September 28 2018 With Samuel Jackson in Pulp Fiction.

Watch the video

Fifty years ago, artist/activist Joey Skaggs took sixty hippies on a sight-seeing bus tour to suburban Queens. He called this satirical performance his “cultural exchange tour”.

Read his story here on Artsy.net

Here’s a preview…

When Pranks Become Works of Art
Artsy.net
September 19, 2018

Fifty years ago, on a beautiful Sunday morning—September 22, 1968—I stood welcoming my guests onto a rented Greyhound sightseeing bus on the corner of St. Mark’s and 2nd Avenue in New York City. While the rock band the Group Image loaded their equipment into the luggage area on the side of the bus, writer Paul Krassner quipped hilariously about our upcoming odyssey. The 60-seat Greyhound bus was soon to be completely filled with long-haired, beaded, camera-toting hippies—some friends, some total strangers. The plan was to visit the borough of Queens in an ironic reversal, mocking the tour buses that relentlessly came to Greenwich Village and the Lower East Side to gawk at the hippies. It was my cultural exchange tour. We were excited. We felt like pirates on a galleon. After Howard Smith wrote up my plan in his weekly Village Voice column, artist Yayoi Kusama asked if she could come paint polka dots on a troupe of naked dancers when we stopped at a local head shop on Queens Boulevard, where the Group Image would play.

I was young, but already known for my provocative art. In 1966, on Easter Sunday, I had dragged a decayed skeleton of Jesus Christ on a 10-foot-tall cross to Tompkins Square Park on the Lower East Side, to protest man’s inhumanity to man. I took the sculpture out again on Easter in 1967, this time to a Central Park “Be In.” This notoriety may have led to a visit by a neatly dressed, middle-aged black man who rang the buzzer of my loft on East 2nd Street, between Bowery and Second Avenue. He said he had come to buy a ticket for his daughter to ride on my bus to Queens. It seemed highly unlikely, so I told him I wasn’t charging for the sightseeing tour. It was completely free.

He reached in his pocket, pulled out a $5 bill, and insisted that I take it. I told him I didn’t want it, but he literally forced it on me. He then pulled out a badge and said I was busted for illegally operating a tour guide business without a license.

Read the rest of this article here.

Belgium based, Captain Boomer Collective, builds installations that border reality with fictional constructs. Their latest stunt is a beached 15-metre sperm whale looks to have managed to swim up the Manzanares River before coming to an abrupt halt by the arches of the Madrid’s oldest bridge. According to The Guardian the Collective says “The beached whale is a gigantic metaphor for the disruption of our ecological system. People feel their bond with nature is disturbed. The game between fiction and reality reinforces this feeling of disturbance.” As part of the installation, “scientists” from the fictional organization, the North Sea Whale Association, take samples of skin, make autopsies and dissections in front of the public and interact with crowds while remaining in character.

The statue was previously showcased in other European locations such as Paris, the UK, the Netherlands, Germany, and Belgium.

‘A riddle from the deep’: hyper-real whale found beached in Madrid
by Sam Jones
The Guardian
September 14, 2018

After sightings in London and Paris, whale is now making waves in Spanish capital

Photograph: Anadolu/Getty Images

Call me Ishmael. Or, better still, Spanish whale.

Madrid awoke on Friday morning to find that a 15-metre sperm whale had managed to swim up the Manzanares River before coming to an abrupt halt by the arches of the city’s oldest bridge.

The intrepid mammal turned out to be the hyper-real model – previously sighted as far afield as London, Paris and Antwerp – that a Belgian art collective is using to shock people into thinking about the environment.

The installation, by the Segovia Bridge, comes complete with a team of actors dressed as rescuers, who hose down the beached creature.

Photograph: Anadolu/Getty Images

Madrid’s city council said the whale, which will remain stranded until Sunday, was intended to act as a catalyst. “It’s meant to get people thinking, through art, about the kind of city they want to live in and what sort of part they can play in looking after the environment,” it said in a statement.

Captain Boomer, the collective behind the work, said it was aiming for something a little more primordial: “A dumb question from the sea to man. A riddle from the deep … The beached whale is a gigantic metaphor for the disruption of our ecological system. People feel their bond with nature is disturbed. The game between fiction and reality reinforces this feeling of disturbance.”

Madrileños appeared to be taking the cetacean incursion as a badge of honour. One tongue-in-cheek Twitter user regarded its arrival as further proof of the capital’s excellent water. “A sperm whale has come to die in the Manzanares,” they wrote. “WHAT MORE DO YOU NEED?”

Better check the coffin!

Alan Abel, Hoaxer Extraordinaire, Is (on Good Authority) Dead at 94
by Margalit Fox
The New York Times
Sept. 17, 2018

Credit Larry Stoddard/Associated Press

Alan Abel, a professional hoaxer who for more than half a century gleefully hoodwinked the American public — not least of all by making himself the subject of an earnest news obituary in The New York Times in 1980 — apparently actually did die, on Friday, at his home in Southbury, Conn. He was 94.

His daughter, Jenny Abel, said the cause was complications of cancer and heart failure.

Mr. Abel’s putative 1980 death, orchestrated with his characteristic military precision and involving a dozen accomplices, had been confirmed to The Times by several rigorously rehearsed confederates. One masqueraded as the grieving widow. Another posed as an undertaker, answering fact-checking calls from the newspaper on a dedicated phone line that Mr. Abel had installed, complete with its own directory-information business listing.

After the obituary was published, Mr. Abel, symbolically rising from the grave, held a gleeful news conference, and a much-abashed Times ran a retraction.

This time around, Mr. Abel’s death was additionally confirmed by the Regional Hospice and Palliative Care in Connecticut, which said it had tended to him in his last days, and Carpino Funeral Home in Southbury, which said it was overseeing the arrangements.

Read the rest of this article here.

LA based street artist Plastic Jesus shop-drops back-to-school bullet proof vests.

Artist Infiltrates Back-to-School Shopping Displays with Bulletproof Vests
Zachary Small
Hyperallergic.com
September 4, 2018

Plastic Jesus has replaced a handful of shopping displays with child-sized bulletproof vests as a satirization of Trump’s America.

image courtesy Plastic Jesus

If you’ve strolled through the clothing sections of a Los Angeles superstore in the past week, then it’s possible that you’ve seen a strange new item on sale. Across the city, the street artist known as Plastic Jesus has planted child-sized bulletproof vests in the displays of popular back-to-school shopping destinations like Target and Macy’s.

“WAKE THE FUCK UP,” remarked the artist in an email correspondence with Hyperallergic. “We all have the power in us to change society and make the world a better place. It’s no one else’s responsibility, only yours.”

image courtesy Plastic Jesus

Plastic Jesus is probably best-known for his exceptional trolling of President Donald Trump in Hollywood back in July 2016. It was then that Plastic Jesus constructed a tiny concrete wall around Trump’s star on Hollywood’s Walk of Fame, which quickly became a site of public defacement after the reality television host’s win in the presidential election. Just two weeks ago, the city of West Hollywood unanimously voted to remove Trump’s star from the Walk of Fame. (The decision ultimately lies in the hands of the Los Angeles City Council and the Hollywood Chamber of Commerce, who reportedly have no plans to remove it anytime soon.)

“Deaf people love porn too and it’s my job to make sure they enjoy it on every level.”

Watch the video:
PornHub Caption Writer – Mini-Mocks from Comedy Central

h/t Digg

Lost another friend from long ago…

Update: Nice link from Rich Gedney of an article by Michael O’Connell in It’s All Journalism about John Wilcock (includes a 2017 audio interview):
It’s All Journalism: Underground Press Pioneer John Wilcock, 91, Dies

John Wilcock, Pioneer of the Underground Press, Dies at 91
by Robert D. McFadden
The New York Times
September 13, 2018

John Wilcock, a British journalist and travel writer who played a major role in the emergence of the alternative press at The Village Voice, The East Village Other and the Underground Press Syndicate, died on Thursday at a care facility in Ojai, Calif. He was 91.

He died after several strokes, said his biographer, Ethan Persoff.

In the 1960s and early ’70s, a freewheeling age of psychedelic drugs and antiwar protests, Mr. Wilcock led two lives. He was both the author of many “$5 a day” travel books and a driving force behind underground publications that, spurning traditional journalism, attacked political, social and cultural norms with bawdy language and comic-book imagery, all of it financed by sexually explicit advertising.

In a 1973 profile, The New York Times called Mr. Wilcock “an influential man nobody knows,” an “oracle of the nitty-gritty of inexpensive, traditional tourism” and “an apostle and chronicler of the radical underground” — although, the article noted, he looked “a bit too scruffy for a best-selling travel writer and far too straight for an underground celebrity.”

Mr. Wilcock had worked for news organizations in Britain, Canada and the United States, including The Times, and was the first news editor of The Village Voice before he helped found The East Village Other in 1965. The paper was named for Carl Jung’s definition of “the other” as “one who is outside society.”

The Other, known as EVO to its devotees, was one of the nation’s first underground newspapers. Published biweekly in New York until it folded in 1972, it had a circulation of 60,000 at its peak.

Read the rest of the article here.

Don’t postpone it, just cancel Trump’s Military Parade. It’s already been done!

Saving U.S. taxpayers at least $92 million and a lot of embarrassment, artist Joey Skaggs’ 33rd Annual April Fools’ Day Parade featured Donald Trump’s Military Extravaganza, with the world’s largest display of American military might ever! Trump pedaled a 9 foot nuclear missile craddled in a sling shot mounted on a tricycle. Masked Donald Trump look-alikes followed with a HUGE arsenal of toy weapons. They were joined by North Korean “Rocket Man” Kim Jong Un and Russian President Vladimir Putin look-alikes as they marched down Fifth Avenue and took a knee in front of Trump Tower.

Parade coverage on WNBC (Watch the video):

Doilies writ large.

Street art with a difference: Artist creates spectacular wall-art doilies
by Paulina Alexandra
TheFirstNews.com
August 16, 2018

A Polish woman is taking the street art world by storm with her astonishing murals of doilies.

NeSpoon in Pont-l’Abbe, France, 2016. NeSpoon.

NeSpoon is nine years-old and paints murals. Actually, NeSpoon is in her thirties and has a teenage daughter but after a decade in the corporate world she wanted a clean state.

She changed her hair, took a name from The Matrix (‘there is no spoon’) and embarked on an international career as a fully-fledged street artist.

The Warsaw native is known all over the world now for her intricate doily designs which she renders in ceramic, material and painted form.

Her enormous murals of the delicate lace-work designs have seen her travel to Georgia, Hong Kong and as far away as the remote Western Australian desert.

Portugal, 2014. NeSpoon.

Berlin, 2017. NeSpoon.

Read the rest of this article here.