…Exploring the role of the prankster as artist, activist and social observer and the significance of the prank in society.
On the go with Alice Neel…
The Serralves Museum of Contemporary Art in Porto, Portugal has mounted an exhibition of portraits by the American painter, Alice Neel called, “Alice Neel: Beautifully Imperfect.” It includes Neel’s 1967 portrait of Joey Skaggs.
Announcement (in Portuguese): ‘Soul collector’ Alice Neel arrives at Serralves with “Beautifully Imperfect”, Lusa, July 15, 2026.
Challenging the status quo.
33 Banned Artworks Deemed Too Controversial for Public Exhibition, by Jaycee Gudoy, Go2Tutors, July 14, 2026.
Art has always made people uncomfortable. That’s not an accident — it’s frequently the point.
But there’s a difference between art that challenges and art that societies, governments, galleries, and institutions have decided crosses a line so completely that the public simply isn’t allowed to see it. Censored, seized, locked in storage, refused at the border, yanked from museum walls mid-exhibition: the works collected here have all been banned, suppressed, or blocked from public view at some point in history — and often for reasons that reveal far more about the censors than about the art itself.
Some of these decisions were later reversed. Many weren’t. Read the whole article here.
60 years ago, in 1966 on Easter Sunday, Joey Skaggs dragged his iconoclastic sculpture of a naked and decayed figure of Jesus Christ on a crucifix into Tompkins Square Park on the lower east side. It was his personal statement about the war in Vietnam and the hypocrisy of religion.
This was the beginning of Skaggs’ career as an artist who used the streets as his theater.
New York City’s greatest pranks, from fantastical parades to a phony Mets star, by Samantha Max, Gothamist, April 1, 2026
Artist and activist Joey Skaggs has been inviting members of the New York City media to his annual April Fools’ Day parade along Fifth Avenue since 1986.
Press releases archived on Skaggs’ website describe the event as an attempt to “bring people back in touch with their inherent foolishness” and celebrate “the public’s right to laugh in the face of authority.” Past parades have included a President Donald Trump look-alike contest and a Y2K-themed end-of-the-world party. This year’s press release invites participants to ponder “what’s real and what’s not” at a parade led by the president himself, followed by a screening of the “Melania mockumentary” and a reading of all redacted names in the Jeffrey Epstein files, other than victims.
50 years ago on April 1, 1976, in response to a subpoena issued by the New York State Attorney General, Joey Skaggs revealed that his Cathouse for Dogs (doggy bordello) was a satirical media performance hoax.