Getting By With a Little Help From AI

Who gets the credit?


Viral “Photographer” Reveals His Images Were AI-Generated, Rhea Nayyar, Hyperallergic.com, Feb 27, 2023

Jos Avery had told his followers he used a Nikon D810 to take his distinctive black-and-white portraits.

Jos Avery was surprised when his portraiture account amassed nearly 30,000 followers in just five months. The self-described photographer primarily posted heavily retouched black-and-white portraits accompanied by fictional stories about the subjects to @averyseasonart. But Avery recently came clean and told the world that his “photos” were actually generated by Midjourney, a text prompt-based artificial intelligence image-generation program. Read the rest of the article here.

James “The Amazing” Randi, RIP

The world of social activism has lost another warrior.

James Randi, known professionally as the Amazing Randi, in 2014 at the Tribeca Film Festival. A documentary about his life, “An Honest Liar,” was screened.Credit…Larry Busacca/Getty Images for the 2014 Tribeca Film Festival

I had the pleasure of meeting James Randi, a magician and great debunker of fake psychics and other charlatans, in 1986 when we both appeared on The Afternoon Show, a San Francisco TV talk show on KPIX. We both performed magic tricks. He removed the male host’s watch from his wrist. I removed the female host’s panties. (Having prepared ahead of time to appear on the show along with him, I had hidden a pair of female panties in my pocket and pulled them out to top Randi’s magic trick.) Riotous laughter ensued.

He later was the narrator of an Arts & Entertainment documentary called Scams, Schemes and Scoundrels which covered numerous dead scoundrels and me. You can watch the clip here.

Read his Obit in The New York Times

Mirror, Mirror on the Wall–Who is the Fakest of Them All?

Is that social media influencer you’re following real?


These Influencers Aren’t Flesh and Blood, Yet Millions Follow Them
by Tiffany Hsu
The New York Times
June 17, 2019

Balmain commissioned the former fashion photographer Cameron-James Wilson to create a “virtual army” of digital models, including, from left, Margot, Shudu and Zhi. Credit Balmain.

The kiss between Bella Hadid and Miquela Sousa, part of a Calvin Klein commercial last month, struck many viewers as unrealistic, even offensive.

Ms. Hadid, a supermodel, identifies as heterosexual, and the ad sparked complaints that Calvin Klein was deceiving customers with a sham lesbian encounter. The fashion company apologized for “queerbaiting” after the 30-second spot appeared online.

But Ms. Hadid, at least, is human. Everything about Ms. Sousa, better known as Lil Miquela, is manufactured: the straight-cut bangs, the Brazilian-Spanish heritage, the bevy of beautiful friends.

Lil Miquela, who has 1.6 million Instagram followers, is a computer-generated character. Introduced in 2016 by a Los Angeles company backed by Silicon Valley money, she belongs to a growing cadre of social media marketers known as virtual influencers.

Each month, more than 80,000 people stream Lil Miquela’s songs on Spotify. She has worked with the Italian fashion label Prada, given interviews from Coachella and flaunted a tattoo designed by an artist who inked Miley Cyrus.

Until last year, when her creators orchestrated a publicity stunt to reveal her provenance, many of her fans assumed she was a flesh-and-blood 19-year-old. But Lil Miquela is made of pixels, and she was designed to attract follows and likes. Continue reading “Mirror, Mirror on the Wall–Who is the Fakest of Them All?”