Mirror, Mirror on the Wall–Who is the Fakest of Them All?

Is that social media influencer you’re following real?


These Influencers Aren’t Flesh and Blood, Yet Millions Follow Them
by Tiffany Hsu
The New York Times
June 17, 2019

Balmain commissioned the former fashion photographer Cameron-James Wilson to create a “virtual army” of digital models, including, from left, Margot, Shudu and Zhi. Credit Balmain.

The kiss between Bella Hadid and Miquela Sousa, part of a Calvin Klein commercial last month, struck many viewers as unrealistic, even offensive.

Ms. Hadid, a supermodel, identifies as heterosexual, and the ad sparked complaints that Calvin Klein was deceiving customers with a sham lesbian encounter. The fashion company apologized for “queerbaiting” after the 30-second spot appeared online.

But Ms. Hadid, at least, is human. Everything about Ms. Sousa, better known as Lil Miquela, is manufactured: the straight-cut bangs, the Brazilian-Spanish heritage, the bevy of beautiful friends.

Lil Miquela, who has 1.6 million Instagram followers, is a computer-generated character. Introduced in 2016 by a Los Angeles company backed by Silicon Valley money, she belongs to a growing cadre of social media marketers known as virtual influencers.

Each month, more than 80,000 people stream Lil Miquela’s songs on Spotify. She has worked with the Italian fashion label Prada, given interviews from Coachella and flaunted a tattoo designed by an artist who inked Miley Cyrus.

Until last year, when her creators orchestrated a publicity stunt to reveal her provenance, many of her fans assumed she was a flesh-and-blood 19-year-old. But Lil Miquela is made of pixels, and she was designed to attract follows and likes. Continue reading “Mirror, Mirror on the Wall–Who is the Fakest of Them All?”

Be Aware: The Age of DeepFakes is Upon Us

This must-see “DeepFake” video transforms Bill Hader, when he was on Late Night with David Letterman, into Tom Cruise before your very eyes.

Watch the video: Bill Hader channels Tom Cruise [DeepFake], YouTube

A little bit of history: In 1987, an interview with Joey Skaggs was published in a book by RE/Search Pubs called Pranks! in which he predicts and discusses the implications of this exact technology.

AJ: “What is reality?”
JS: “Right. What is reality, and how can you know what is history?
“I’d also like to talk about technology and where we’re going. With the ability to comptuer-enerate photo images and do montage, collage and eventually holograms, we’ll have Hitler alive in South America totally fabricated. We’ll have a home movie of JFK actually screwing Marilyn Monroe, or whatever twisted historical thing we want to create. And it will be virtually impossible to detect that it’s a creation, because of the advancements in technology. We are coming to the forefront tehcnologically of a really frightening media reality. If we don’t sharpen our tools now, our integrity, we’re in for even bigger trouble.”

Read the entire RE/Search Pranks! interview here.

Excerpt:

JR’s Ephemeral Art at the Louvre

Lori Dorn, from Laughing Squid, reports on a magnificent, ephemeral work of art created by French artist JR


Street Artist JR Uses 2,000 Sheets of Paper to Turn The Louvre Pyramid Into an Incredible Optical Illusion
by Lori Dorn
Laughing Squid
April 3, 2019

Three years after he made the Louvre disappear into the facade of the Paris Museum, the remarkable award-winning French street artist and photographer JR created an equally stunning optical illusion centered around the I.M Pei designed Louvre Pyramid itself, in celebration of its 30th anniversary. Over 400 volunteers help the artist paste over 2,000 sheets of specifically designed paper strips onto the [Napoleon] Court, making it appears as if the pyramid was submerged in a rock quarry.

…The images, like life, are ephemeral. Once pasted, the art piece lives on its own. The sun dries the light glue and with every step, people tear pieces of the fragile paper. …This project is also about presence and absence, about reality and memories, about impermanence.

Unfortunately, the installation only lasted for a single day…

Read the whole story here.

Nina Katchadourian’s Airplane Art

Artist Nina Katchadourian gives new meaning to the Mile High Club.


How Nina Katchadourian Uses Airplanes as Her Studio
by Julia Wolkoff
Artsy.net
March 16, 2019

In 2010, Nina Katchadourian was awaiting takeoff on her flight from Atlanta to New York’s LaGuardia airport when she had a thought that would irrevocably alter her creative production.

“I have two-and-a-half hours ahead of me,” she recalled thinking in a recent interview with Artsy. “Why does it feel like this time already doesn’t count?”

The multidisciplinary New York–based artist was repulsed by the pervasive sense of powerlessness in the face of air travel. Determined to maximize her time on the plane and remain engaged during what is often a numbing experience, Katchadourian developed a kind of game to create things throughout the entire flight—an expansive project that has come to be called “Seat Assignment” (2010–present). “As an artist, I’m always looking at what more there might be in our mundane, everyday surroundings if we pay it interest, give it a second look,” she said. She hadn’t brought materials with her, so she began playing with whatever was at hand on her tray table, and documented the results with her camera phone.

Two-hundred-and-seventy-five trips later, Katchadourian is still making the most of in-flight magazines, complimentary peanuts, and cocktail napkins. She’s created hundreds of compelling photographs—including those in the project’s sub-series “Lavatory Self-Portraits in the Flemish Style,” which became a riotous viral sensation—as well as video animations and a handful of surreptitious music videos filmed in airplane bathrooms. A good portion of the results from her creative experiment are now the subject of “IFICATION,” an exhibition on view at Fridman Gallery in New York through March 31st.

Read the rest of this article here.

Joey Skaggs Remembers His 1994 National Enquirer Hoax

Note to Jeff Bezos: Take a page from me and screw the National Enquirer!


In 1994, after The New York Times Magazine published John Tierney’s article, Falling For It, about my Dog Meat Soup hoax, the National Enquirer called and said they were doing a profile about me. They wanted an exclusive photo shoot. Not liking or respecting this publication, I declined. They said they were going to do the story with or without any assistance from me. So, I sent an impostor to two different photo shoots.

They published this story:

Page Six of the New York Post exposed the hoax:



Full details of the National Enquirer hoax are here
.