The History of Pranks - The Art of the Prank

December 19, 2025

Religious Iconography as Protest Art

Reminiscent of Joey Skaggs’ Vietnamese Christmas Nativity Burning, Central Park, 1968

“Zip-Tied Baby Jesus Guarded by ICE Agents in Illinois Church Nativity Scene,” by TMZ Staff, TMZ, December 4, 2025.

No Room at the Inn, or the Border!!! Baby Jesus Tied Up in Church Nativity Manger.

If Jesus comes to the U.S., he’d better have a valid visa … at least that’s the worry of an Illinois church that’s installed a controversial Nativity scene depicting the baby messiah zip-tied in a manger.

Lake Street Church of Evanston — just north of Chicago — reimagined the Nativity with masked centurions wearing green vests labeled “ICE” surrounding the Holy Family. Mother Mary and Joseph wear respirator masks to shield themselves from tear gas, according to the church. Read the whole article here.

December 12, 2025

Guerrilla of My Dreams

It’s about time…

“Learn ‘How to Be a Guerrilla Girl’ at The Getty,” by Beverly Press, November 26, 2025.

Coinciding with the Guerrilla Girls’ 40th anniversary, “How to Be a Guerrilla Girl,” on view at the Getty through April 12, 2026, offers a rare, behind-the-scenes look into the inner workings of the iconic feminist art collective.

Drawing from the Getty Research Institute’s remarkable Guerrilla Girls archive, the exhibition highlights the strategies – anonymity, data gathering, protest actions, culture jamming and grassroots distribution – that have defined the group’s groundbreaking practice since the mid-1980s.

The Guerrilla Girls have created a newly-commissioned work for the exhibition that explores the Getty’s own collection of European painting and sculpture. Using comic strip style speech bubbles, they reimagine the voices of women represented in these artworks through a twenty-first century lens. The commission exposes deeply rooted biases in the representation of women in Guerilla Girls characteristic witty style. Read the whole article here.

November 25, 2025November 25, 2025

From the Vault: Joey Skaggs’ Thanksgiving Dinner 1981

Thanksgiving Dinner 44 years ago.

Joey Skaggs, with the help of friends, students from the School of Visual Arts, and Abyssinian Baptist Choir, created a stark portrayal of a Thanksgiving feast at the United Nations Plaza on Thanksgiving Day.

November 25, 2025December 12, 2025

Santa Claus is coming to town!

You better watch out…

“‘Most hated event on the planet’: New movie shows the rise of San Francisco’s SantaCon,” by Dan Gentile, SFGATE, October 31, 2025.

The trailer just dropped for ‘SANTACON,’ which premieres at the DOC NYC film festival on Nov. 13.

There are few San Francisco events as divisive as SantaCon. The yearly, debauchery-filled bar crawl features hundreds, if not thousands, of costumed Santas rampaging through cities across the country, leaving a trail of inebriated chaos in their wake. But it wasn’t always this way.

A new film is set to premiere on Nov. 13 at the DOC NYC film festival and is simply titled “SANTACON,” directed by Seth Porges, whose previous work includes “Class Action Park” and “How to Rob A Bank.” The first trailer, released on Friday, begins with footage of violent Santas and also shows Jimmy Fallon mentioning the New York Police Department’s understanding of the event as “the nightmare before Christmas.” Local news anchors declare that locals want the event to be canceled, and text appears on the screen proclaiming SantaCon the “most hated event on the planet.” Read the whole article here.

November 25, 2025

You can’t shine shit

Unless you have a lot of money!

“Maurizio Cattelan Is No Duchamp,” by Ed Simon, Hyperallergic, November 19, 2025.

One elevated the prosaic. The other merely gilded the familiar.

In 1913, when Igor Stravinsky premiered his orchestral work The Rite of Spring at the Théâtre des Champs-Élysées, Parisian audiences were so incensed by the discordant score that a riot broke out. Four years later, New Yorkers were only slightly more genteel toward French artist Marcel Duchamp’s submission of a ready-made upside-down urinal autographed by the fictitious creator “R. Mutt” to the inaugural exhibition of New York’s Society of Independent Artists.

A symphonic paean to pagan energy and a urinal may seem disparate in intention, but both Stravinsky and Duchamp’s works expressed the radicalism of the early 20th-century avant-garde, questioning certainties and upending values — to paraphrase Karl Marx, making all that is solid melt into air. For Duchamp, “Fountain” wasn’t just a provocation, but also a philosophical comment about the nature of art itself: that a prosaic object can be elevated by framing alone. According to critic Margan Falconer in How to be Avant-Garde: Modern Artists and the Quest to End Art (2025), Duchamp was asking, “Why couldn’t art be a seamless, enveloping, immersive environment in which everyone will live and work?” Read the whole article here.