ANNOUNCING:

Joey Skaggs Satire and Art Activism, 1960s to the Present and Beyond

A new series of short oral history films,
produced and directed by Judy Drosd with Joey Skaggs

UPCOMING SCREENINGS AND ANNOUNCEMENTS ARE HERE

This “sticky” post will be here for a while. Scroll down for other posts.

When media literacy and critical thinking are absent, the world becomes a much more dangerous place. Check out this very illuminating Buzzfeed link as well (in the 2nd paragraph below).

QAnon: the Italian artists who may have inspired America’s most dangerous conspiracy theory, by Eddy Frankel, The Art Newspaper, January 19, 2021

An anonymous left-wing art group known in the 1990s as Luther Blissett are wondering what they have unwittingly helped create

Q, the 1999 novel by the anonymous Italian art collective Luther Blissett, has notable similarities with the workings of QAnon

As the US Capitol was overwhelmed by Donald Trump supporters in early January, one figure stood out: with his painted face, bare chest, fur hat and American flag-draped spear, Jake Angeli became one of the most photographed rioters of the day. He is also known as the “QAnon Shaman” and has been seen waving a “Q sent me” placard in other protests.

QAnon is America’s most dangerous conspiracy theory, and if you pull hard enough on its threads, the whole tangled mess lands, somehow, at the feet of a group of Italian artists. It might sound like a conspiracy within a conspiracy, but, as Buzzfeed first reported in 2018, chances are that QAnon, at the start at least, took inspiration from an amorphous organisation of leftist artists who, for most of the mid-1990s, called themselves Luther Blissett after the 1980s English footballer.

They used the Watford and England striker’s name as a nom de plume, perpetrating countless media hoaxes, pranks and art interventions. They started raves on trams that turned into riots, they released albums, wrote books and manifestos, they mocked, questioned and undermined the mainstream, and they grew and grew until hundreds of people around the world were calling themselves Luther Blissett.

In the process, with their media-jamming hoaxes, they helped lay the groundwork for QAnon, a conspiracy theory about a secret satanic cabal of child abusers which controls the world. During the 2016 presidential elections, it famously gave rise to the rumour that Hillary Clinton ran a paedophile ring in a pizza parlour, Comet Ping Pong. More recently, QAnon has become a mainstay of far-right protests and riots, including the US Capitol insurrection. (more…)

Norman Savage was a poet, author, friend and long-time co-conspirator. In addition to participating in performance pieces, he also doubled as me, even though we didn’t look or sound at all alike, on numerous occasions.

He was always game for some sly fun.

Here’s a brief journey through some of our hijinks together.





In 1986, Norman played the part of a diet commando in my Fat Squad hoax, where you could take out a contract on yourself and commandos would keep you on your diet.

In 1988, when Entertainment Tonight asked me to appear for a story promising the inside scoop on great hoaxes and hoaxers—how the news media falls for their stories, what to watch out for, and how not to be fooled—I sent Norman to appear as me.

In 1990, Norman played a “Hair Today, Ltd” scalp donor in a photo taken for Mark Dery’s article “The Merry Pranksters and the Art of the Hoax” in The New York Times.

(more…)

The world of social activism has lost another warrior.

James Randi, known professionally as the Amazing Randi, in 2014 at the Tribeca Film Festival. A documentary about his life, “An Honest Liar,” was screened.Credit…Larry Busacca/Getty Images for the 2014 Tribeca Film Festival

I had the pleasure of meeting James Randi, a magician and great debunker of fake psychics and other charlatans, in 1986 when we both appeared on The Afternoon Show, a San Francisco TV talk show on KPIX. We both performed magic tricks. He removed the male host’s watch from his wrist. I removed the female host’s panties. (Having prepared ahead of time to appear on the show along with him, I had hidden a pair of female panties in my pocket and pulled them out to top Randi’s magic trick.) Riotous laughter ensued.

He later was the narrator of an Arts & Entertainment documentary called Scams, Schemes and Scoundrels which covered numerous dead scoundrels and me. You can watch the clip here.

Read his Obit in The New York Times

Mal Sharpe, comedic pioneer and a very funny man, has left us. In 2007 the Art of the Prank blog published access to 20 of his early Imposter Podcasts, which are recordings of his street sketches (more like comedic ambushes) with his comedy partner Jim Coyle, who passed away in 1993. These recordings had been re-purposed and released by Jesse Thorn of the Maximum Fun site, where all 100 episodes reside:

In the early 1960s, James P. Coyle and Mal Sharpe roamed the streets of San Francisco, microphone in hand, roping strangers into bizarre schemes and surreal stunts. These original recordings are from the Sharpe family archive, which is tended by Mal’s daughter, Jennifer Sharpe.

We extend condolences to the family. Here’s his obit from The New York Times:

Mal Sharpe, Groundbreaker in Street-Level Pranking, Dies at 83
by Neil Genzlinger
The New York Times
March 19, 2020

Long before late-night talk show hosts began doing it, he conducted absurd interviews with gullible passersby with his comedic partner, Jim Coyle.

Two strangers approach a man named George on the streets of San Francisco.

“George,” one of them says, “would you yourself participate in a program of inter-protoplasm flow?”

George doesn’t hesitate. “If I needed it, I guess I would,” he says.

One of the strangers, earnestly impressing on George the seriousness of that commitment, elaborates: (more…)

Buck Henry passed away January 8, 2020 at age 89. He was a prolific screenwriter (“The Graduate”, “What’s Up Doc?”, “Catch-22”), show creator (“Get Smart” with Mel Brooks), director (“Heaven Can Wait” with Warren Beatty), actor (he appeared in more than 40 films and TV shows), SNL Host (10 times), and hoaxer…

From his Wikipedia page:

From 1959 to 1962, as part of an elaborate hoax by comedian Alan Abel, he made public appearances as G. Clifford Prout, the quietly outraged president of the Society for Indecency to Naked Animals,[8] who presented his point of view on talk shows.[9] The character of Prout, who wished to clothe all animals in order to prevent their ‘indecency’, was often presented as an eccentric but was otherwise taken seriously by the broadcasters who interviewed him.

A great satirical wit, Buck Henry will be missed.
New York Times Obituary
New York Post Obituary

image: worldofwonder.net/

From Charlie Todd of Improv Everywhere:

As in years past, there are No Pants Subway Rides happening in dozens of cities around the world on January 12, the same day as our annual event in New York. Check our website for a list of participating cities with links to Facebook events.

Cities participating in the global No Pants Subway Ride so far: Berlin, Boston, Calgary, Chicago, Dallas, Lisbon, London, Los Angeles, Mexico City, Melbourne, Montreal, New York, Phoenix, Porto, San Francisco, Seattle, Tokyo, Toronto, Washington DC

Spanish Art and Activism Collective Homo Velamine Interviews Joey Skaggs [Spanish and English]

Joey Skaggs: “A fool is a fool, no matter what their political leaning is”
by Demófila Martínez and Luis Platypus
Homo Velamine
October 31, 2019

Joey Skaggs. PHOTO: Sam Ortiz for Observer

Homo Velamine: The increase of fake news in the media in recent years makes us feel that the limits between fact and fiction are more unclear than ever. In the documentary Art of the Prank (2015), you let the viewer peek into the creative process behind one of your hoaxes. The trickiest part seems to be deciding how far you can take it, without crossing the limits of plausibility and creating something that is impossible to believe. After all these years, does it still surprise you how far this limit can actually be pushed? Which of your performances would you say has pushed this limit the farthest and still has been successful?

Joey Skaggs: Pushing the limits of plausibility is the fun part for me. I create the problem and I create the solution. I take a gamble that what I’m doing is so ridiculous that no one’s going to believe it. I want it to be totally absurd because if the news media does fall for it, it will be even funnier and more effective in revealing their gullibility and/or hypocrisy. (more…)

In 1995, Joey Skaggs launched his Solomon Project hoax. Solomon (so he said) was a distributed program running on a set of super computers that would deliberate on the facts and evidence of a case and deliver a definitive verdict, eliminating the need for juries and radically reducing the role of judges. CNN fell for the Solomon Project hook, line and sinker. Reality may finally be catching up with Skaggs. h/t Felipe

Robot judges ‘will pass sentence with no human bias’ in AI courts
by Michael Moran
Daily Star
October 19, 2019

Increasing use of AI in legal system points the way to an all-robot courtroom

It’s likely that most people locked in our jails believe that with a better lawyer, a more lenient judge or a more understanding jury things might have been very different for them.

Human error, they will say, is to blame for them being banged up.

But can the human element be removed? Law firms are already using computer algorithms to perform background research other tasks traditionally performed by human staff. And that’s just the beginning.

As computer researchers get closer to creating true Artificial Intelligence, it’s predicted to eliminate most paralegal and legal research positions within the next decade.

The next step inevitably involves artificial intelligences aiding, or even completely replacing lawyers. And if we have robot lawyers, why not automated judges and juries too? Why not a fully solid-state legal system?

Read the rest of this article here »

This must-see “DeepFake” video transforms Bill Hader, when he was on Late Night with David Letterman, into Tom Cruise before your very eyes.

Watch the video: Bill Hader channels Tom Cruise [DeepFake], YouTube

A little bit of history: In 1987, an interview with Joey Skaggs was published in a book by RE/Search Pubs called Pranks! in which he predicts and discusses the implications of this exact technology.

AJ: “What is reality?”
JS: “Right. What is reality, and how can you know what is history?
“I’d also like to talk about technology and where we’re going. With the ability to comptuer-enerate photo images and do montage, collage and eventually holograms, we’ll have Hitler alive in South America totally fabricated. We’ll have a home movie of JFK actually screwing Marilyn Monroe, or whatever twisted historical thing we want to create. And it will be virtually impossible to detect that it’s a creation, because of the advancements in technology. We are coming to the forefront tehcnologically of a really frightening media reality. If we don’t sharpen our tools now, our integrity, we’re in for even bigger trouble.”

Read the entire RE/Search Pranks! interview here.

Excerpt:

True or not, this is an inspiring bit of sabotage.

Citroën Sabotaged Wartime Nazi Truck Production in a Simple and Brilliant Way
by Jason Torchinsky
Jalopnik.com
July 24, 2019

In case you forgot to change the batteries in your calendar, you may not be aware that this year is the 100th anniversary of Citroën. We’ve been shooting a Jason Drives special mini-series for this centenary, and while doing some research I happened to stumble upon a fascinating bit of wartime Citroën lore. It involves screwing with Nazis in a genuinely clever and subtle way that nevertheless had big repercussions. I’ll explain.

So, when France was occupied by the Germans in 1940, major French factories like Citroën were forced to produce equipment for the Nazis. Citroën president Pierre-Jules Boulanger knew he couldn’t just refuse to produce anything, but he also knew there’s no way in hell he’s going to just roll over and build trucks for a bunch of filthy Nazis. Pierre had a plan.

John Reynolds’ book Citroën 2CV describes Boulanger’s sabotage efforts. Of course, he instructed workers to set a nice, leisurely pace when building trucks (likely Citroën T45 trucks) for the Wermacht, but that’s fairly obvious. What was brilliant was Boulanger’s idea to move the little notch on the trucks’ oil dipsticks that indicated the proper level of oil down just a bit lower.

By moving the notch down, the trucks would not have enough oil, but German mechanics would have no idea, because, hey, the little notch on the dipstick says its just fine. Then, after the truck has been used for a while and is out deployed somewhere crucial, whammo, the engine seizes up, and you’ve got a lot of angry, stranded, vulnerable Nazis, balling up their little fists and redly barking curses in German.

It’s such a fantastic act of sabotage: it’s extremely cheap to implement, it’s subtle, there’s no way to see something amiss is happening as the trucks are being built, and it delivers its blow away from the site of the sabotage and when it will cause the most inconvenience and trouble.

I suppose it could be apocryphal, but this is one of those cases where I’m going to choose to believe.

That’s some mighty good sabotaging, Pierre.

Sadly, my friend Paul Krassner, satirist, activist, comedian, author, and publisher of The Realist, has passed away. Since the 1960s, he was always there for me, as I was for him.

Paul was with me on my Hippie Bus Tour To Queens and was part of my Vietnamese Christmas Nativity Burning in Central Park, both in 1968.

In 1969, he published a photo of himself standing with my Grotesque Statues of Liberty on the back cover of his book How a satirical editor became a Yippie conspirator in ten easy years.

Paul used his voice to draw attention to social injustice, inequality and challenges to our freedom. I’ll miss his satirical wit.

Here’s his full obit in The New York Times (for people who can’t access it).

[Editor’s note: The New York Times covered my Hippie Bus Tour to Queens in 1968 when it happened. Years later, in 1992, they misattributed it to Abbie Hoffman and had to print a retraction. They’ve now done it a second time in Paul’s obit. Paul was one of 60 hippies who accompanied me on the tour (Hippie Bus Tour to Queens Remembered 50 years later! by Joey Skaggs, Artsy.net). I know he’d want to set this record straight.]

Paul Krassner, Anarchist, Prankster and a Yippies Founder, Dies at 87
by Joseph Berger
The New York Times
July 21, 2019

Paul Krassner, right, in 1969 with, from left, Ed Sanders of the rock group the Fugs and Abbie Hoffman. Mr. Krassner helped start the Yippie movement and was the founder of The Realist magazine. Credit The New York Times

He was a prankster, a master of the put-on that thumbed its nose at what he saw as a stuffy and blundering political establishment. (more…)

John Law, co-editor of Tales of the San Francisco Cacophony Society, is a pioneering adventurer who defies gravity and the status quo. From the Suicide Club to Burning Man to the Billboard Liberation Front to the Cacophony Society and beyond, John is a true inspiration to artists and activists. He’s also a helluva driver. I’m glad to call him a friend. His one-man show “SIGNMAN: John Law” is at the Pro Arts Gallery in Oakland until August 24.

John Law, iconic Bay Area prankster, now has his own ‘art’ show
by Angela Hill
Mercury News
July 5, 2019

A famed Bay Area prankster and underground artist just got his first exhibit

Here’s the way one of John Law’s longtime cohorts describes an early encounter with the neon artist/prankster/culture jammer/urban adventurer/enigma:

It was 1982 and Mark Pauline got a phone call from Law saying he had a bunch of body parts in the refrigerator at his house and they had to get them out of there before the cops came. “Sure enough, he had a big plastic bag full of human body parts, preserved in formaldehyde,” says Pauline, director of performance art group Survival Research Labs (known for building things that spew fire and blow stuff up).

“John was in the Cacophony Society and those guys would go in abandoned buildings and do adventures,” Pauline says. “They’d gone into an abandoned mortuary college and found all these body parts left in these tubs there, so they took ‘em.”

Frankenstein-style, for another pal to tattoo and display in a big Lexan case which hung around for a while and eventually cracked and rats got in and ate all the skin. But that’s a story for another day.

“That is one of my hundreds of John Law tales,” Pauline says. “At least one we can talk about in public.”

Indeed, if you add up all the pranks and adventures and happenings Law’s been part of over the decades, it becomes a cacophonous calculus, an astronomical amalgamation of mischief in the Bay Area’s underground arts scene.

Now, Law has gone above ground for his first art show, “SIGNMAN: John Law,” a retrospective of his four-plus decades of devilish deeds, on view at Pro Arts Gallery in downtown Oakland through Aug. 24. All this despite the fact that he doesn’t really consider himself an artist and uses air quotes whenever he talks about his “work.”

So who is this man? Culture jammer? Gentleman joker? Prankster with a purpose?

“I’m an unindicted co-conspirator,” he says, a sly smile curling above his silver goatee. “But I guess I’m an artist now, since I have an art show.”

Read more…

r/Place, an incredible 2017 reddit experiment with a simple premise and strict parameters, stands out for the spirit of challenge and community it ignited. It brought the best of collaborative street art into the heart of the digital realm, it earned its place in the annals of internet culture, and it’s worth revisiting and remembering. Here’s how it went down, through the eyes of one very engaged participant.

(If you’re unfamiliar with reddit, here’s a pretty good primer.)

“The story of r/Place. As told by a foot soldier for r/Mexico.”
By Arturo Gutierrez
ART + Marketing
April 3, 2017

I’m sure other historians can tell you who was the first. Others much more knowledgeable than me who can pinpoint where exactly in the vast Canvas did the cursors of hundreds aimed themselves into a singular area, and willed order out of the chaos. But I’m not the one to tell.

Instead, what I saw as a bystander that April 1st was the emergence of life, color, and memes of all sizes and kinds growing almost by magic. And as the hours passed, as I laid a pixel here, waited, and laid another pixel there, the whole Canvas evolved and grew between each of my visits. It was an amazing sight to behold. An inspiring feat of human ingenuity, humor, and improvised politics in slow motion.

Yes, that’s right. For even in these early hours, even before the dedicated subreddits, the forums, Discord channels and massive bot armies of the later days, a silent, wordless body of politics was being established right before our eyes. Read more.

From Jesse Brown, host of Canadaland Podcast:

The greatest media prankster alive talks to Jesse for our April Fools episode.