Joey Skaggs’ Cathouse for Dogs Turns 50!

50 years ago on April 1, 1976, in response to a subpoena issued by the New York State Attorney General, Joey Skaggs revealed that his Cathouse for Dogs (doggy bordello) was a satirical media performance hoax.

Curses on the Rats Who Exposed Banksy

May your dick look just like Trump’s


Guerrilla artist Banksy finally unmasked — along with the remarkable way he hid in plain sight, by Stuart A. Thompson and Anthony Blair, New York Post, March 15, 2026

The infamous graffiti artist known as Banksy has finally been unmasked — after changing his name to something so generic, he could hide in plain sight..

The notorious guerrilla street artist, whose polarizing works have sold for millions of dollars, was identified as Robin Gunningham, 51, from the English city of Bristol, in a detailed investigation by Reuters on Friday.

The report found that Gunningham changed his name to David Jones — one of the most common British male names — in 2008 to avoid identification. Read the whole article here.

More Banksy coverage here.

Excavating Society’s Ever Changing Values on Art

Spencer Pelton, the State Archeologist from Wyoming, has written a compelling history of what happens when today’s values don’t match yesterday’s intent.

h/t Beauvais Lyons


The Centaur Excavations at Volos, by Spencer, Social Stigma, March 13, 2026

Using repatriation to stage an art heist.

In 1980, archaeologists working near the shores of the Aegean Sea uncovered a remarkable find. Peeling back layers of sediment in an ancient necropolis, they first encountered the head of an ancient Grecian man, mouth agape as if surprised to have been awoken from an ancient slumber. They traced the neck further down his body, gently brushing away sediment from the convoluted contours of the vertebrae, finding arms where arms should be and shoulder blades the same. But as they continued, the man’s character changed. Where there should be a pelvis, there was more spine, and then second sets of ribs and legs, not altogether human. As the archaeologists brushed the final bits of sediment from a third set of legs, the shocking reality of their discovery came into focus. The mythical centaur of old Greece, entombed with a modest assemblage of tablets and vessels for over 3,000 years.

This is, of course, not true. But it is an accurate description of The Centaur Excavations at Volos, an art installation located until recently for 30 years in the lobby of the University of Tennessee’s (UT) Hodges Library. I visited The Centaur many times growing up around UT’s campus. As a young child, I’m pretty sure I believed it. As a teen, I scoffed at those fooled by it. And later, I came to appreciate the piece for its ability to inspire curiosity and conversation. Read the whole article here.

 

Pataphysics Lives On!

Inspired by Alfred Jarry’s Ubu Roi (1896), Trump gets his comeuppance in Germany. Merde!


“‘Monster’s Paradise,’ lampooning US President Donald Trump, has world premiere at Hamburg Opera,” by Ronald Blum, AP News, February 3, 2026.

HAMBURG, Germany (AP) — Tobias Kratzer spoke in disbelief ahead of the world premiere of “Monster’s Paradise” by Olga Neuwirth and Elfriede Jelinek, which features a gluttonous, ravenous, insatiable President-King, lampooning U.S. President Donald Trump.

“The metaphor has become a reality,” the Hamburg State Opera artistic director said in his office Sunday morning. “I’m really hoping in — what is it, eight hours? — the piece is not completely outdated because up until now it has always gone closer and closer to not being a satire but being reality.”

Jelinek, 79 and winner of the 2004 Nobel Prize in Literature, collaborated with Neuwirth for the first time in two decades, the Austrian duo combining on a German-language libretto. The 57-year-old Neuwirth won the 2022 Grawemeyer Award for Music Composition, three years after she became the first woman composer with a work presented at the Vienna State Opera. Read the whole article here.

From the Vault: Vietnamese Christmas Nativity Burning, 1968

“Away in a manger, no crib for a bed, the little Lord Jesus laid down His sweet head…”
and then…
and then…
and then…

Along came Skaggs with his 1968 anti-war art protest, “Vietnamese Christmas Nativity Burning.