Reality TV got caught trying to be real. CBS was casting for a new reality TV show called The Activist where social issue crusaders would be pitted against each other. h/t Naomi

POSTSCRIPT: The loud outcry against this pathetically bad idea resulted in a complete reconfiguring of the show.

Inside ‘The Activist’ Meltdowns as the Entire Shitshow Spiraled Out of Control, by Cheyenne Roundtree. The Daily Beast, September 15, 2021

The backlash against “The Activist” continues, with an open letter and response from host Julianne Hough. The Daily Beast spoke with two activists who were approached by the show.

Illustration by Elizabeth Brockway

It took just a few hours for CBS’s new reality competition The Activist to be globally panned. A Frankenstein mashup of a Hunger Games-style dystopian world mixed with hints of Survivor and The Apprentice, the show places six activists into teams and pairs them with a “high-profile public figure” to duke it out in challenges to promote their various causes. At the end of the five-episode series, they will have the chance to pitch their cause at the G20 Summit in Rome. Whoever secures the most funding wins the show.

Instead of world leaders or any sort of mission-driven experts being tapped to host the show, Usher, Priyanka Chopra Jonas, and Julianne Hough will serve as co-hosts and offer up advice to the contestants.

The Daily Beast reviewed the six contestants’ social media accounts—including TikTok, Twitter, and Instagram profiles—which were all created in August. One posted, “Help me win by commenting and liking my posts through the next few missions!” Another contestant thanked his followers for donating to his GoFundMe, which went towards covering the unpaid time off he took as an elementary teacher in order to compete on the show.

Needless to say, the announcement of a show that pits serious causes against one another and then relies on superficial social media metrics to determine which campaign is more successful—in the middle of global pandemic—did not go over well.

Read the rest here.

39 years after JoJo, the King of the New York Gypsies and leader of Gypsies Against Stereotypical Propaganda (G.A.S.P), launched a media campaign calling for the renaming of the Gypsy Moth, The New York Times reports that the Entomological Society of America is removing gypsy moth as its recognized common name (pdf of NY Times article).

The full story is on joeyskaggs.com.

Former NRA President David Keene, and gun rights activist John Lott neglected to do their own background checks when they were invited to speak at the graduation ceremony of a non-existent high school in Las Vegas.

A Parkland Victim’s Dad Tricked A Former NRA President Into Speaking At A Fake Graduation, by Amber Jamieson, Buzzfeed News, June 23, 2021

Instead, the 3,044 empty seats represented the students who did not graduate this year because they were killed by gun violence.

In a speech to the James Madison Academy 2021 graduating class, David Keene, a former NRA president and current board member of the gun rights group, called on the teens to fight those looking to implement tighter gun restrictions.

“I’d be willing to bet that many of you will be among those who stand up and prevent those from proceeding,” he said, to a Las Vegas stadium of thousands of socially distanced chairs on June 4.

“An overwhelming majority of you will go on to college, while others may decide their dream dictates a different route to success,” said Keene. “My advice to you is simple enough: follow your dream and make it a reality.”

In a speech to the James Madison Academy 2021 graduating class, David Keene, a former NRA president and current board member of the gun rights group, called on the teens to fight those looking to implement tighter gun restrictions.

“I’d be willing to bet that many of you will be among those who stand up and prevent those from proceeding,” he said, to a Las Vegas stadium of thousands of socially distanced chairs on June 4.

“An overwhelming majority of you will go on to college, while others may decide their dream dictates a different route to success,” said Keene. “My advice to you is simple enough: follow your dream and make it a reality.”

The full article and more videos are here, complete with former NRA President David Keene’s, author and gun rights activist John Lott’s self-righteous perspective on the prank.

“Are there more naked women than women artists in museums?”
The Male Graze

ACTIVISM: Does art imitate life or life imitate art?, by Anne Douglas, Morning Star Online, June 25, 2021

That’s the question posed by no-holds-barred activists The Guerrilla Girls in their latest assault on male behaviour in the arts

Pic credit: Rob Melen, Glynn Vivian Art Gallery, Swansea

GUERRILLA GIRLS, the anonymous group of US feminist female artists devoted to fighting sexism and racism within the art world, are bringing their unique form of “culture jamming” to billboard displays across Britain.

They formed in New York City in 1985 with the mission of highlighting gender and racial inequality in the visual arts community and, to remain anonymous, members don gorilla masks and use pseudonyms referencing deceased female artists.

Their latest project involves large-scale billboards across Britain in iconic locations from Glasgow Barrowlands to London Bridge, countryside locations and seaside towns until July 18.

They are part of The Male Graze which explores bad male behaviour through the lens of art history.

“What art historians call the male gaze, the masculine, heterosexual perspective in European and American art, mostly by white men, that depicts women as sexual objects for the pleasure of the male viewer, we call The Male Graze,” The Guerrilla Girls said.

“Lots of women are naked in post-colonial Western art. Some are idle: sleeping, splayed out on beds and couches, lounging around with their friends, bathing and maybe even dancing.

“When active, there is usually a sexual element present — voyeurism, seduction, harassment, assault, rape and sometimes murder.

Read the full article here.

The New York April Fools’ Committee Is Proud to Announce:
NEW YORK CITY’S 36th ANNUAL APRIL FOOLS’ DAY PARADE

New York’s irreverent April Fools’ Day Parade, poking fun at the past year’s displays of hype, hypocrisy, deceit, bigotry, and downright stupidity, is back for the 36th year!

The public is invited to create outrageous floats and dress up as look-alikes in colorful costumes to reflect the folly of the nuttiest politicians, crooked corporate leaders, silly celebrities, and whoever else has proved to be a total fool in the past year.

Floats should be no wider than 10’ and no longer than 30’. They can be self-propelled, towed, pushed or pulled. Customized bicycles, tricycles, baby carriages and helium balloons are welcome. The Parade Committee assumes no liability for damage caused by satire.

The theme of the parade this year is “DENY, DENY, LIE, LIE!” The parade’s Grand Marshall is Texas Senator Ted Cruz in a sombrero dragging a rolling suitcase. He’ll be followed by the QAnon Marching Band singing the Village People’s “Macho Man.” Color commentary will be provided by former Fox News commentator Lou Dobbs. Security will be provided by the Proud Boys and Oath Keepers who will be standing back and standing by.

The parade will lead off with Donald Trump Jr. driving a Trump 2024 Campaign Bus. Anyone voicing opposition to his dad’s claims of voter fraud will be promptly thrown under the bus. Next up is the Georgia Republican Election Officials Float waving 11,780 Biden votes they’ve miraculously found for Trump. This will be followed by a float with a Scale Model of Mount Rushmore with Trump’s Face Added, an Exhibition of Displaced Confederate Statues, and a Shipping Container brimming with Stolen Podiums, Flags, Computers, Important Papers, and Cell Phones from the January 6 Capitol Insurrection. All of these and some Spin Art attached to a Non-Fungible Token (NFT) on the Mobile Ethereum Mining Float will be auctioned by Christie’s to help fund next year’s event (Cryptocurrency only).

Visit http://aprilfoolsdayparade.com for more details.

From Mikel Fair, “We had an opportunity to catch up with director of the independent film documentary film Joey Skaggs: Bad Guys Talent Management Agency, which screened at Oregon Documentary Film Festival Winter 2021. The screening on February 28, 2021 was a live drive-in theater screening on the Film Festival Circuit.

Judy Drosd Interview, Film Festival Circuit, March 1, 2021

In 1969 on Valentine’s Day, artist Joey Skaggs satirized male chauvinist Wall Street workers by stretching a fifty foot brassiere across the U.S. Treasury building on Wall Street in New York City. He called it his Big Bust.

Read the whole story here.

50′ Bra Video (no audio)

The back story on Francine Gottfried (from Wikipedia)

Francine Gottfried (born 1947) is a clerical worker in New York City’s Financial District who acquired sudden brief celebrity when, in the space of two weeks in September 1968, increasing numbers of men began watching her as she walked to work. Newspapers dubbed her “Wall Street’s Sweater Girl” as her curvaceous figure seemed to be the sole reason that crowds formed spontaneously around her whenever she appeared in the financial district.

Gottfried started working at Chemical Bank in the financial district on May 27, 1968. By late August, a small band of creeps had noticed her, and that she always followed the same route. They timed her daily arrival and started spreading the word to their colleagues and co-workers. For three weeks, the band of gawkers grew exponentially larger until on September 18 there were 2,000 people waiting for her. (more…)

Joe Enright takes a walk down memory lane and reviews Joey Skaggs Satire and Art Activism, 1960s to the Present and Beyond, the new oral history series debuting at the New Jersey Film Festival on Friday, February 12, 2021

Joey Skaggs: 60 Years of Satire, Psychic Attorneys & Mobile Confessionals, by Joe Enright, Argyle Heights, February 10, 2021

In the mid-1960s, a Lower East Side artist organized crucifixion performances in the East Village on Easter Sunday, protesting social injustice and the Vietnam War. They created…wait for it…wait for it…controversy! The cops swarmed and he was busted. This inspired some Hollywood filmmakers to option his life story for a movie. To which the young man responded: “What life story? I’m only 20!” Indeed, there would be so much more to his story.

Joey Skaggs went on to become a satirist and prankster with an extraordinary history of accomplishments, only some of which were crammed into the hilarious 2015 documentary, Art of the Prank. But many scholars also consider him a progenitor of “culture jamming” and “reality hacking,” decades before such high-falutin’ terms were invented to describe his sly takeover of the language and visual trappings of American culture in order to subversively critique it. His pranks are never vicious, never illegal, but they do require a deadpan sense of humor, good acting skills, well-crafted press releases, financing for props, costumes, videos and above all, a wonderful imagination with the planning necessary to carry it all forward.

Skaggs is foremost a very versatile artist, but when pressed for a definitive occupational title I could pin on him for this profile, Joey chose “Pataphysician,” defined by the 19th century French writer Alfred Jarry as a practitioner of “the science of imaginary solutions.” Among Skaggs’ long list of solutions that have brought joy to many fellow citizens, and embarrassment to bamboozled reporters and societal gate-keepers, some stand out for their sheer audacity. Read the whole article here.

Who is Joey Skaggs?

Find out more as the New Jersey Film Festival screens the first four oral histories in the new series, Joey Skaggs Satire and Art Activism, 1960s to the Present and Beyond this Friday, February 12, 2021.

The screening is virtual and is available for streaming anywhere (not just in New Jersey) for 24 hours as of 12:01 am. From the moment you begin watching, you have 24 hours to finish it.

Teaser trailer

Richard Milner is the author of Darwin’s Universe: Evolution from A to Z.

Margo St. James, the media prankster, former hooker and champion of sexual freedom, died on January 11 in her hometown of Bellingham, Washington. She was 83. During her decades as a counterculture activist in San Francisco (1960s through 1980s), she led the crusade to upgrade legal rights for “ladies of the evening,” whom she described with respect as ‘sex workers.” To that end, she founded COYOTE — “Call Off Your Old Tired Ethics” — which she characterized as “a loose union of women,” or perhaps “a union of loose women.” She was a serious unionist. When a reporter referred to her as a “former madam,” she demanded a retraction and proudly proclaimed, “I was never management.”

But I always thought Margo’s best claim to fame was as “the Realist Nun,” which is how I first heard of her. What, you may ask, was the Realist Nun?

In 1958, a satirist, social critic, and prankster named Paul Krassner founded an outrageous underground magazine called “The Realist”. It was inevitable that in the San Francisco of the 1960s Margo and Paul would meet and become longtime pals and co-conspirators. Margo got hold of an authentic nun’s habit and began wearing it when stepping out with Paul. Once they visited an airport and lingered at the departure gate, where they embraced and began kissing passionately, with Margo attired in the nun’s outfit. Finally, when they were through, she said in a loud voice, “Goodbye, have a great flight, Father Berrigan!” And thus began the annals of The Realist Nun. (more…)

ANNOUNCING:

Joey Skaggs Satire and Art Activism, 1960s to the Present and Beyond

A new series of short oral history films,
produced and directed by Judy Drosd with Joey Skaggs

UPCOMING SCREENINGS AND ANNOUNCEMENTS ARE HERE

This “sticky” post will be here for a while. Scroll down for other posts.

When media literacy and critical thinking are absent, the world becomes a much more dangerous place. Check out this very illuminating Buzzfeed link as well (in the 2nd paragraph below).

QAnon: the Italian artists who may have inspired America’s most dangerous conspiracy theory, by Eddy Frankel, The Art Newspaper, January 19, 2021

An anonymous left-wing art group known in the 1990s as Luther Blissett are wondering what they have unwittingly helped create

Q, the 1999 novel by the anonymous Italian art collective Luther Blissett, has notable similarities with the workings of QAnon

As the US Capitol was overwhelmed by Donald Trump supporters in early January, one figure stood out: with his painted face, bare chest, fur hat and American flag-draped spear, Jake Angeli became one of the most photographed rioters of the day. He is also known as the “QAnon Shaman” and has been seen waving a “Q sent me” placard in other protests.

QAnon is America’s most dangerous conspiracy theory, and if you pull hard enough on its threads, the whole tangled mess lands, somehow, at the feet of a group of Italian artists. It might sound like a conspiracy within a conspiracy, but, as Buzzfeed first reported in 2018, chances are that QAnon, at the start at least, took inspiration from an amorphous organisation of leftist artists who, for most of the mid-1990s, called themselves Luther Blissett after the 1980s English footballer.

They used the Watford and England striker’s name as a nom de plume, perpetrating countless media hoaxes, pranks and art interventions. They started raves on trams that turned into riots, they released albums, wrote books and manifestos, they mocked, questioned and undermined the mainstream, and they grew and grew until hundreds of people around the world were calling themselves Luther Blissett.

In the process, with their media-jamming hoaxes, they helped lay the groundwork for QAnon, a conspiracy theory about a secret satanic cabal of child abusers which controls the world. During the 2016 presidential elections, it famously gave rise to the rumour that Hillary Clinton ran a paedophile ring in a pizza parlour, Comet Ping Pong. More recently, QAnon has become a mainstay of far-right protests and riots, including the US Capitol insurrection. (more…)

Norman Savage was a poet, author, friend and long-time co-conspirator. In addition to participating in performance pieces, he also doubled as me, even though we didn’t look or sound at all alike, on numerous occasions.

He was always game for some sly fun.

Here’s a brief journey through some of our hijinks together.





In 1986, Norman played the part of a diet commando in my Fat Squad hoax, where you could take out a contract on yourself and commandos would keep you on your diet.

In 1988, when Entertainment Tonight asked me to appear for a story promising the inside scoop on great hoaxes and hoaxers—how the news media falls for their stories, what to watch out for, and how not to be fooled—I sent Norman to appear as me.

In 1990, Norman played a “Hair Today, Ltd” scalp donor in a photo taken for Mark Dery’s article “The Merry Pranksters and the Art of the Hoax” in The New York Times.

(more…)

A scene in Sacha Baron Cohen’s news movie “Borat Subsequent Moviefilm” exposes Rudy Giuliani, ex-Mayor of New York and Donald Trump’s personal attorney, in a compromising position. He makes a play for a sexy young journalist who is interviewing him and gets caught on film appearing to put his hand down his pants. Rudy says he was just tucking in his shirt.

You decide. Watch the footage of the scene here:

And here’s Sacha Baron Cohen’s response in character as Borat defending Rudy.

Read more at The Guardian: Rudy Giuliani faces questions after compromising scene in new Borat film

Here’s a creative prescription for managing your medical bills.

Oversized hospital bill paintings sold to pay off medical debts, by Oscar Holland, CNN, October 5, 2020

An art collective has come up with a novel way of paying off three people’s medical debt: turning their hospital bills into huge paintings and selling them to collectors for thousands of dollars.

The paintings were sold for the same amount owed on each bill, with the money used to pay off the applicants’ medical debts. Credit: MSCHF

New York-based MSCHF, which is known for its irreverent art projects, identified Americans with sizable medical debt, including one with a bill for over $47,000. The group then hand-painted the invoices on 6-foot-tall canvases and sold them on the art market for precisely the amount owed.

Beyond settling these individuals’ debts with the money generated, the artists aim to make a wider commentary about the US health care system. Over 137 million people in the United States reported medical financial hardship, a 2019 study found.

Read more here.