In Search of Ethical Artificial Intelligence

In a noble effort to assure the ethical use of AI in legal matters, the European Commission for the Efficiency of Justice (CEPEJ) of the Council of Europe is catching up with Joey Skaggs’ visionary 1995 Solomon Project hoax. h/t Miso.


“Council of Europe adopts first European Ethical Charter on the use of artificial intelligence in judicial systems”
by Newsroom staff
Council of Europe
April 12, 2018

The European Commission for the Efficiency of Justice (CEPEJ) of the Council of Europe has adopted the first European text setting out ethical principles relating to the use of artificial intelligence (AI) in judicial systems.

The Charter provides a framework of principles that can guide policy makers, legislators and justice professionals when they grapple with the rapid development of AI in national judicial processes.

The CEPEJ’s view as set out in the Charter is that the application of AI in the field of justice can contribute to improve the efficiency and quality and must be implemented in a responsible manner which complies with the fundamental rights guaranteed in particular in the European Convention on Human Rights (ECHR) and the Council of Europe Convention on the Protection of Personal Data. For the CEPEJ, it is essential to ensure that AI remains a tool in the service of the general interest and that its use respects individual rights.

The CEPEJ has identified the following core principles to be respected in the field of AI and justice:

  • Principle of respect of fundamental rights: ensuring that the design and implementation of artificial intelligence tools and services are compatible with fundamental rights;
  • Principle of non-discrimination: specifically preventing the development or intensification of any discrimination between individuals or groups of individuals;
  • Principle of quality and security: with regard to the processing of judicial decisions and data, using certified sources and intangible data with models conceived in a multi-disciplinary manner, in a secure technological environment;
  • Principle of transparency, impartiality and fairness: making data processing methods accessible and understandable, authorising external audits;
  • Principle “under user control”: precluding a prescriptive approach and ensuring that users are informed actors and in control of their choices.

For the CEPEJ, compliance with these principles must be ensured in the processing of judicial decisions and data by algorithms and in the use made of them. Read more.

BP or not BP?

Ethical curating vs. patronage by “benevolent guardians and gatekeepers”


Anti-BP Protesters Sip Oily Champagne in Satirical Performance at the British Museum
by Jasmine Weber
Hyperallergic
November 6, 2018

Performers dressed as BP employees sipped oil-contaminated champagne, and protesters displayed facts about BP’s exploitation of Iraqi resources.

Faux BP employees chat nonchalantly before anti-oil protesters (all images by Kristian Buus and courtesy of BP or not BP?)

On November 6, activist theatre group BP or not BP? gathered at the British Museum, just outside of the I am Ashurbanipal: king of the world, king of Assyria exhibition, which opens November 8. The protest actors dressed as corporate BP employees and were accompanied by additional protesters. The action occurred in parallel to the exhibition’s private viewing for journalists.

The British Museum’s latest exhibition of ancient Assyrian objects from Iraq provided the perfect platform for BP or not BP?’s 33rd performance within the museum, where they chanted slogans like, “British Museum, we’ll keep coming back, no BP logos on your stolen artifacts!” (Just last week, the sale of an Assyrian relief at Christie’s raised similar concerns about the pillaging of Iraqi artifacts.) Continue reading “BP or not BP?”

Alison Klayman Film About Ai Weiwei Premieres

For Ai Weiwei, Politics And Arts Always Mix
by NPR Staff
July 25, 2012

Listen to this Story on All Things Considered [7 min 49 sec]

Last week, a Chinese court rejected artist Ai Weiwei’s lawsuit against the tax bureau that had imposed a massive fine on his company.

Ai was fined more than $2 million after being detained for three months last year.

This marks yet another political struggle for Ai, who is famous abroad for his art and has emerged as a leading Chinese dissident, a voice for individual freedom. A year after being released, Ai is still monitored heavily by officials, although he uses his Twitter feed to continue criticizing China’s government.

Filmmaker Alison Klayman was an intern on NPR’s All Things Considered before she left for China, where she wound up chronicling Ai on video. The result is a documentary “” her first film “” called Ai Weiwei: Never Sorry, part of which chronicles Ai’s crusade to seek justice for an alleged police beating.

Movie trailer:

Continue reading “Alison Klayman Film About Ai Weiwei Premieres”

The Art of Assassination

Artist Depicts Assassination Of Bush, The Queen In New Brazil Exhibition
by Curtis M. Wong
The Huffington Post
September 27, 2010

The Sao Paulo Art Biennial may be renowned for celebrating the best of Brazil’s avant garde, but international critics say one of this year’s featured exhibits — a series of charcoal sketches depicting the imagined assassinations of former U.S. President George W. Bush and Queen Elizabeth II, among other world leaders — has gone too far.

One sketch in the controversial series, titled “Enemies,” depicts Bush kneeling on the ground while artist Gil Vicente presses a pistol to the former president’s temple. In other sketches, the Queen is apparently unaware of the artist pointing a gun directly at her back, while Pope Benedict XVI faces Vicente directly, his arms outstretched in a quizzical shrug. Other world leaders shown in Vicente’s 9-sketch series include former Israeli Prime Minister Ariel Sharon, Iranian President Mahmoud Ahmadinejad and Brazilian President Luiz Inacio Lula de Silva, according to The Telegraph. [See below for more photos] Continue reading “The Art of Assassination”