LiteratEye #40: And Death Shall Have No Dominion, Particularly If You’re a Best-Selling Author

Here’s the fortieth installment of LiteratEye, a series found only on The Art of the Prank Blog, by W.J. Elvin III, editor and publisher of FIONA: Mysteries & Curiosities of Literary Fraud & Folly and the LitFraud blog.


LiteratEye #40: And Death Shall Have No Dominion, Particularly If You’re a Best-Selling Author
By W.J. Elvin III
November 20, 2009

pride, prejudice, zombies200It seems a sad thing that writers who keep on pumping out books after they are dead aren’t around to enjoy the benefits. Maybe there are literary awards passed out in heaven? “Best Book By A Recently-Deceased Author.”

I got to thinking about that after learning that mystery writer and outdoor expert William G. Tapply, who had become just plain “Bill” over the course of our correspondence last year, died recently. He left several books still to be published.

What that leads into is the issue of after-death publishing, not the posthumous publication of completed works as in Tapply’s case but works produced under an author’s name but actually involving other writers.

Sometimes such books are based on partially completed manuscripts, or even derived from ideas jotted on a cocktail napkin. If that.

The issue takes some odd turns. Continue reading “LiteratEye #40: And Death Shall Have No Dominion, Particularly If You’re a Best-Selling Author”

LiteratEye #38: New ‘Literary Hoaxes’ Book Leaves the Curious Reader in the Dark

Here’s the thirty eighth installment of LiteratEye, a series found only on The Art of the Prank Blog, by W.J. Elvin III, editor and publisher of FIONA: Mysteries & Curiosities of Literary Fraud & Folly and the LitFraud blog.


LiteratEye #38: New ‘Literary Hoaxes’ Book Leaves the Curious Reader in the Dark
By W.J. Elvin III
November 6, 2009

There are a great many mysteries in the field of literary deception.

amberwitch-200So it is always a pleasure to learn of a new book that may shed light.

Having seen advance reviews some time ago in the British Press, I eagerly awaited the arrival of Melissa Katsoulis’ Literary Hoaxes.

Well, it’s a grand overview, a nice line-up of the usual suspects, but I’m less than delighted. Hoaxes raises many more questions than it answers, most of the questions resulting from a failure to source the tales therein.

How is it Katsoulis knows so much about William Henry Ireland, the young Shakespeare forger of the late 1700s?

Who told Katsoulis that the American Indian imposter Grey Owl was once recognized through his feathers by his very British aunts, who decided to keep their observation a secret?

And what assurance do we have that the author has her facts straight regarding Pierre Plantard’s part in creating the hoax behind Dan Brown’s Da Vinci Code?

And so on, and on.

The book has no citations, no bibliography. No index, though the table of contents serves the purpose in a basic way. There just aren’t many signposts to guide those who might want to know more about any given topic. Continue reading “LiteratEye #38: New ‘Literary Hoaxes’ Book Leaves the Curious Reader in the Dark”

The Pynchon Hoax

Submitted by Peter Markus as seen on gawker.com:


Thomas Pynchon is No Indie Rock Groupie
by The Cajun Boy
August 12 2009

pynchon001-200In 1996 the New Yorker ran a “Talk of the Town” piece about the notoriously reclusive Thomas Pynchon becoming a huge fan of an indie rock band called Lotion, a story the magazine now acknowledges was all a hilarious hoax.

To get an idea of how all this came to be, here’s what the New Yorker’s Andrew Essex wrote about the friendship between Pynchon and Lotion in the 1996 TOTT piece:

The writer and the rockers first met in Cincinnati… After the show, the older guy, who was wearing a Godzilla shirt and ill-fitting pants, swung by to offer his compliments. He introduced himself as Tom. Jim Ferguson was reading “Slow Learner”, Pynchon’s collection of short stories. He’d left his copy backstage in a New York rock club, where Pynchon had been invited to watch the show. Pynchon saw it and asked, “Who’s reading my book?” “I said, ‘No, that’s my book,'” Jim recalls. “It didn’t register until 1 got onstage… After that, Tom began showing up at Lotion performances all over the country. An unlikely friendship was born. A year later, the members of Lotion are still a bit stunned by their guardian angel.

Recently Essex contacted the magazine to say that he and the New Yorker’s vaunted fact-checkers had been tricked by the band all those years ago. Continue reading “The Pynchon Hoax”

LiteratEye #26: How to Catch a Clever Literary Con Artist

Here’s the twenty sixth installment of LiteratEye, a series found only on The Art of the Prank Blog, by W.J. Elvin III, editor and publisher of FIONA: Mysteries & Curiosities of Literary Fraud & Folly and the LitFraud blog.


LiteratEye #26: How to Catch a Clever Literary Con Artist
By W.J. Elvin III
August 14, 2009

From The Sydney Morning Herald:
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“OK, Norma, put down that knife”¦”

Norma Khoury, the author of a fake tragic memoir that was the topic of last week’s LiteratEye column, seems to have a few character defects beyond lying about her past. Continue reading “LiteratEye #26: How to Catch a Clever Literary Con Artist”

LiteratEye #25: A Case of Catch Me If You Can

Here’s the twenty fifth installment of LiteratEye, a series found only on The Art of the Prank Blog, by W.J. Elvin III, editor and publisher of FIONA: Mysteries & Curiosities of Literary Fraud & Folly and the LitFraud blog.


LiteratEye #25: A Case of Catch Me If You Can
By W.J. Elvin III
August 7, 2009

“All Arab men are taught that it is their responsibility to discipline the women in their lives, and that the best way to do so is corporal punishment.”

51636G4GY0L._SS500_200That’s not a true or false question, at least it didn’t start out that way. It’s a pivotal “fact” in Norma Khouri’s formerly best-selling Honor Lost: Love and Death in Modern Jordan. Internationally, with the title changed to Forbidden Love, the book was published in at least 15 countries.

Khouri presented herself as an oppressed young Jordanian woman fleeing the wrath of religion-maddened murderers. Her persecutors were ticked off because of Khouri’s part in her best friend’s very tame love affair, hardly more than a flirtation.

Under Islamic tradition and law, Khouri told readers, such carrying-on warranted killing.

A few years back, Australian journalist Malcolm Knox exposed the book as mostly imagined.

It was revealed that Khouri actually grew up in Chicago as Norma Bagain and later as Mrs. John Touliopoulos. She relocated to Australia, somewhat hurriedly due to the FBI’s desire to question her about a real estate scam.

Khouri admits to fabricating minor details and says she did so in order to protect herself and others.

Reporters and other commentators say she also made up major details. Continue reading “LiteratEye #25: A Case of Catch Me If You Can”