Academic Journalism?

Three academic scholars prove once again that you can’t trust academic journalism, especially when it comes to “grievance studies”. From Vinay Menon in The Star: “They are self-described liberals. They are merely exposing what many others have claimed in recent years, namely that radicals are polluting certain disciplines from the inside. These “social justice warriors,” the argument goes, are sacrificing objective truth for social constructivism. They are blowing up enlightenment values and the scientific method to advance agendas in the culture wars.”

h/t Peter, Linda, Susanne


Universities get schooled on ‘breastaurants’ and ‘fat bodybuilding’
by Vinay Menon
The Star
October 5, 2018

Oh, the humanities.

Fake news grabbed academia by the tweedy lapels this week, after three scholars confessed to a brazen hoax. Over the last year, Helen Pluckrose, Peter Boghossian and James A. Lindsay wrote bogus papers, which they submitted to peer-reviewed journals in various fields they now lump together as “grievance studies.”

James Lindsay, Helen Pluckrose and Peter Boghossian (Mike Nayna)

In one “study,” published in a journal of “feminist geography,” they analyzed “rape culture” in three Portland dog parks: “How do human companions manage, contribute, and respond to violence in dogs?”

In another, using a contrived thesis inspired by Frankenstein and Lacanian psychoanalysis, they argued artificial intelligence is a threat to humanity due to the underlying “masculinist and imperialist” programming.

They advocated for introducing a new category — “fat bodybuilding” — to the muscle-biased sport. They called for “queer astrology” to be included in astronomy. They offered a “feminist rewrite” of a chapter from Hitler’s Mein Kampf. They searched for postmodern answers to ridiculous queries such as: why do straight men enjoy eating at “breastaurants” such as Hooters? Continue reading “Academic Journalism?”

Uncle Sam’s Imaginary Pen Pal

Gizmodo’s Paleofuture blog examines the canon of opinion writer Guy Sims Fitch, a prolific non-existent writer for the United States Information Agency.


“Meet Guy Sims Fitch, a Fake Writer Invented by the United States Government”
by Matt Novak
September 27, 2016
Paleofuture

aotp_guysimsfitchGuy Sims Fitch had a lot to say about the world economy in the 1950s and 60s. He wrote articles in newspapers around the globe as an authoritative voice on economic issues during the Cold War. Fitch was a big believer in private American investment and advocated for it as a liberating force internationally. But no matter what you thought of Guy Sims Fitch”™s ideas, he had one big problem. He didn”™t exist.

Guy Sims Fitch was created by the United States Information Agency (USIA), America”™s official news distribution service for the rest of the world. Today, people find the term “propaganda” to be incredibly loaded and even negative. But employees of the USIA used the term freely and proudly in the 1950s and 60s, believing that they were fighting a noble and just cause against the Soviet Union and the spread of Communism. And Guy Sims Fitch was just one tool in the diverse toolbox of the USIA propaganda machine.

“I don”™t mind being called a propagandist, so long as that propaganda is based on the truth,” said Edward R. Murrow in 1962. Murrow took a job as head of the USIA after a long and celebrated career as a journalist, and did quite a few things during his tenure that would make modern journalists who romanticize “the good old days” blush.

But even when USIA peddled its own version of the truth, the propaganda agency wasn”™t always using the most, let”™s say, truthful of methods. Their use of Guy Sims Fitch””a fake person whose opinions would be printed in countries like Brazil, Germany, and Australia, among others””served the cause of America”™s version of the truth against Communism during the Cold War, even if Fitch”™s very existence was a lie.

Read more.

The Strange Case of JT LeRoy

JT LeRoy was widely presumed to be a gay prostitute from West Virginia who became the toast of NYC art-hipsterdom on the strength of his autobiographical books. The problem was that he didn’t exist at all – he was a character invented by a frustrated failed writer named Laura Albert and played by a friend of Albert’s in a blonde wig. Frauds and fabulists ran amok in the Bush years, and LeRoy’s unmasking didn’t garner the same attention and schadenfreude as the downfalls of rouge reporter Jayson Blair or manly-man poseur James Frey. But as a new documentary explores, his story was a hell of a lot weirder.


“JT LeRoy doc explores absorbing literary scandal”
by Lindsey Bahr
AP
September 7, 2016

downloadTo the general public, the name JT LeRoy probably rings only the vaguest of bells, if any at all. It didn’t for this particular critic. But that innocent ignorance is all the more reason to seek out the documentary “Author: The JT LeRoy Story ,” a fascinating peek into one of the wildest literary scandals in recent years and the bizarre nature of celebrity relationships. Director Jeff Feuerzeig’s film, while undeniably one-sided, will have your mind spinning with questions about authorship, authenticity, art and fame.

Read more.


Why Hollywood Culture’s Outspoken (Fake) Mystery Critics Threw in the Towel Remains a Mystery

Twitter’s ‘Mystery Hollywood’ implodes: @MysteryExec was a fake
by Josh Dickey
Mashable
August 20, 2015

@MysteryExec, @MysteryVP Thumbnails
@MysteryExec, @MysteryVP thumbnails

The Twitter handle @MysteryExec, the most prominent voice in a small and tight-knit community of showbiz types who for years have tweeted anonymously, candidly and often about their batshit crazy profession, deleted his account sometime late Tuesday night. So did his sidekick, the tart-tongued @MysteryVP.

The reason: Mystery Executive is not an executive at all. Mystery VP is vice president of nothing.

They were catfish. And that’s too bad.

Multiple sources close to the people behind the accounts tell Mashable that @MysteryExec and @MysteryVP were a young male/female writing duo just trying to make it in Hollywood whose prank turned into a mini-phenomenon. What started as an outlet for their frustration turned into a movement that thousands of people, including this writer and dozens of prominent players in Hollywood, readily bought into.

And in recent months, as the ruse began to unravel, the entire Mystery showbiz-on-Twitter community began to crumble, too.

Read the whole story here.


Truman Capote’s Last Write: A Fake Non-Fiction Masterpiece

Reprinted from 1992 by Longform.org, here’s the fascinating unraveling of Truman Capote’s mysterious and clearly fake “non-fiction account of an American crime”.


Hoax: Secrets That Truman Capote Took to the Grave
by Peter and Leni Gillman
Sunday Times Magazine
June, 1992

Uncovering the real story behind a supposedly true account.

Truman Capote

Joe Fox was astounded. On his desk, this late autumn day in 1979, was a manuscript bearing the name of Truman Capote. Two months before, Capote had promised Fox a “surprise,” but Fox had been unimpressed: as Capote’s long-suffering editor at the New York publishing company, Random House, he had grown weary of his endless promises. Now Capote had delivered a manuscript to rank with his masterpiece, In Cold Blood.

Published 13 years before, Capote’s true-life account of the murder of a ranching family in Kansas had brought him literary acclaim, with status and royalties to march. Yet Capote had written nothing to match it since. He had supposedly been working on a novel, Answered Prayers, but for more than a decade Fox had watched deadlines come and go with nothing from Capote but a series of excuses.

The gossip-mongers of the literary world were proclaiming that Capote was burnt out, his sources of inspiration dissipated by alcohol and cocaine. Now Capote had confounded them all by delivering a sequel to In Cold Blood. He called it Hand-Carved Coffins, adding the potent subtitle: “A non-fiction account of an American crime.”

Read the whole story here.