forgery - The Art of the Prank

September 27, 2023December 15, 2023

Sometimes Art Imitates Art

Flattering fakes.

The Illicit Allure of Art Forgery, by Olivia McEwan, Hyperallergic, September 11, 2023

An anarchic desire to undermine the art world’s institutions lends art forgers a roguish, rebellious identity that is both compelling and unsavory.

LONDON — A certain romanticism surrounds art forgery. Unlike other material goods, such as watches, handbags, or even coins, artworks are unique objects, the value of which is determined by quantitative and qualitative factors. For this reason their trade within art markets relies to a great extent on good faith. The success of commercial galleries and dealers depends on integrity — that what they are selling is what they say. Deliberate deceit, and on a significant scale, is cause for scandal and a career’s end, as in the high-profile case of Knoedler, an art dealership established in 1846 but closed in 2011 following a flurry of lawsuits.

It is arguably especially embarrassing when national museums, staffed by art historical experts who are (on paper at least) driven by the interests of the public as opposed to financial gain, become tangled up in a contested artwork. The Louvre and the Musée Jacquemart-André in Paris, the National Gallery of London, the Metropolitan Museum of Art in New York, and the Kunsthistorisches Museum in Vienna have all at some point endorsed the authenticity of works sold by the alleged forger Giuliano Ruffini, charged with gang fraud and money laundering in December 2022…

…the Courtauld Gallery presents an unconventional exhibition, Art and Artifice: Fakes from the Collection, which comprises nothing but forgeries it has acquired during its history. Read the whole article here

January 15, 2011December 15, 2023

Forgery for Love, Not Money

Elusive Forger, Giving but Never Stealing
By Randy Kennedy
The New York Times
January 11, 2011

His real name is Mark A. Landis, and he is a lifelong painter and former gallery owner. But when he paid a visit to the Paul and Lulu Hilliard University Art Museum in Lafayette, La., last September, he seemed more like a character sprung from a Southern Gothic novel.

He arrived in a big red Cadillac and introduced himself as Father Arthur Scott. Mark Tullos Jr., the museum”s director, remembers that he was dressed “in black slacks, a black jacket, a black shirt with the clerical collar and he was wearing a Jesuit pin on his lapel.” Partly because he was a man of the cloth and partly because he was bearing a generous gift “” a small painting by the American Impressionist Charles Courtney Curran, which he said he wanted to donate in memory of his mother, a Lafayette native “” it was difficult not to take him at his word, Mr. Tullos said.

The painting, unframed and wrapped in cellophane, looked like the real thing, with a faded label on the verso from a long-defunct gallery in Manhattan. Father Scott offered to pay for a good frame and hinted that more paintings and perhaps some money might come the museum”s way from his family. But when the Hilliard”s director of development chatted with Father Scott about the church and his acquaintances in deeply Roman Catholic southern Louisiana, the man grew nervous. “He said, “˜Well, I travel a lot,” ” Mr. Tullos recalled. ” “˜I go and solve problems for the church.” ”

Mr. Landis “” often under his own name, though more recently as Father Scott or as a collector named Steven Gardiner “” has indeed done a lot of traveling over the past two decades, but not for the church. He has been one of the most prolific forgers American museums have encountered in years, writing, calling and presenting himself at their doors, where he tells well-concocted stories about his family”s collection and donates small, expertly faked works, sometimes in honor of nonexistent relatives. Continue reading “Forgery for Love, Not Money”

April 30, 2009December 15, 2023

Obama Forgeries Exposed

Submitted by W.J. Elvin III:

Tom Tresh shows a series of fake Obama autographs sold on eBay and talks about how to recognize a phony.

March 27, 2009December 15, 2023

LiteratEye #7: Faux Poe

Here’s the seventh installment of LiteratEye, a series found only on The Art of the Prank Blog, by W.J. Elvin III, editor and publisher of FIONA: Mysteries & Curiosities of Literary Fraud & Folly and the LitFraud blog.

LiteratEye #7: Faux Poe
By W.J. Elvin III
March 27, 2009

This year is the 200th anniversary of the birth of Edgar Allan Poe. If you keep track of these things, you’re no doubt amazed at the creative ways people find to connect to the master of the macabre. The calendar is cluttered with related events put on by institutions, communities and individuals nationwide.

Poe offers a goldmine of opportunities for those intrigued by literary fraud, hoaxes, mystifications and riddles. He left behind many puzzles to be solved, in his writing and in how he lived his brief life. For instance, he fought many back-and-forth battles over plagiarism, sometimes the accused and sometimes the accuser. On the other side of it, his fame made him a magnet for forgers, pranksters, satirists and others hitching a ride on his star.

In prowling old literary magazines, an avocation which no doubt fills endless hours of your leisure time, you can hardly help but notice how often others imitated Poe’s style. Digging into it, there is quite a bit of controversy over what he wrote or didn’t write, much of it unresolved. It’s confounding how many lesser lights tried to pass off their work as that of the master. And then there’s the on-going question of how many, if any, succeeded. Continue reading “LiteratEye #7: Faux Poe”