Bait your hook and land a great fish story — “Joey Skaggs: Fish Condos”, the short doc with a big message! Available online for 24 hours starting February 11, 2022 at midnight.
I’ve lost another dear friend and co-conspirator to the great cosmos.
Jim Walton in 2019:
Jim Walton in 1987:
Jim was with me for my Vietnamese Christmas Nativity Burning in 1968. Although I had attained a Film Permit for the event in Central Park, the police refused to honor it and arrested numerous “actor” friends including Sam Reeves (left) and Jim Walton (right) for “littering”.
He also, among other things, helped me hang my Fifty Foot Brassiere across the U.S. Treasury Building on Wall Street in 1969.
Watch the video:
A man of many talents and passions from the terrestrial to the celestial, he was always ready to engage in the absurd. A painter, sculptor, jeweler, photographer, astronomer and more, he shared his life with and was greatly loved by a wide swath of creative souls. I will forever miss him.
Joey Skaggs, Jim Walton, Jerry Ida, 1968. Photo by Tetsu Okuhara
Former NRA President David Keene, and gun rights activist John Lott neglected to do their own background checks when they were invited to speak at the graduation ceremony of a non-existent high school in Las Vegas.
Instead, the 3,044 empty seats represented the students who did not graduate this year because they were killed by gun violence.
In a speech to the James Madison Academy 2021 graduating class, David Keene, a former NRA president and current board member of the gun rights group, called on the teens to fight those looking to implement tighter gun restrictions.
“I’d be willing to bet that many of you will be among those who stand up and prevent those from proceeding,” he said, to a Las Vegas stadium of thousands of socially distanced chairs on June 4.
“An overwhelming majority of you will go on to college, while others may decide their dream dictates a different route to success,” said Keene. “My advice to you is simple enough: follow your dream and make it a reality.”
In a speech to the James Madison Academy 2021 graduating class, David Keene, a former NRA president and current board member of the gun rights group, called on the teens to fight those looking to implement tighter gun restrictions.
“I’d be willing to bet that many of you will be among those who stand up and prevent those from proceeding,” he said, to a Las Vegas stadium of thousands of socially distanced chairs on June 4.
“An overwhelming majority of you will go on to college, while others may decide their dream dictates a different route to success,” said Keene. “My advice to you is simple enough: follow your dream and make it a reality.”
The full article and more videos are here, complete with former NRA President David Keene’s, author and gun rights activist John Lott’s self-righteous perspective on the prank.
That’s the question posed by no-holds-barred activists The Guerrilla Girls in their latest assault on male behaviour in the arts
Pic credit: Rob Melen, Glynn Vivian Art Gallery, Swansea
GUERRILLA GIRLS, the anonymous group of US feminist female artists devoted to fighting sexism and racism within the art world, are bringing their unique form of “culture jamming” to billboard displays across Britain.
They formed in New York City in 1985 with the mission of highlighting gender and racial inequality in the visual arts community and, to remain anonymous, members don gorilla masks and use pseudonyms referencing deceased female artists.
Their latest project involves large-scale billboards across Britain in iconic locations from Glasgow Barrowlands to London Bridge, countryside locations and seaside towns until July 18.
They are part of The Male Graze which explores bad male behaviour through the lens of art history.
“What art historians call the male gaze, the masculine, heterosexual perspective in European and American art, mostly by white men, that depicts women as sexual objects for the pleasure of the male viewer, we call The Male Graze,” The Guerrilla Girls said.
“Lots of women are naked in post-colonial Western art. Some are idle: sleeping, splayed out on beds and couches, lounging around with their friends, bathing and maybe even dancing.
“When active, there is usually a sexual element present — voyeurism, seduction, harassment, assault, rape and sometimes murder.
The New York April Fools’ Committee Is Proud to Announce:
NEW YORK CITY’S 36th ANNUAL APRIL FOOLS’ DAY PARADE
“DENY, DENY, LIE, LIE!”
The only New York City parade dedicated to conspiracy theorists!
New York’s irreverent April Fools’ Day Parade, poking fun at the past year’s displays of hype, hypocrisy, deceit, bigotry, and downright stupidity, is back for the 36th year!
The public is invited to create outrageous floats and dress up as look-alikes in colorful costumes to reflect the folly of the nuttiest politicians, crooked corporate leaders, silly celebrities, and whoever else has proved to be a total fool in the past year.
Floats should be no wider than 10’ and no longer than 30’. They can be self-propelled, towed, pushed or pulled. Customized bicycles, tricycles, baby carriages and helium balloons are welcome. The Parade Committee assumes no liability for damage caused by satire.
The theme of the parade this year is “DENY, DENY, LIE, LIE!” The parade’s Grand Marshall is Texas Senator Ted Cruz in a sombrero dragging a rolling suitcase. He’ll be followed by the QAnon Marching Band singing the Village People’s “Macho Man.” Color commentary will be provided by former Fox News commentator Lou Dobbs. Security will be provided by the Proud Boys and Oath Keepers who will be standing back and standing by.
The parade will lead off with Donald Trump Jr. driving a Trump 2024 Campaign Bus. Anyone voicing opposition to his dad’s claims of voter fraud will be promptly thrown under the bus. Next up is the Georgia Republican Election Officials Float waving 11,780 Biden votes they’ve miraculously found for Trump. This will be followed by a float with a Scale Model of Mount Rushmore with Trump’s Face Added, an Exhibition of Displaced Confederate Statues, and a Shipping Container brimming with Stolen Podiums, Flags, Computers, Important Papers, and Cell Phones from the January 6 Capitol Insurrection. All of these and some Spin Art attached to a Non-Fungible Token (NFT) on the Mobile Ethereum Mining Float will be auctioned by Christie’s to help fund next year’s event (Cryptocurrency only).
Banksy confirmed the artwork in a clever video stitched together with a Bob Ross tutorial.
Blockbuster street artist Banksy has laid claim to his latest work of public art — an olde tyme prison escape stenciled on the wall of the defunct HM Reading Prison in Reading, Berkshire, England. The prison, also known as Reading Gaol, was built in 1844 and operated until early 2014. Until this week, it was perhaps most famous for housing writer Oscar Wilde during a two-year imprisonment (1895-1897) after a conviction for “gross indecency.” Following his release, Wilde published The Ballad of Reading Gaol, a poem that narrates the 1896 hanging of Charles Thomas Woodridge, convicted of murdering his wife.
The Banksy mural features a figure in prison stripes and a cap. He appears to be climbing down the exterior brick wall on a rope ladder instead of a ream of paper, anchored by a typewriter. The image is likely an allusion to Wilde as Reading’s famous inmate and his subsequent poetic work that both documents Woodridge’s hanging while also identifying with him as a fellow prisoner.
The artist left his work open to speculation for a few days before taking to Instagram with a video documenting the mural’s clandestine application, with narration supplemented by overlay from Bob Ross’s famous public access painting program, The Joy of Painting with Bob Ross. The audio selections first seem to merely narrate the creation of the mural, details of which are captured in the tight halo of the artist’s headlamp, but once we cut to shots of the mural in full view the following day, the audio clips telegraph the artist’s statement on the work. Read the whole article here.
From Mikel Fair, “We had an opportunity to catch up with director of the independent film documentary film Joey Skaggs: Bad Guys Talent Management Agency, which screened at Oregon Documentary Film Festival Winter 2021. The screening on February 28, 2021 was a live drive-in theater screening on the Film Festival Circuit.
In 1969 on Valentine’s Day, artist Joey Skaggs satirized male chauvinist Wall Street workers by stretching a fifty foot brassiere across the U.S. Treasury building on Wall Street in New York City. He called it his Big Bust.
Francine Gottfried (born 1947) is a clerical worker in New York City’s Financial District who acquired sudden brief celebrity when, in the space of two weeks in September 1968, increasing numbers of men began watching her as she walked to work. Newspapers dubbed her “Wall Street’s Sweater Girl” as her curvaceous figure seemed to be the sole reason that crowds formed spontaneously around her whenever she appeared in the financial district.
Gottfried started working at Chemical Bank in the financial district on May 27, 1968. By late August, a small band of creeps had noticed her, and that she always followed the same route. They timed her daily arrival and started spreading the word to their colleagues and co-workers. For three weeks, the band of gawkers grew exponentially larger until on September 18 there were 2,000 people waiting for her. (more…)
The screening is virtual and is available for streaming anywhere (not just in New Jersey) for 24 hours as of 12:01 am. From the moment you begin watching, you have 24 hours to finish it.
A website that claims to sell ad space for Covid-19 vaccinations has triggered both laughter and existential dread, with many expressing despair over the possibility that the absurd gimmick could actually be real.
The facetious marketing service appears to be the creation of Danielle Baskin, a designer, artist and self-described instigator of “internet pranks.”
“Rolling out the vaccine is expensive. That’s why some countries are opting into the BRAND-AID® program. Corporations subsidize government costs by paying for a tiny ad that goes on people’s arms after the injection, so their brand can reach audiences at vaccination sites,” Baskin tweeted from her personal account. The message included photoshopped images of band aids featuring logos of various corporate brands, including Chili’s restaurant chain, Comcast, and John Deere tractors. Read the whole story here.
Welcome to the Art of the Prank, produced and edited by Joey Skaggs. Here you will find insights, information, news and discussions about art, pranks, hoaxes, culture jamming & reality hacking around the world - past, present and future - mainstream and counter culture. You are invited to contribute to its development. May your journey be filled with more than your expectations.
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