Behind the scenes video showing how Andrea Love’s latest Cooking with Wool installment came together.

Find more of Andrea Love’s incredible stop motion with wool videos here.

“Are there more naked women than women artists in museums?”
The Male Graze

ACTIVISM: Does art imitate life or life imitate art?, by Anne Douglas, Morning Star Online, June 25, 2021

That’s the question posed by no-holds-barred activists The Guerrilla Girls in their latest assault on male behaviour in the arts

Pic credit: Rob Melen, Glynn Vivian Art Gallery, Swansea

GUERRILLA GIRLS, the anonymous group of US feminist female artists devoted to fighting sexism and racism within the art world, are bringing their unique form of “culture jamming” to billboard displays across Britain.

They formed in New York City in 1985 with the mission of highlighting gender and racial inequality in the visual arts community and, to remain anonymous, members don gorilla masks and use pseudonyms referencing deceased female artists.

Their latest project involves large-scale billboards across Britain in iconic locations from Glasgow Barrowlands to London Bridge, countryside locations and seaside towns until July 18.

They are part of The Male Graze which explores bad male behaviour through the lens of art history.

“What art historians call the male gaze, the masculine, heterosexual perspective in European and American art, mostly by white men, that depicts women as sexual objects for the pleasure of the male viewer, we call The Male Graze,” The Guerrilla Girls said.

“Lots of women are naked in post-colonial Western art. Some are idle: sleeping, splayed out on beds and couches, lounging around with their friends, bathing and maybe even dancing.

“When active, there is usually a sexual element present — voyeurism, seduction, harassment, assault, rape and sometimes murder.

Read the full article here.

The New York April Fools’ Committee Is Proud to Announce:
NEW YORK CITY’S 36th ANNUAL APRIL FOOLS’ DAY PARADE

New York’s irreverent April Fools’ Day Parade, poking fun at the past year’s displays of hype, hypocrisy, deceit, bigotry, and downright stupidity, is back for the 36th year!

The public is invited to create outrageous floats and dress up as look-alikes in colorful costumes to reflect the folly of the nuttiest politicians, crooked corporate leaders, silly celebrities, and whoever else has proved to be a total fool in the past year.

Floats should be no wider than 10’ and no longer than 30’. They can be self-propelled, towed, pushed or pulled. Customized bicycles, tricycles, baby carriages and helium balloons are welcome. The Parade Committee assumes no liability for damage caused by satire.

The theme of the parade this year is “DENY, DENY, LIE, LIE!” The parade’s Grand Marshall is Texas Senator Ted Cruz in a sombrero dragging a rolling suitcase. He’ll be followed by the QAnon Marching Band singing the Village People’s “Macho Man.” Color commentary will be provided by former Fox News commentator Lou Dobbs. Security will be provided by the Proud Boys and Oath Keepers who will be standing back and standing by.

The parade will lead off with Donald Trump Jr. driving a Trump 2024 Campaign Bus. Anyone voicing opposition to his dad’s claims of voter fraud will be promptly thrown under the bus. Next up is the Georgia Republican Election Officials Float waving 11,780 Biden votes they’ve miraculously found for Trump. This will be followed by a float with a Scale Model of Mount Rushmore with Trump’s Face Added, an Exhibition of Displaced Confederate Statues, and a Shipping Container brimming with Stolen Podiums, Flags, Computers, Important Papers, and Cell Phones from the January 6 Capitol Insurrection. All of these and some Spin Art attached to a Non-Fungible Token (NFT) on the Mobile Ethereum Mining Float will be auctioned by Christie’s to help fund next year’s event (Cryptocurrency only).

Visit http://aprilfoolsdayparade.com for more details.

A new bold and evocative public work of art from Banksy

Banksy Scaled the Prison That Once Jailed Oscar Wilde to Paint His Latest Mural, by Sarah Rose Sharp, Hyperalleric.com, March 5, 2021

Banksy confirmed the artwork in a clever video stitched together with a Bob Ross tutorial.

Blockbuster street artist Banksy has laid claim to his latest work of public art — an olde tyme prison escape stenciled on the wall of the defunct HM Reading Prison in Reading, Berkshire, England. The prison, also known as Reading Gaol, was built in 1844 and operated until early 2014. Until this week, it was perhaps most famous for housing writer Oscar Wilde during a two-year imprisonment (1895-1897) after a conviction for “gross indecency.” Following his release, Wilde published The Ballad of Reading Gaol, a poem that narrates the 1896 hanging of Charles Thomas Woodridge, convicted of murdering his wife.

The Banksy mural features a figure in prison stripes and a cap. He appears to be climbing down the exterior brick wall on a rope ladder instead of a ream of paper, anchored by a typewriter. The image is likely an allusion to Wilde as Reading’s famous inmate and his subsequent poetic work that both documents Woodridge’s hanging while also identifying with him as a fellow prisoner.

Watch the Instagram video:

The artist left his work open to speculation for a few days before taking to Instagram with a video documenting the mural’s clandestine application, with narration supplemented by overlay from Bob Ross’s famous public access painting program, The Joy of Painting with Bob Ross. The audio selections first seem to merely narrate the creation of the mural, details of which are captured in the tight halo of the artist’s headlamp, but once we cut to shots of the mural in full view the following day, the audio clips telegraph the artist’s statement on the work. Read the whole article here.

From Mikel Fair, “We had an opportunity to catch up with director of the independent film documentary film Joey Skaggs: Bad Guys Talent Management Agency, which screened at Oregon Documentary Film Festival Winter 2021. The screening on February 28, 2021 was a live drive-in theater screening on the Film Festival Circuit.

Judy Drosd Interview, Film Festival Circuit, March 1, 2021

In 1969 on Valentine’s Day, artist Joey Skaggs satirized male chauvinist Wall Street workers by stretching a fifty foot brassiere across the U.S. Treasury building on Wall Street in New York City. He called it his Big Bust.

Read the whole story here.

50′ Bra Video (no audio)

The back story on Francine Gottfried (from Wikipedia)

Francine Gottfried (born 1947) is a clerical worker in New York City’s Financial District who acquired sudden brief celebrity when, in the space of two weeks in September 1968, increasing numbers of men began watching her as she walked to work. Newspapers dubbed her “Wall Street’s Sweater Girl” as her curvaceous figure seemed to be the sole reason that crowds formed spontaneously around her whenever she appeared in the financial district.

Gottfried started working at Chemical Bank in the financial district on May 27, 1968. By late August, a small band of creeps had noticed her, and that she always followed the same route. They timed her daily arrival and started spreading the word to their colleagues and co-workers. For three weeks, the band of gawkers grew exponentially larger until on September 18 there were 2,000 people waiting for her. (more…)

Who is Joey Skaggs?

Find out more as the New Jersey Film Festival screens the first four oral histories in the new series, Joey Skaggs Satire and Art Activism, 1960s to the Present and Beyond this Friday, February 12, 2021.

The screening is virtual and is available for streaming anywhere (not just in New Jersey) for 24 hours as of 12:01 am. From the moment you begin watching, you have 24 hours to finish it.

Teaser trailer

ANNOUNCING:

Joey Skaggs Satire and Art Activism, 1960s to the Present and Beyond

A new series of short oral history films,
produced and directed by Judy Drosd with Joey Skaggs

UPCOMING SCREENINGS AND ANNOUNCEMENTS ARE HERE

This “sticky” post will be here for a while. Scroll down for other posts.

The Covid vaccination program needs all the help it can get. Kudos to Danielle Baskin.

Cheeky prank or sign of the end times? Internet gets confused by bizarre fake website offering CORPORATE SPONSORED Covid jabs, From RT, 19 Jan, 2021

A website that claims to sell ad space for Covid-19 vaccinations has triggered both laughter and existential dread, with many expressing despair over the possibility that the absurd gimmick could actually be real.

The facetious marketing service appears to be the creation of Danielle Baskin, a designer, artist and self-described instigator of “internet pranks.”

“Rolling out the vaccine is expensive. That’s why some countries are opting into the BRAND-AID® program. Corporations subsidize government costs by paying for a tiny ad that goes on people’s arms after the injection, so their brand can reach audiences at vaccination sites,” Baskin tweeted from her personal account. The message included photoshopped images of band aids featuring logos of various corporate brands, including Chili’s restaurant chain, Comcast, and John Deere tractors. Read the whole story here.

Now you can customize a framable Donald J. Trump Presidential Pardon for anyone you’d like. Get them before it’s too late!

As seen on Boing Boing, January 5, 2021

Norman Savage was a poet, author, friend and long-time co-conspirator. In addition to participating in performance pieces, he also doubled as me, even though we didn’t look or sound at all alike, on numerous occasions.

He was always game for some sly fun.

Here’s a brief journey through some of our hijinks together.





In 1986, Norman played the part of a diet commando in my Fat Squad hoax, where you could take out a contract on yourself and commandos would keep you on your diet.

In 1988, when Entertainment Tonight asked me to appear for a story promising the inside scoop on great hoaxes and hoaxers—how the news media falls for their stories, what to watch out for, and how not to be fooled—I sent Norman to appear as me.

In 1990, Norman played a “Hair Today, Ltd” scalp donor in a photo taken for Mark Dery’s article “The Merry Pranksters and the Art of the Hoax” in The New York Times.

(more…)

Check out Indecline’s new film in Rolling Stone. h/t Dino

From: Indecline Debuts ‘The Art of Protest’ Documentary, Rolling Stone

In activist-artist collective Indecline’s new documentary, protest art is shown as not only relevant, but necessary for change

When Indecline started work on their documentary The Art of Protest in late 2018, they wanted to tell the history of resistance art. Over the previous two years — since they broke onto the national consciousness with their naked-Trump, guerilla-art instillation The Emperor Has No Balls, the activist-artist collective has staged numerous pieces of public art in protest of the Trump presidency. To tell the story, they reached out to Colin Day (director of Saving Banksy) and started shopping around the idea to streaming services. But as the pandemic unfolded, and the Black Lives Matter movement reignited across the streets of the nation, their mission changed. As a representative for Indecline puts it: “What was once set up to be a deep dive into the history of resistance art, soon became a ‘call to action.’”

Now, the 45-minute film — executive produced and distributed by Zero Cool films and premiering here on Rolling Stone — traces the history of protest art, from the Civil Rights movement through the 2020 Black Lives Matter protests. It does so in a way that is equal parts gut-wrenching and exhilarating, illustrating how despite the passage of time, little has changed. To this end, they were careful in their curation of who to talk to: not only did they bring in the heavy hitters most associated with the modern protest-art movement — like Shephard Fairey, Nadya Tolokonnikova, Tom Morello, and Dave Navarro (who also helped to finance the film) — they were careful to incorporate a wider range of voices. Leaders from youth-run 501(c) The Sunrise Movement talk about uniting movements, while the Yes Men discuss bringing absurdity to Capitol Hill. Atlanta’s Ash Nash remembers organizing the “Kaeperbowl” in Atlanta in 2019, spurring artists across the city to paint images of Colin Kaepernick in public places as the Super Bowl rolled into town. Damien Echols, one of the West Memphis Three, speaks to being literally saved from death row by protest art.

At the heart of the film is Indecline’s work over the past four years. Read the rest of this article here.

Whether you’re raising awareness about food waste or trying to keep people from smoking, tons of carrots seem to be the way to do it…

32 tons of carrots dumped on London street for art installation, by Ben Hooper, September 30, 2020

Angry French tobacconists dump tons of carrots on Paris streets, by Robert Myles, July 24 2015

“There shall be no golden idols…”

Golden ‘Statues’ Memorializing Donald Trump’s Most Divisive Moments Have Popped Up Around Washington, DC, Courtesy of an Ad Guru, Sarah Cascone, ArtNet News, July 21, 2020

Bryan Buckley hopes to remind voters of just how poorly Trump has handled the challenges of 2020.

Bryan Buckley, Now Go Back to School. Photo courtesy of the Trump Statue Initiative.

Big, shiny, gold statues of Donald Trump sound like they would be right up the president’s alley—but a new art project, titled the “Trump Statue Initiative,” uses the figures to instead memorialize his worst moments of 2020.

Street performers painted head-to-toe in metallic gold paint posed as still as stone atop massive plinths that hailed Trump as the “destroyer of civil rights and liberties.” The trio of “statues” appeared over the weekend in sites across Washington, DC.

Filmmaker Bryan Buckley decided to stage the project in part because of the way public statues have made headlines all summer, with activists outraging Trump with their efforts to remove memorials to Confederate leaders and other problematic historical figures. In response, the president has not only beefed up the law against vandalizing statues, but also issued an executive order to create a “National Garden of American Heroes.”

Bryan Buckley, The Bunker. Photo courtesy of the Trump Statue Initiative.

“I noticed that Trump was obsessed with statues,” Buckley told AdAge. “I felt like the best thing we could do was to create these very honest statues of the legacy he’s living right now, that let the world see exactly who he is.” Read the whole article here.

From @rebecca.solnit: “John Lewis, bigger than Robert E. Lee, Richmond, VA, last night.”