Jumping the Snark

Jumping the Snark
by Dave Gilson
Mother Jones
November/December 2009

In an age of Yes Men, flash mobs, birthers, and fake pundits, is the prank dead?

Snark200What’s a good prank worth? How about $2 billion? That’s how much Dow Chemical’s stock value dipped in just 23 minutes on the morning of December 3, 2004, after its spokesman went on the BBC to announce that the company would make amends for the 1984 Bhopal toxic-gas disaster “simply because it’s the right thing to do.” (Dow had acquired Union Carbide, the original owner of the Bhopal chemical plant, in 1999.) Within the hour, the flack was exposed as one of the Yes Men, a duo that’s spent the past decade perfecting the art of anti-corporate trickery. The feat cemented their reputation as the world’s preeminent political pranksters (a reputation they recently reaffirmed by pranking the US Chamber of Commerce). It also proved that a punch line can occasionally pack a real punch.

The Bhopal stunt kicks off the pair’s new film, The Yes Men Fix the World, the follow-up to their self-titled 2004 movie. But don’t let the puffed-up title fool you into thinking that the Yes Men believe their hijinks are actually making the world a better place. A better title would have been The Prank Is Dead. Continue reading “Jumping the Snark”

Wired’s Guide to Hoaxes

Wired’s Guide to Hoaxes: How to Give “” and Take “” a Joke
Essay by Scott Brown, The Official Prankonomy by Steven Leckart
Wired.com
August 24, 2009

mf_hoax_f-200Here’s what you’ve been told: “There’s a sucker born every minute.” “Take or be taken.” “Believe none of what you hear and half of what you see.” These aphorisms are so ingrained in American life, they’re practically commandments. And for good reason: We are a credulous people. For proof, open your spam folder and count the chain emails from 1998 that are still coming in, dutifully forwarded by friends and relatives. Or consider that new Facebook pal whose name seemed familiar enough when you hit Confirm. We are, today, the same easy marks who ran screaming from Orson Welles’ made-up Martians and flocked to see the Cardiff Giant. So we’re defensive. A hoax, we are taught, is an invasive, aggressive stratagem””a nefarious short-circuiting of our natural social instincts, a hack of Trust itself, a deterministic, zero-sum shell game with a clear winner (the prankster) and loser (the gull).

Well, here’s what we’re telling you: Bullshit. Continue reading “Wired’s Guide to Hoaxes”

Happy Birthday to The Art of the Prank (almost)!

On April Fools’ Day 2009,
The Art of the Prank Blog
will be two years old!

prankstamplogo

Note to our contributors, friends and fans:
In celebration, we have moved the entire blog to a cloud server. This will help us accommodate more volume and more traffic. Since we’re making big changes, we decided to change our Web address at the same time. Why not cause the maximum confusion for the most people?

Henceforth, The Art of the Prank Blog will be found at
http://artoftheprank.com
(instead of http://Pranks.com)

Our new email addresses are:
admin @ artoftheprank.com to talk with us
submit @ artoftheprank.com to submit materials to the site

You can continue to count on us to bring you the profound, the profane, and the pathetic, that is — the widest spectrum of artful pranks; culture jamming & reality hacking; creative activism; literary, media & political hoaxes; truth that’s stranger than fiction; prank instructionals; and loads of practical jokes and mischief.

Please update your bookmarks and those of your friends’. If you are a subscriber, you don’t have to change anything. Email and RSS feed subscriptions should continue to function as usual. If you’d like to be a subscriber, please join us via email or RSS feed. You’ll find the subscription links on the right hand column of this page.

If you have any questions or comments, please feel free to contact us.

Alternative Ads: Pranking Goes Commercial

Advertisers are trying harder and harder to trick consumers with ads that mimic the work of pranksters, street artists and media activists. Going viral with your ad has become the brass ring, with customers doing all the heavy lifting (i.e., distributing these ad campaigns through YouTube, blogs and emails) for free for the advertisers.

It’s challenging to tell the difference between true guerrilla theater and this new trend of verité advertising. Here’s a hint: listen to the audio quality and watch for camera angles. Frequently, the main character who’s supposed to be the unsuspecting target of a joke is wearing a hidden microphone and there are at least three distinct camera angles, meaning it’s an expensive multi-camera shoot. If it sounds and looks too good to be true — it probably is.

Check out this article On Advertising: Alternative advertising to grab your attention, by Stephanie Clifford of the International Herald Tribune, August 3, 2008.

And, this viral commercial video submitted by Andrew Boyd yesterday:

Hidden Camera Penny Prank in Jewelry Store

This one, picked up from V. Vale’s RE/Search Newsletter, is just a regular German commercial, but fun (and viral) because of its shock value. Continue reading “Alternative Ads: Pranking Goes Commercial”

Blurring the Urban Canvas: Art & Advertising

Guerrilla Art Versus Guerrilla Advertising:
What”s the Difference?

by Delana
WebUrbanist.com
July 3, 2008

Not too long ago, walking along a city sidewalk would yield plenty of unique experiences in guerrilla art. Tags left by taggers who climbed into precarious positions, impromptu murals on the sides of buildings, and bizarre urban art installations were all a part of city life that some people admired and others considered a scourge.

Advertisements were clearly delineated, different and separate from art. They were easily recognizable as advertisements and no one expected them to be anything else.

guerrilla-art-guerrilla-marketing-calgary-425.jpg

Today, the urban environment includes not only separate instances of art and advertisements, but advertisements that look suspiciously like art. Guerrilla advertisements that use the familiar rough-edged look of graffiti – and others that use actual graffiti – are found now in cities around the world.

So what”s the difference between guerrilla art and guerrilla advertisement? How can you differentiate when the lines between the two are blurred as they are?

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Continue reading “Blurring the Urban Canvas: Art & Advertising”