This Column Is Real, But Not All Authors Stick to the Truth
Deja Vu, by Cynthia Crossen
Wall Street Journal
April 7, 2008
A popular choice for ladies’ book clubs in the early 1940s was a slim volume of poetry by a 10-year-old girl named Fern Gravel. Fern had written the poems about her Iowa hometown in 1900 and passed them along to someone who had preserved them. In 1940, Fern Gravel decided to publish her nostalgic rhymes under the title, “Oh Millersville!”
Two snippets: “My Sunday-school teacher/Is Miss Minnie King./She is not of any use as a teacher/But I love to hear her sing.” “The soap they use in the Commercial hotel/Is awful; it has a horrible smell./Sometimes we have our Sunday dinner there/And the smell of their soap I can hardly bear.”
Critics were enchanted. The Des Moines Register praised the poems’ “warm feeling of validity.” Time magazine called the author a “precocity in pigtails.” The St. Paul Dispatch said “Oh Millersville!” was marked “for immortality.” And the book became the profit center for its small Iowa publisher, Prairie Press.
Six years later, Fern Gravel confessed: She was really James Norman Hall, co-author of the “Bounty” trilogy. In a 1946 article in the Atlantic Monthly magazine, Mr. Hall described himself as “shame-faced and apologetic,” but claimed that Fern had come to him in a dream and dictated her poems to him.
Literary hoaxes are almost as old as literature. Some have been inspired by poverty, others are simply pranks. Continue reading “Literary Hoaxes: Irresistible Storytelling”
