Italian group claims to debunk Shroud of Turin
by Ariel David
1010WINS / AP
October 5, 2009

In this Aug. 12, 2000 file photo, The Holy Shroud, a 14 foot-long linen revered by some as the burial cloth of Jesus, is shown at the Cathedral of Turin, Italy.

A group of Italian debunkers is claiming it has proved that the Shroud of Turin – revered as the cloth that covered Jesus in the tomb – was man-made. The shroud bears the image of a crucified man. Believers say Christ’s image was recorded on the fibers at the time of his resurrection. The Italian Committee for Checking Claims on the Paranormal said Monday Oct 5, 2009 that scientists have reproduced the shroud using materials and methods that were available in the 14th century. (AP Photo/Antonio Calanni, file)

Read the whole article here.

Tobacco Smoke Enemas (1750s – 1810s)

The tobacco enema was used to infuse tobacco smoke into a patient’s rectum for various medical purposes, primarily thte resuscitation of drowning victims. A rectal tube inserted into the anus was connected to a fumigator and bellows that forced the smoke towards the rectum. The warmth of the smoke was thought to promote respiration, but doubts about the credibility of tobacco enemas led to the popular phrase “blow smoke up one’s ass.” To learn more, click here.

via tophattobacco.com, thanks Don

Submitted by Tim Jackson:

A great prank? As it was 208 years ago, I thought I’d mention it…

I’ve often thought of Swift’s “A Modest Proposal: For Preventing the Children of Poor People in Ireland from Being a Burden to Their Parents or Country, and for Making Them Beneficial to the Public” as a great early satire as prank.

Not dissimilar to the Joey Skaggs dog food restaurant hoax/satire.

I just heard about Daniel Defoe’s “The Shortest-Way with the Dissenters; Or, Proposals for the Establishment of the Church” written on July 31, in 1701. His satire called for the savage elimination of dissenters. When the church found out it was parody, he was (allegedly) pilloried. The crowd threw flowers instead of fruit.

images: astroblogos.wordpress.com & Indiana.edu

Update, July 16, 2009 — An interesting twist for conspiracy theorists — NASA lost moon footage, but Hollywood restores it

Submitted by Jorge Luis Marzo:

From Wikipedia:

“Dark Side of the Moon” is a French mockumentary by director William Karel which originally aired on Arte in 2002 with the title Opération Lune. The basic premise for the film is the theory that the television footage from the Apollo 11 Moon landing was faked and actually recorded in a studio by the CIA with help from director Stanley Kubrick. It features some surprising guest appearances, most notably by Donald Rumsfeld, Dr. Henry Kissinger, Alexander Haig, Buzz Aldrin and Stanley Kubrick’s widow, Christiane Kubrick…

Here, as a tease, are three clips about 25 minutes long, cut from the hour and a half documentary.

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From David Emery’s About.com Urban Legends, June 30, 2009:

Celebrity Death Hoaxes Abound

It was a bumpy weekend for the rich and famous, with the entertainment industry mourning the loss of three pop culture icons even as the Internet churned out one hoax after another declaring more celebrities dead.

The hoaxfest was triggered by mid-week announcements confirming that Ed McMahon, Farrah Fawcett, and Michael Jackson had died. By Thursday afternoon the Internet was rife with false reports claiming that actors Jeff Goldblum and Harrison Ford had died as well. Death announcements for Miley Cyrus, Britney Spears, Ellen DeGeneres, Louie Anderson, P. Diddy, Natalie Portman, George Clooney, and Rick Astley — all bogus — followed in quick succession.

Pranksters used a variety of tactics to promulgate the rumors, including generating fake news stories on the Web, vandalizing Wikipedia pages, and hacking celebrities’ Twitter accounts. Despite their rapid dissemination, all were debunked in fairly short order. (more…)

From André Gattolin:

François Caradec, French post-dadaïst writer, died Thursday, November 13, 2008 in Paris. He was 84 and was renowned as one of the best specialists of French marginal and creative literature of the 19th and the early 20th century. He was a connoisseur of Alphonse Allais (one of the first French literary hoaxers), Alfred Jarry, Isidore Ducasse de Lautréamont and Raymond “Crazy” Roussel.

A close friend of many surrealist writers, Caradec was also Regent of the Pataphysic College and part of the “Ouvroir de littérature potentielle” (Oulipo) created by Georges Pérec.

In 1964, he published (with his accomplice Alain Arnaud) one of the most relevant encyclopedias ever written on pranks, pratical jokes and hoaxes called Dictionnaire des farces et attrapes.

I unfortunately never met him but I had the wonderful chance, two years ago, to review a copy of this very rare and marvellous book…

If heaven really exists, its inhabitants will, from now on, have to face Caradec’s pranks for eternity!

Here’s his obituary from Le Monde: (more…)

From the HBO Website:

The Art of Failure: Chuck Connelly Not for Sale is the unusual story of the rise and fall of a major talent, along with Julian Schnabel and Jean-Michel Basquiat, from the 1980s art world. Though he was extremely talented with a profitable collection of work, Chuck Connelly ended up alienating every collector and gallery owner he worked with. This 63-minute documentary (currently airing on HBO) follows the life of this brilliant yet enigmatic painter, who had great success as a young artist but who now sees his career fading.

Driven by desperation, and left by his wife during the course of this documentary, Connelly hires an actor to pose as a young, upcoming artist to sell Chuck’s work to galleries and art dealers.

For more information, check out:

(more…)

Forever Hollywood
by Kevin Ferguson
LA City Beat
June 2008

The Hollywood sign was our Everest once – artists and men of vision hoofed it up Mount Lee and (depending on one’s receptivity to change and general placement on the deference to authority scale) defaced it, vandalized it, or created monumental public art from it … because it was there. Before the locked gates, the motion sensors, and the security cameras, you could turn Los Angeles’s most famous landmark – “our Eiffel Tower” according to Tom LaBonge – into any screed, any message, as long as it was nine letters or less. From 1976 to 1996, a small and diverse group of people did exactly that to our most famous landmark – the one that marked our land, in fact, as a city of the world: In those 20 years our Hollywood sign was edited at least 13 times.

Rarely was the message a proper jeremiad. Rarely would it change the lives of those who beheld it. Rarely did it instruct us how to live, or offer the answers to life, the universe and everything. (Forty-two.) Most of the time, in fact, it was utterly banal – rock bands or frat boys seeking some pub.

A few times (due mostly to the efforts of one artist), the sign made the leap to beautiful pith, more distilled and concise than the sparest haiku, the most soulful wit. But even the rest of the time, when it was just some joes looking for promotion, a maneuver on that scale must be considered art too. (more…)

Robert Rauschenberg, American Artist, Dies at 82
by Michael Kimmelman
The New York Times
May 14, 2008

Robert Rauschenberg, the irrepressibly prolific American artist who time and again reshaped art in the 20th century, died on Monday night at his home on Captiva Island, Fla. He was 82.

The cause was heart failure, said Arne Glimcher, chairman of PaceWildenstein, the Manhattan gallery that represents Mr. Rauschenberg.

Mr. Rauschenberg’s work gave new meaning to sculpture. “Canyon,” for instance, consisted of a stuffed bald eagle attached to a canvas. “Monogram” was a stuffed goat girdled by a tire atop a painted panel. “Bed” entailed a quilt, sheet and pillow, slathered with paint, as if soaked in blood, framed on the wall. All became icons of postwar modernism.

A painter, photographer, printmaker, choreographer, onstage performer, set designer and, in later years, even a composer, Mr. Rauschenberg defied the traditional idea that an artist stick to one medium or style. He pushed, prodded and sometimes reconceived all the mediums in which he worked.

Building on the legacies of Marcel Duchamp, Kurt Schwitters, Joseph Cornell and others, he helped obscure the lines between painting and sculpture, painting and photography, photography and printmaking, sculpture and photography, sculpture and dance, sculpture and technology, technology and performance art — not to mention between art and life.

Mr. Rauschenberg was also instrumental in pushing American art onward from Abstract Expressionism, the dominant movement when he emerged, during the early 1950s. He became a transformative link between artists like Jackson Pollock and Willem de Kooning and those who came next, artists identified with Pop, Conceptualism, Happenings, Process Art and other new kinds of art in which he played a signal role. (more…)

From New Right Australia / New Zealand Web site:

The New Right is organised throughout Europe and beyond. We are strongly opposed to liberalism, democracy and egalitarianism and fight to restore the eternal values and principles that have become submerged beneath the corrosive tsunami of the modern world. The New Right has an interest in the various strands of thought connected with the Traditionalists, the Revolutionary Conservatives; the Nouvelle Droit; and the Eurasianists.

Humour as a Weapon
by Andreas Gaust
New Right Australia / New Zealand
May 8, 2008

This article has been researched and compiled for the purposes of educating New Right and N-A activists in the use of humour as a political weapon. There is a paranoid feeling amongst many on the New Right that the mass media is our greatest enemy. Not so. This article looks at the ways in which activists can use and manipulate the media, rather than the other way around.

As an example: mention the 1932 opening of the Sydney Harbour Bridge to any older Australian, and the first image that will spring to their mind is a man on horseback, galloping forward to slash the ribbon with his sword, before the ‘official’ representative could get to it. The swordsman was a member of a political group called the New Guard. And while this stunt was not especially humorous, it was certainly eye-catching – it remains in the mass mind to this day. In that same city in 2007, the crew of television show The Chaser made world headlines when they infiltrated the APEC forum (one of them dressed as Osama bin Laden), making a complete mockery of the forum’s expensive security measures.

In general, the media doesn’t give coverage to alternative politics (the recent 9/11 Truth Forum in Sydney was completely ignored, even though one of the speakers was a prominent Japanese MP). But ‘fringe’ views can get past the editors if they are presented by means of some humorous prank or stunt. (more…)

This Column Is Real, But Not All Authors Stick to the Truth
Deja Vu, by Cynthia Crossen
Wall Street Journal
April 7, 2008

A popular choice for ladies’ book clubs in the early 1940s was a slim volume of poetry by a 10-year-old girl named Fern Gravel. Fern had written the poems about her Iowa hometown in 1900 and passed them along to someone who had preserved them. In 1940, Fern Gravel decided to publish her nostalgic rhymes under the title, “Oh Millersville!”

Two snippets: “My Sunday-school teacher/Is Miss Minnie King./She is not of any use as a teacher/But I love to hear her sing.” “The soap they use in the Commercial hotel/Is awful; it has a horrible smell./Sometimes we have our Sunday dinner there/And the smell of their soap I can hardly bear.”

Critics were enchanted. The Des Moines Register praised the poems’ “warm feeling of validity.” Time magazine called the author a “precocity in pigtails.” The St. Paul Dispatch said “Oh Millersville!” was marked “for immortality.” And the book became the profit center for its small Iowa publisher, Prairie Press.

Six years later, Fern Gravel confessed: She was really James Norman Hall, co-author of the “Bounty” trilogy. In a 1946 article in the Atlantic Monthly magazine, Mr. Hall described himself as “shame-faced and apologetic,” but claimed that Fern had come to him in a dream and dictated her poems to him.

Literary hoaxes are almost as old as literature. Some have been inspired by poverty, others are simply pranks. (more…)

The Art of the Prank is one year old today!

Many, many thanks to all the supporters, contributors, readers, and friends who have made it such a great success!

images: party balloons, zombies

Duchamp, Man Ray, Picabia
The Moment Art Changed Forever
At the Tate Modern, London
Now through May 26, 2008

From the Tate Modern Web site:

Marcel Duchamp, Man Ray and Francis Picabia were at the cutting edge of art in the first half of the twentieth century, and made a lasting impression on modern and contemporary art. Duchamp invented the concept of the ‘readymade’: presenting an everyday object as an artwork, Man Ray pioneered avant-garde photographic and film techniques and Picabia’s use of kitsch, popular or low-brow imagery in his paintings undermined artistic conventions.

Their shared outlook on life and art, with a taste for jokes, irony and the erotic, forged a friendship that provided support and inspiration. At the heart of the Dada movement and moving in the same artistic circles, they discussed ideas and collaborated, echoing and responding to each other’s works. Duchamp, Man Ray, Picabia explores their affinities and parallels, uncovering a shared approach to questioning the nature of art.

via artdaily.org

This is a 2 hour and 27 minute documentary produced by Alan Graham and edited by Don Alex Hixx as a tribute to the legendary Andy Kaufman:

You can also view it on Google or on Best Free Documentaries.

Editor’s note: Artist and ArtofthePrank.com editor Joey Skaggs will be joining the online class the week of February 18. Check it out!

Tricksters and Pranks with R.U. Sirius – February 11 – March 23, 2008

Pranks and Pranksters, Tricksters & Tricks — the brilliant ones open up a space in the world for magic(k), ambiguity, and novelty. They encourage us to Question Authority and better still, they cause us to Question Reality.

In this course, we will discuss the history of pranks and pranksterism in the contemporary world. We will examine mythical and world historic tricksters like Coyote, Bugs Bunny, Crowley, Puck, Heyoka, Papa Legba, Lucifer, and more. And we’ll explore and discuss the role pranksters and tricksters play in cultures. I will also discuss some of my own pranks and tricks and legendary pranksters Mark Hosler of Negativland and Joey Skaggs will be dropping in on the course to answer questions.

Finally, we will plan pranks, make pranks, and maybe even leave the course with a dedicated prankster cabal. No fooling.

For more information visit the Maybe Logic Institute. If that link doesn’t work, go here.

Related links: