Look! Up in the sky! It’s a bird, it’s a plane. It’s…
The Painting “Madonna of the UFO”
FlorenceInferno.com
June 9, 2014
The “Madonna of the UFO” or “Madonna of the flying saucer” is a painting located in Palazzo Vecchio in Florence in the Hall of Hercules. Also called “Madonna and Child with the Infant St John”, the painting has been the topic of much debate between art experts and ufologists. While the painting depicts the Nativity with the infant St. John in the foreground, in the background one can see a man curiously watching an unidentified flying object (UFO).
THE AUTHOR OF THE MADONNA OF THE UFO
The painting is of unknown origin, but it probably dates from as early as the sixteenth century. The caption under the picture attributes authorship to either Sebastiano Mainardi or Jacopo del Sellaio; conversely, some scholars attribute it to Filippo Lippi, also known as “Maestro del Tondo Miller,” after the title of one of his last works.
Moreover, we only know that the work comes from the forgotten convent of Sant’Orsola in the district of San Lorenzo in Florence.
THE DESCRIPTION OF THE PAINTING
The painting is round, is one meter in diameter, and is adorned with a precious golden frame; it is located in the Hall of Hercules on the second floor of the Palazzo Vecchio, which takes its name from the coffered ceiling depicting the Twelve Labours of Hercules.
The circular painting bears the usual iconographic motif of the Renaissance: in the foreground the Virgin is seen kneeling with folded hands and leaning toward the baby, who is lying on a hem of her garment.
While the baby Jesus is reaching his hand toward his mother, St. John is attempting to support him. Behind the head of the Madonna, an ellipsoidal object can be seen in the sky, one that is very similar to modern depictions of UFOs. There is also a man painted in the background, a shepherd, with his hand on his forehead and his head turned toward the sky. Next to him is a dog that is also looking in the direction of the flying object.
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Read more about this at Historic Mysteries.
, written by Mark Pilkington and published in 2010 by Constable, documents the making of the film. 