ART OF THE PRANK (The Movie) to Open the Lower East Side Film Festival

It’s a homecoming! Andrea Marini is interviewed by Kavitha Surana of Bedford + Bowery about his new film ART OF THE PRANK and about working with Joey Skaggs as he and Joey head towards Joey’s haunts from the 60s for the film’s New York premiere at the Lower East Side Film Festival June 9.


“Meet the King of All Media Hoaxes at the LES Film Festival”
by Kavitha Surana
Bedford + Bowery
June 2, 2016

skaggsposter“˜Tis the season for festivals, apparently, and the Lower East Side is not one to be left in the dust. Along with an art festival in Bushwick, music festivals in Brooklyn, and more coming up in the next weeks, the Lower East Side Film Festival is coming to the nabe from June 9-16. It”ll hit the Sunshine Cinema, natch, as well as Hotel Indigo, the new Ludlow House and The Standard, East Village.

The headliner for opening night is the premier of The Art of the Prank, about a mischievous LES artist who loves nothing more than exposing the media”s hunger for sensational story with outrageous tall tales that sound just (barely) plausible enough to swallow. Lambasting the media has certainly been in fashion this election season, but no one has been doing it longer and in better style than Joey Skaggs (sorry, “Settle for Hillary” guys).

“I can connect with Joey”s art because at the end of the day, it”s the essence of storytelling to me,” said director Andrea Marini, who co-produced the film with Judy Drosd. “Keep it simple, keep it meaningful, keep it strong, immediate, and you”ll get people.”

Indeed, Skaggs “got” many people over a remarkable history, repeatedly pranking major news networks with weird fake stories, such as cockroach vitamin pills, fat squad “commandos,” and a brothel for dogs. (Marini said he was first inspired to create hoaxes after a newspaper completely misinterpreted one of his early performances against the Vietnam War.) As Skaggs says in the trailer, “People want an easy answer, they want a pill, the magic pill.” Read more.

James O’Keefe’s Phone Prank Fail (and the Rise of the Professional Political Pranksters)

Starting with an astounding botched sting operation from James “ACORN Pimp” O’Keefe and his team Project Veritas, The New Yorker goes in depth exploring the status of American political dirty tricks in a particularly nasty and absurd election year.


“Sting of Myself”
by Jane Meyer
The New Yorker
May 30, 2016

As Dana Geraghty recalls it, March 16th was a “rather quiet Wednesday.” That afternoon, she was in her cubicle at the Open Society Foundations, on West Fifty-seventh Street, where she helps oversee the nonprofit group”s pro-democracy programs in Eurasia. The Foundations are the philanthropic creation of George Soros, the hedge-fund billionaire, who is a prominent donor to liberal causes, including Hillary Clinton”s Presidential bid. Soros, who has spent nineteen million dollars on the 2016 Presidential campaign, is regarded with suspicion by many conservatives. National Review has suggested that he may be fomenting protests against Donald Trump by secretly funding what it called a “rent-a-mob.”

Geraghty, who is twenty-eight, had programmed her office phone to forward messages from unfamiliar callers to her e-mail inbox. She was about to review several messages when she noticed that one of them was extraordinarily long. “Who leaves a seven-minute voice mail?” Geraghty asked herself. She clicked on it.

AOTP_OKeefe“Hey, Dana,” a voice began. The caller sounded to her like an older American male. “My name is, uh, Victor Kesh. I”m a Hungarian-American who represents a, uh, foundation . . . that would like to get involved with you and aid what you do in fighting for, um, European values.” He asked Geraghty for the name of someone he could talk to “about supporting you guys and coà¶rdinating with you on some of your efforts.” Requesting a callback, he left a phone number with a 914 area code””Westchester County.

She heard a click, a pause, and then a second male voice. The person who had introduced himself as Kesh said, “Don”t say anything . . . before I hang up the phone.”

“That piqued my interest,” Geraghty recalls. Other aspects of the message puzzled her: “Who says they”re with a foundation without saying which one? He sounded scattered. And usually people call to get funding, not to offer it.” Victor Kesh, she suspected, was “someone passing as someone else.”

She continued to listen, and the man”s voice suddenly took on a more commanding tone. The caller had failed to hang up, and Kesh, unaware that he was still being recorded, seemed to be conducting a meeting about how to perpetrate an elaborate sting on Soros. “What needs to happen,” he said, is for “someone other than me to make a hundred phone calls like that”””to Soros, to his employees, and to the Democracy Alliance, a club of wealthy liberal political donors that Soros helped to found, which is expected to play a large role in financing this year”s campaigns. Kesh described sending into the Soros offices an “undercover” agent who could “talk the talk” with Open Society executives. Kesh”s goal wasn”t fully spelled out on the recording, but the gist was that an operative posing as a potential donor could penetrate Soros”s operation and make secret videos that exposed embarrassing activities. Soros, he assured the others, has “thousands of organizations” on the left in league with him. Kesh said that the name of his project was Discover the Networks. Read more.


We’re Gonna Need More Enthusiasm

Davy Rothbard of Found fame profiles a company that hires out fake crowds. H/t Dave Pell.


“Crowd Source: Inside the company that provides fake paparazzi, pretend campaign supporters, and counterfeit protesters”
by Davy Rothbard
The California Sunday Magazine
March 31, 2016

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When he can, Adam trains his hired crowds himself, but more often he relies on local coordinators who manage the events. In Los Angeles, Del Brown “” the woman I met at the Marriott “” is Adam”s point person. Del moved to California in 2012 to pursue an acting career and soon landed a Doritos commercial, but after that, she mostly found work as an extra in student films and small indie projects. She worked a gig with Crowds on Demand, and Adam was so impressed he immediately put her on staff. Del has established a wide network she can reach out to when she needs, say, 60 crowd-fillers for a party on the roof deck of the W Los Angeles hotel or a 6-foot-6-inch man in a leather kilt to act as a fan at the launch of a book about S&M culture. Many of Del”s recurring crowd members are background actors she”s met on film sets, yet she is continually trawling for fresh faces.

At the Marriott, I”d met Jackie Greig, who typifies the crowd members Del and Adam often hire. Jackie is 50 years old, a film student at Los Angeles City College. A teacher had shared a posting about what she thought was an upcoming film shoot that was looking for paid help. Jackie showed up at the Marriott only to discover that this was not a film shoot. Yes, she was being asked to aim her camera at the life coaches, but whether she hit record was immaterial. On one hand, Jackie was frustrated. She”d skipped class and driven more than an hour to be there. On the other hand, after a couple of hours, she”d made $37.50 and could now afford a Foo Fighters concert for her daughter. “I just wish they”d been more transparent about what the gig really was,” Jackie tells me.

If you”re hiring a crowd to fill a campaign event or a film premiere, the last thing you want to do is let anyone know.

The tricky thing, Adam says, is how many of his clients insist on secrecy. If you”re hiring a crowd to fill a campaign event or a film premiere, the last thing you want to do is let anyone know. Adam must balance his goal of spreading awareness of his company, so he can attract more clients, with the benefits of keeping the public in the dark. If people start to doubt the veracity of crowds, his business might suffer. “Right now, we”re still kind of this secret weapon,” Adam says. “We have the element of surprise. Yeah, you might”ve heard about political candidates paying to bring some extra bodies into their campaign events, but it”s beyond the realm of most people”s imagination that crowds are being deployed in other ways. Nobody is skeptical of crowds. Of course, in five years that could change.”

Adam says he gives Del wide latitude to recruit crowd members. Most often, she presents the gigs as background acting work. This is only slightly misleading: Crowd members won”t bulk up their IMDB profile, but being part of a fake crowd is a kind of acting. In a world where everybody is constantly playing a part, staging moments to be broadcast later on social media, the line between counterfeit and authentic has become blurred. Is curating a version of yourself on Facebook any less fake than pretending to be a superfan of a life coach? Read more.


The Return of Sweden’s Giant Snow Penis

Snow Penis

“Sweden’s Giant Snow Penis Was Erased, So This Man Created an Even Bigger One”
by Ed Mazza
Huffington Post
January 22, 2016

BIgger Swedish Snow Penis

The giant snow penis cannot be stopped.

Emilian Sava, one of the workers who had to clear a giant snow penis from a park in Sweden, felt so guilty about the act of phallic vandalism that he erected his own giant snow schlong, according to The Local.

And in what may be the world’s greatest display of penis envy, the new snow penis is much more massive than the old one.

The original penis was carved into the snow over a frozen moat in Kungsparken (King’s Park) in the city of Gothenburg. It quickly aroused complaints from members of the community. Read more.


Banksy Casts his Lot with Steve Jobs in Support of Syrian Refugees in France

Banksy, the loved, hated, famous, infamous, politically ambiguous, and seemingly invulnerable Jay-Z of street art, has apparently posted some new work in Calais, France, home of a Syrian refugee camp.


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“Syrian Refugees Apparently Have A New Ally: Banksy”

By Ryan Grenoble
Huffington Post
December 11, 2015

He’s no terrorist. He’s Steve Jobs.

And he stars in a piece of street art that appeared recently at an informal refugee camp in Calais, France, and has been attributed to the British artist known as Banksy.

The encampment, nicknamed “the Jungle” for its chaotic, squalid living conditions, is home to some 7,000 predominantly Middle Eastern refugees hoping to migrate to Britain.

As the Paris attacks have led to fear-mongering that terrorists may hide among the streams of refugees, Banksy’s work is a reminder not to let fear steer policy. Steve Jobs was himself the son of a Syrian refugee who immigrated to the U.S. from Homs. Continue reading “Banksy Casts his Lot with Steve Jobs in Support of Syrian Refugees in France”