Better Than Breaking Your Ankle in a Pothole

Chicago Artist Jim Bachor has a solution for road maintenance.


Artist Who Filled New York Pothole with Trump’s Face Sees Artwork Removed by City
by Zachary Small
hyperallergic.com
August 8, 2018

Some people have a face for movies. Others have a face for potholes.

In Chicago, Jim Bachor is known for beautifying the city’s dilapidated streets by filling its concrete craters with beautifully crafted mosaics of flower bouquets. There, passersby are so enthusiastic about Bachor’s street art that he has all but gained official approval from authorities to continue his work. In 2014, the city’s Transportation Department even told the Chicago Tribune that “Mr. Bachor and his art are proof that even the coldest, harshest winter can not darken the spirits of Chicagoans.”

images by Jim Bachor

But Chicago is not New York. Our streets are danker. Our potholes are bigger. And our Department of Transportation is crueler. (Shout out to the MTA!) Appropriately, then, Bachor decided to debut a new series of mosaics for this concrete bunghole where dreams are made up called “Vermin of New York.” The compilation includes dead rats, cockroaches, and pigeons — oh! — and President Donald Trump’s face.

image by Jim Bachor

“I assume most New Yorkers hate him,” Bachor replied to Hyperallergic’s request for comment.

Some people have a face for movies. Some people have a face for television. some people have a face for radio. Others, apparently, have a face for potholes.

Speaking with the New York Post, Bachor added that “it could be seen in both ways — one that you’re honoring our president or that you get to drive over Trump.”

Read the rest of the article here.

Finger Painting

A lot of finger pointing here…


Mobile art project gives middle finger to Hillary and Trump
by Oli Coleman
Page Six
April 30, 2018

“DEFIANCE” (Donald Trump) and “FAIR GAME” (Hillary Clinton) are each made from 4,000 hand-cast urethane middle fingers by artist Kevin Champeny. Courtesy Kevin Champeny

An artist is arranging a massive moving art installation in which two trucks will carry giant portraits of Hillary Clinton and Donald Trump around town made of thousands of rubber middle fingers pointing at each other.

Kevin Champeny’s mobile installation — the Clinton piece is called “Fair Game” and Trump’s is “Defiance” — also plays audio clips of the political rivals talking about each other via huge speakers.

With its 4,000 urethane fingers, the art will be parked from May 3 to May 6 at Union Square Park, Madison Square Park, Bryant Park, Times Square and Pier 94 — where Art New York is taking place.

Banksy Immortalizes Painting That Caused Artist Zehra Dogan’s Arrest & Imprisonment in Turkey

Banksy’s new mural in collaboration with Borf, aka John Tsombikos, brings jailed Turkish artist Zehra Dogan’s work to New York.


New Banksy NYC mural supports jailed Turkish artist
by Janon Fisher
New York Daily News
March 17, 2018

The mysterious British graffiti artist Banksy created a 70-foot mural on the Houston Bowery Graffiti Wall showing Turkish artist Zehra Dogan trapped behind hashmarks. (FRANK FRANKLIN II/AP)

Mysterious British graffiti artist Banksy can”t stay away from the Big Apple.

After tagging the clock face on a West Village bank, he moved east Thursday, with a sidewalk to rooftop display drawing attention to the plight of a jailed artist.

The 70-foot mural on the Houston Bowery Graffiti Wall shows Turkish artist Zehra Dogan trapped behind a set of hashmarks meant to symbolize her prison bars.

Dogan was sentenced to nearly three years in jail for painting a the town of Nasybin laid waste by the Turkish after a battle with Kurdish forces.

She copied the photo from a newspaper then painted it in watercolor, adding Turkish flags to the scene, according to her publicist.

Dogan was arrested after she posted the image on social media.

The timing of the mural marks the one year anniversary of her incarceration.

Her watercolor stretches out across the top of the building where Banksy has painted his mural.

“I really feel for her. I”ve painted things much more worthy of a custodial sentence,” Banksy told The New York Times in a statement.

R.I.P. Gustav Metzger

Gustav Metzger, a fiercely political artist, challenged and mocked consumerism and inspired several generations of creative “auto-destructivists”. He was 90 years old.


“Gustav Metzger, Pioneer of Auto-Destructive Art, Dies at 90”
by Mark Brown
The Guardian
March 1, 2017

Gustav Metzger, the inventor of auto-destructive art who spent a lifetime baffling, infuriating and thrilling audiences, as well as influencing generations of younger artists, has died aged 90.

A spokeswoman for the artist said he died at his home in London.

Metzger was born in Nuremberg to Polish-Jewish parents in 1926 and arrived with his brother in Britain on the Kindertransport in 1939. Much of his immediate family, including his parents, were murdered in the Holocaust.

He studied art in Cambridge, London, Antwerp and Oxford, and by the late 1950s was heavily involved in anti-capitalist and anti-consumerist movements, as well as the Campaign for Nuclear Disarmament.

This political activism was the motivation for his auto-destructive art manifesto of 1959 – which he described “as a desperate last-minute subversive political weapon … an attack on the capitalist system … an attack also on art dealers and collectors who manipulate modern art for profit”. Read more.


In Search of Political Art

Randy Kennedy explores the state of political art in search of the iconic images that previously captured people’s imaginations as we navigate another absurd political season.

Thanks Peter!


Political Art in a Fractious Election Year
by Randy Kennedy
The New York Times
July 17, 2016

“The Truth Booth” by the Brooklyn Bridge. The booth, by the Cause Collective, is heading to Cleveland for the Republican National Convention. Credit Ben Pettey

In 2008, when the artist Shepard Fairey created the graphically striking “Hope” portrait to support Barack Obama”s presidential campaign, it seemed as if a rich tradition of American political imagery reaching back at least to the middle of the 20th century “” on posters, buttons, bumper stickers “” was still very much alive. The art critic Peter Schjeldahl called the “Hope” poster “epic poetry in an everyday tongue.”

Read the whole article here.