…Exploring the role of the prankster as artist, activist and social observer and the significance of the prank in society.
The creative world lost a bright color from its palette.
An old friend from the sixties, Sam Shepard, has passed away.
Here’s an article I wrote for Huffington Post about those times: Lucky Loser: My Aborted Attempt to Kidnap Sam Shepard, by Joey Skaggs
Sam Shepard on his family plays (1 of 3)
A reminiscence by Joey Skaggs:
On April 2, 2013, I received an email from my friend Peter Maloney, director, writer, actor and a co-conspirator in my hoaxes, pointing me to a New York Times article about a fake kidnapping. He said,
“It reminds me of the night that you and your cohorts kidnapped Sam Shepard from the Astor Place Theatre on the opening night performance of his plays “˜The Unseen Hand”™ and “˜Forensic and the Navigator”™ (in which I played “˜Forensic”™). I also remember that actor Beeson Carroll wore as his costume in “˜The Unseen Hand”™, your Buffalo skin coat.”
I had caught the news story about the kidnapping on TV a day earlier. I immediately thought it was a prank. A video taken from a surveillance camera showed an abduction with people being thrown into a van on the street. But local police could not find evidence of anyone missing. As it turned out, it was a joke played by friends as a birthday prank.
Stories like this sometimes make it into the Art of the Prank blog, and I considered it. But, being under the weather I wasn”™t highly motivated to do anything with it. Later, thinking about it, I realized how lucky these pranksters were. They could have been shot. They could have been arrested. Any number of bad things potentially could have happened because of this relatively harmless joke.
Peter”™s email and this story inspired me to tell the story of my attempt to kidnap Sam Shepard, a version of which appears in a book by Ellen Ounamo called Sam Shepard: The Life and Work of an American Dreamer