The Prank as an Art Form

A good prank attempts to shed light on issues to change perceptions or awareness by jolting sensibilities. MutualArt pays homage to Joey Skaggs’ April Fools’ Day Parade. In 2017, it became real with Trump’s Golden Throne.


A Look Behind Some of the Biggest Pranks in Art History
by Adam Heardman
MutualArt
October 8, 2018

Pretty-much-anonymous street artist Banksy was back in the headlines this weekend thanks to his self-shredding picture. We take a look at other classic art-world pranks that have confounded and delighted through history.

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As a street artist and activist, Banksy’s career has consisted almost exclusively of anti-establishment pranks and stunts. On Friday evening, at Sotheby’s Contemporary Art auction, the hammer fell on a print of his Balloon Girl image at a price of $1.1 million. Seconds later, an alarm sounded through the room and the print began feeding through the bottom of its own frame, inside which was a hidden shredder, leaving half of the work in ribbons.

Promptly, the piece’s value doubled. Commodification appears to move as quickly as protest in the contemporary market-place.

Speculation already abounds as to how far Banksy collaborated with Sotheby’s in setting up the stunt. It certainly seems far-fetched that the auction house’s handlers wouldn’t have noticed the machinery in the frame.

But the impact of the prank has been huge, bringing Banksy his biggest burst of media-attention since Dismaland closed. His market-value has increased. Haters have been won over. The search for his true identity is back on. All in all, it’s been a successful prank.

As a space in which publicity, politics, and aesthetics can meet, ‘the prank’ is an established mode within the art world. Here are some of the more prominent and successful examples from art history.

1. Hogarth and Wilson’s Rembrandt Roast – Read this here.

2. Joey Skaggs’ Fake ‘Fake Parade’

Prank artist Joey Skaggs

Joey Skaggs is the maybe the most prolific prankster out there. Over the years, the performance artist and writer has staged the thieving of celebrity sperm, “attempted” to “windsurf across the Pacific”, and exposed Western racism by fooling people into thinking that a Chinese businessman was buying dogs to make into soup.

Every April Fools’ Day since 1986, Skaggs has held a Parade with floats, banners, streamers extensive press coverage and pertinent contemporary themes. Except that the Parade doesn’t ever actually take place, existing purely within the press-hype. Fake News.

Until last year, that is. In a neat reversal of his own prank, Skaggs actually did hold a real-life parade on April 1st, 2017 after 31 years of pretending. The march functioned as a protest against Donald Trump’s presidency and was also the largest gathering of Trump-look-alikes in history. The imposters marched to Trump Tower and sat tweeting on golden thrones. Maybe Joey Skaggs’ greatest prank was to make Fake News real.

3. Stromberg’s Stickers – Read the rest of this article here.

Artists Stage a Spectacle for Passing Trains

How to get the attention of an audience on the go…


“German artists stage a quirky performance for passing trains”
by Rusty Blazenhoff
BoingBoing
September 21, 2017

Over 500 volunteers and residents in the “Bewegtes Land” art project entertained passengers with a super fun and quirky art performance, all happening along the train’s nearly 19-mile route.

Watch the video to see how they surprised their moving audience along the way.

The route went from Jena to Naumburg, a quiet area in the Saale valley’s countryside not known for tourists. Read more.


Russian Punk Legend Pussy Riot Gives Trump a Special Performance

Donald Trump’s real estate holdings have provided excellent venues for pranksters, performance artists, and activists of all stripes. The Russian activist punk band Pussy Riot is using Trump’s Russia controversies to draw attention to the plight of political prisoners – and they know of what they protest.


“Pussy Riot storms Trump Tower”
by Gabrielle Fonrouge
The New York Post
October 24, 2017

Pussy Riot is at it again.

The infamous Russian feminist punk rock group, clad in bright dresses and wool masks that covered their faces, stormed Trump Tower on Monday night to protest the incarceration of political prisoners.

Hidden behind their usual makeshift balaclavas, this time in green, pink and purple, the women unfurled a massive sign from an upper floor of the 58-story skyscraper that said “Free Sentsov” and dropped what appears to be a series of photographs, [the] video shows.

Frantic security guards rushed up the stairs to stop the girls, who were not arrested for their actions as portions of Trump Tower are open to the public.

“We”re calling on you today to raise attention to two guys from Ukraine: film director Oleg Sentsov and anarchist Olexandr Kolchenko, who are in Russian prison right now. Sentsov got 20 years in prison, Kolchenko got 10 years. Because they, like you, did not sit by “” they were fighting for their freedom in Crimea, which was annexed by Putin,” the bad-girl group posted on Facebook.

“We decided to do an action right now, while we are in New York, with activists here because we believe there are no borders to our solidarity.” Read more.

Portofess: The Church Must Go Where the Sinners Are!

The Story of the “˜Portofess,” the Prank Confessional Booth at the 1992 Democratic Convention
by Sarah Laskow
Atlas Obscura
July 14, 2017

Artist Joey Skaggs fooled everyone and pedaled off.

Father Anthony Joseph (aka Joey Skaggs) pedals his Portofess to the 1992 Democratic National Convention, courtesy Joey Skaggs Archive

At 1992″s Democratic National Convention, a Dominican priest showed up on a tricycle. Attached to the back was a confessional booth, with a sign that read “Portofess.” The priest said he biked to New York, where the convention was held, all the way from California. The church, according to the priest, needed to take a “more aggressive stance and go where the sinners are.” He was ready to take confession from any politician who wanted or needed it.

The Portofess made papers all over the country. But soon enough Reuters revealed that the Archdiocese in California had never heard of this priest, who called himself Father Anthony Joseph or, sometimes, Father William. All other efforts to find him after the convention failed, as well, because he wasn”t a priest at all, but a character conceived by artist and activist Joey Skaggs, who has perfected the art of pranking the media.

Skaggs”s works include “Fish Condos” for upwardly mobile guppies, “Santa”s Missile Tow,” which featured Santa and his elves bringing a missile to the United Nations, and many other sculptures and performances. He talked to Atlas Obscura about what it took to create the Portofess and what reactions he got from the police, protestors, and the public. Read the full interview here.


Alex Jones: Post-Reality Rodeo Clown?

Talk show host and conspiracy theorist Alex Jones began his career as an Austin eccentric, known for his associations with comedian Joe Rogan and filmmaker Richard Linklater. His paleoconservative media profile has risen steadily since the election of Barack Obama – he”s now better known for egging on Charlie Sheen”s meltdown, describing the victims of the Sandy Hook massacre as “crisis actors,” and throwing his bulk behind the presidential candidacy of Donald Trump.

Now, he”s engaged in a vicious custody battle, and his lawyers are suggesting that he”s not an increasingly unhinged paranoid maniac, but a performance artist playing a character.

Blogger Ken White adds some insight on the importance of this story.


“Alex Jones Says He”s A Performance Artist. Surprisingly, Actual Performance Artists Agree.”
by Priscilla Frank
The Huffington Post
April 19, 2017

Following his 2015 divorce, far-right radio host and conspiracy theorist Alex Jones is embroiled in an ugly and somewhat bizarre custody battle.

In response to his ex-wife”s claims that the InfoWars founder and Pizzagate controversy propagator is “not a stable person” “• and therefore should not receive custody of their children “• Jones is arguing that his publicly jacked-up, trumped-up, vitriolic rants are merely instances of “performance art.”

Jones” lawyer Randall Wilhite outlined the novel defense, telling those present at a recent pretrial hearing that Jones” InfoWars persona does not reflect who he is as a person. “He”s playing a character,” Wilhite said. “He is a performance artist.”

Jones himself made a similar claim in early April while facing criticism “• and potential criminal proceedings “• after calling Rep. Adam Schiff (D-Calif.) an “archetypal cocksucker” and threatening in an expletive-laden rant to “beat [his] goddamn ass.” Jones later posted a follow-up video describing the comments as “clearly tongue-in-cheek and basically art performance, as I do in my rants, which I admit I do, as a form of art.”

Jones” most famed “performances” to date include calling the 9/11 attacks an inside job, claiming the 2012 shooting at Sandy Hook Elementary School was “completely fake with actors,” and suggesting that the American government is “encouraging homosexuality with chemicals so that people don”t have children.” Is it possible that Jones has been putting on some sort of persona to stir up controversy and garner public attention? Of course. It is unlikely, however, and ultimately dangerous, that Jones” approximately 2 million listeners “• including his most famed fan, President Donald Trump “• were all aware that Jones” red-faced tirades are for show.

In calling himself a performance artist, Jones is referencing a controversial live art tradition with roots in the 1950s and “˜60s, involving movements like Gutai and Fluxus and individuals like Marina Abramovi? and Vito Acconci. One of the earliest artists recognized for her performances is Carolee Schneemann, who was recently awarded the Venice Biennale”s Golden Lion for Lifetime Achievement. In one of her most iconic performances, 1975″s “Interior Scroll,” Schneemann stood nude on a table, painted her body with mud, and extracted a scroll from her vagina, from which she proceeded to read.

When asked about Jones” performance art defense, Schneemann responded swiftly: “I think it”s all a load of crap,” she told The Huffington Post. But ultimately, any attempts to strictly classify what is or is not performance art, she clarified, are futile. Read more.