Artists Stage a Spectacle for Passing Trains

How to get the attention of an audience on the go…


“German artists stage a quirky performance for passing trains”
by Rusty Blazenhoff
BoingBoing
September 21, 2017

Over 500 volunteers and residents in the “Bewegtes Land” art project entertained passengers with a super fun and quirky art performance, all happening along the train’s nearly 19-mile route.

Watch the video to see how they surprised their moving audience along the way.

The route went from Jena to Naumburg, a quiet area in the Saale valley’s countryside not known for tourists. Read more.


Russian Punk Legend Pussy Riot Gives Trump a Special Performance

Donald Trump’s real estate holdings have provided excellent venues for pranksters, performance artists, and activists of all stripes. The Russian activist punk band Pussy Riot is using Trump’s Russia controversies to draw attention to the plight of political prisoners – and they know of what they protest.


“Pussy Riot storms Trump Tower”
by Gabrielle Fonrouge
The New York Post
October 24, 2017

Pussy Riot is at it again.

The infamous Russian feminist punk rock group, clad in bright dresses and wool masks that covered their faces, stormed Trump Tower on Monday night to protest the incarceration of political prisoners.

Hidden behind their usual makeshift balaclavas, this time in green, pink and purple, the women unfurled a massive sign from an upper floor of the 58-story skyscraper that said “Free Sentsov” and dropped what appears to be a series of photographs, [the] video shows.

Frantic security guards rushed up the stairs to stop the girls, who were not arrested for their actions as portions of Trump Tower are open to the public.

“We”™re calling on you today to raise attention to two guys from Ukraine: film director Oleg Sentsov and anarchist Olexandr Kolchenko, who are in Russian prison right now. Sentsov got 20 years in prison, Kolchenko got 10 years. Because they, like you, did not sit by “” they were fighting for their freedom in Crimea, which was annexed by Putin,” the bad-girl group posted on Facebook.

“We decided to do an action right now, while we are in New York, with activists here because we believe there are no borders to our solidarity.” Read more.

Portofess: The Church Must Go Where the Sinners Are!

The Story of the “˜Portofess,”™ the Prank Confessional Booth at the 1992 Democratic Convention
by Sarah Laskow
Atlas Obscura
July 14, 2017

Artist Joey Skaggs fooled everyone and pedaled off.

Father Anthony Joseph (aka Joey Skaggs) pedals his Portofess to the 1992 Democratic National Convention, courtesy Joey Skaggs Archive

At 1992″™s Democratic National Convention, a Dominican priest showed up on a tricycle. Attached to the back was a confessional booth, with a sign that read “Portofess.” The priest said he biked to New York, where the convention was held, all the way from California. The church, according to the priest, needed to take a “more aggressive stance and go where the sinners are.” He was ready to take confession from any politician who wanted or needed it.

The Portofess made papers all over the country. But soon enough Reuters revealed that the Archdiocese in California had never heard of this priest, who called himself Father Anthony Joseph or, sometimes, Father William. All other efforts to find him after the convention failed, as well, because he wasn”™t a priest at all, but a character conceived by artist and activist Joey Skaggs, who has perfected the art of pranking the media.

Skaggs”™s works include “Fish Condos“ for upwardly mobile guppies, “Santa”™s Missile Tow,” which featured Santa and his elves bringing a missile to the United Nations, and many other sculptures and performances. He talked to Atlas Obscura about what it took to create the Portofess and what reactions he got from the police, protestors, and the public. Read the full interview here.


Alex Jones: Post-Reality Rodeo Clown?

Talk show host and conspiracy theorist Alex Jones began his career as an Austin eccentric, known for his associations with comedian Joe Rogan and filmmaker Richard Linklater. His paleoconservative media profile has risen steadily since the election of Barack Obama – he”™s now better known for egging on Charlie Sheen”™s meltdown, describing the victims of the Sandy Hook massacre as “crisis actors,” and throwing his bulk behind the presidential candidacy of Donald Trump.

Now, he”™s engaged in a vicious custody battle, and his lawyers are suggesting that he”™s not an increasingly unhinged paranoid maniac, but a performance artist playing a character.

Blogger Ken White adds some insight on the importance of this story.


“Alex Jones Says He”™s A Performance Artist. Surprisingly, Actual Performance Artists Agree.”
by Priscilla Frank
The Huffington Post
April 19, 2017

Following his 2015 divorce, far-right radio host and conspiracy theorist Alex Jones is embroiled in an ugly and somewhat bizarre custody battle.

In response to his ex-wife”™s claims that the InfoWars founder and Pizzagate controversy propagator is “not a stable person” “• and therefore should not receive custody of their children “• Jones is arguing that his publicly jacked-up, trumped-up, vitriolic rants are merely instances of “performance art.”

Jones”™ lawyer Randall Wilhite outlined the novel defense, telling those present at a recent pretrial hearing that Jones”™ InfoWars persona does not reflect who he is as a person. “He”™s playing a character,” Wilhite said. “He is a performance artist.”

Jones himself made a similar claim in early April while facing criticism “• and potential criminal proceedings “• after calling Rep. Adam Schiff (D-Calif.) an “archetypal cocksucker” and threatening in an expletive-laden rant to “beat [his] goddamn ass.” Jones later posted a follow-up video describing the comments as “clearly tongue-in-cheek and basically art performance, as I do in my rants, which I admit I do, as a form of art.”

Jones”™ most famed “performances” to date include calling the 9/11 attacks an inside job, claiming the 2012 shooting at Sandy Hook Elementary School was “completely fake with actors,” and suggesting that the American government is “encouraging homosexuality with chemicals so that people don”™t have children.” Is it possible that Jones has been putting on some sort of persona to stir up controversy and garner public attention? Of course. It is unlikely, however, and ultimately dangerous, that Jones”™ approximately 2 million listeners “• including his most famed fan, President Donald Trump “• were all aware that Jones”™ red-faced tirades are for show.

In calling himself a performance artist, Jones is referencing a controversial live art tradition with roots in the 1950s and “˜60s, involving movements like Gutai and Fluxus and individuals like Marina Abramovi? and Vito Acconci. One of the earliest artists recognized for her performances is Carolee Schneemann, who was recently awarded the Venice Biennale”™s Golden Lion for Lifetime Achievement. In one of her most iconic performances, 1975″™s “Interior Scroll,” Schneemann stood nude on a table, painted her body with mud, and extracted a scroll from her vagina, from which she proceeded to read.

When asked about Jones”™ performance art defense, Schneemann responded swiftly: “I think it”™s all a load of crap,” she told The Huffington Post. But ultimately, any attempts to strictly classify what is or is not performance art, she clarified, are futile. Read more.

Comedy/Art: You Gotta Be Kidding!

From Dino D’Annibale:


On Trend:Marina Abramovic, Meet Chelsea Handler? How Standup Comedy Became the New Performance Art
by Chloe Wyma
Artspace.com
August 28, 2015

No longer at the margins of the art world, practitioners combining art and comedy are now attracting critical buzz and institutional recognition.

Dynasty Handbag
Dynasty Handbag

“Tonight I have cooked up””let me use your language”””˜curated”™ a show tonight,” the artist Jibz Cameron joked in the opening monologue of “Good Morning Good Evening Feelings,” her one-woman motivational variety show at the Kitchen last April. Cameron, performing as her spandex-clad, rubber-faced alter ego Dynasty Handbag, wore pancake makeup and an ill-fitting fluorescent pink satin waistcoat over a flesh-colored unitard. “I hope no one was thinking they were gonna see art,” she goaded the audience. “Are there art people here?” The ensuing lighting-fast hour included a lesson in how to make a smoothie out of immaterial fears and anxieties, an incoherent karaoke rendition of Madonna”™s “Vogue,” and an interview with Womanhood (personified by a British-accented cartoon crotch in white panties.)

Cameron”™s performances, which draw liberally from the conventions of standup comedy, are undeniably funny””but they also represent a new hybrid art form. From Jaimie Warren”™s bizarre vaudeville to Jayson Musson (a.k.a Hennessy Youngman”™s) viral Youtube sendups of art world orthodoxies with a dose of hip-hop swagger, contemporary art and alternative comedy have never been more intertwined. In certain cases, they”™re indistinguishable.

Watch the Hennessy Youngman video

“It”™s a cultural zeitgeist thing. I think standup is having an interesting moment, a kind of renaissance,” says Jill Dawsey, curator of the recent “Laugh In: Art Comedy Performance” at the Museum of Contemporary Art San Diego. She counts experimental comics Maria Bamford and Reggie Watts among those who have expanded the genre to embrace unprecedented weirdness. “There”™s this formal kinship where there are more experimental comedic acts that resemble performance art, and then there are a lot of artists who are doing something more like standup comedy.”

Read the rest of the article here.