Laura Albert - The Art of the Prank

JT LeRoy was widely presumed to be a gay prostitute from West Virginia who became the toast of NYC art-hipsterdom on the strength of his autobiographical books. The problem was that he didn’t exist at all – he was a character invented by a frustrated failed writer named Laura Albert and played by a friend of Albert’s in a blonde wig. Frauds and fabulists ran amok in the Bush years, and LeRoy’s unmasking didn’t garner the same attention and schadenfreude as the downfalls of rouge reporter Jayson Blair or manly-man poseur James Frey. But as a new documentary explores, his story was a hell of a lot weirder.

“JT LeRoy doc explores absorbing literary scandal”
by Lindsey Bahr
AP
September 7, 2016

download To the general public, the name JT LeRoy probably rings only the vaguest of bells, if any at all. It didn’t for this particular critic. But that innocent ignorance is all the more reason to seek out the documentary “Author: The JT LeRoy Story ,” a fascinating peek into one of the wildest literary scandals in recent years and the bizarre nature of celebrity relationships. Director Jeff Feuerzeig’s film, while undeniably one-sided, will have your mind spinning with questions about authorship, authenticity, art and fame.

Literary Camouflage
by Steven Hayward
Wall Street Journal
June 23, 2011

Eric Blair contemplated calling himself H. Lewis Allways, P.S. Burton, Kenneth Miles””or George Orwell.

Eleven years ago, a writer named JT LeRoy stormed the literary world. The 19-year-old son of a truck-stop prostitute, LeRoy published a semi-autobiographical novel called “Sarah” recounting his experiences as a “lot lizard”””a child hustler and prostitute””in the truck stops of West Virginia. The book quickly accumulated prominent supporters, including Winona Ryder and Madonna. Obsessively reclusive, LeRoy allowed himself to be interviewed only by telephone; he refused to give public readings, often having one of his famous admirers stand in for him. There was a second book, a movie deal and by 2005 the literary tastemaker Dave Eggers was commending the young writer to posterity: LeRoy’s two titles would “prove to be among the most influential American books in the last ten years.”

Less than a year later, LeRoy was revealed as a hoax: Laura Albert, a woman old enough to be LeRoy’s mother, confessed, amid mounting media speculation, that she created the alter ego””and had never even visited West Virginia. The film company that had optioned the novel successfully sued Ms. Albert for fraud. Throughout the trial, Ms. Albert defended her right to use a nom de plume, contending that her work should be read as part of a long and distinguished line of pseudonymous texts. “LeRoy was a veil upon a veil,” Ms. Albert later told the Paris Review, “I never saw it as a hoax.”

As Carmela Ciuraru observes in “Nom de Plume,” her “secret history” of pseudonyms, there is nothing new about literary masquerades. Continue reading “Literary Camouflage”

Tag: Laura Albert

The Strange Case of JT LeRoy

Literary Camouflage