Jumping the Snark

Jumping the Snark
by Dave Gilson
Mother Jones
November/December 2009

In an age of Yes Men, flash mobs, birthers, and fake pundits, is the prank dead?

Snark200What’s a good prank worth? How about $2 billion? That’s how much Dow Chemical’s stock value dipped in just 23 minutes on the morning of December 3, 2004, after its spokesman went on the BBC to announce that the company would make amends for the 1984 Bhopal toxic-gas disaster “simply because it’s the right thing to do.” (Dow had acquired Union Carbide, the original owner of the Bhopal chemical plant, in 1999.) Within the hour, the flack was exposed as one of the Yes Men, a duo that’s spent the past decade perfecting the art of anti-corporate trickery. The feat cemented their reputation as the world’s preeminent political pranksters (a reputation they recently reaffirmed by pranking the US Chamber of Commerce). It also proved that a punch line can occasionally pack a real punch.

The Bhopal stunt kicks off the pair’s new film, The Yes Men Fix the World, the follow-up to their self-titled 2004 movie. But don’t let the puffed-up title fool you into thinking that the Yes Men believe their hijinks are actually making the world a better place. A better title would have been The Prank Is Dead. Continue reading “Jumping the Snark”

Skaggs, Blags and Rags: Hoaxes and the Press

Submitted by Mark Borkowski from Borkowski Blog. Mark is author of The Fame Formula: How Hollywood’s Fixers, Fakers and Star Makers Shaped the Publicity Industry


Skaggs, Blags and Rags: Hoaxes and the Press
October 16th, 2009

If you want proof that stunts are an art form, your best bet is to head down to the Tate Modern”™s Pop exhibition and take a long, hard look at the Andy Warhol and Jeff Koons exhibits. Here are two prime examples of early stops at one of the stations of the cross of Consumerism, part of its steady progress to becoming the prime 21st Century religion.

And proof is needed that stunts are an art form – they are making something of a comeback at the moment, but the latest examples – the Starsuckers film and Balloon Boy – are in need of a bit of spit and polish if they are to really shine.

http://i.cdn.turner.com/cnn/.element/js/2.0/video/evp/module.js?loc=dom&vid=/video/bestoftv/2009/10/16/cb.balloon.boy.cnnEmbedded video from CNN Video

Despite all this, there has been not one mention of the master of the hoax, Joey Skaggs, the master Culture Jammer whose hoaxes have always had a pertinent point to make. This is a pity because the Starsuckers team could learn a trick or two from him. Continue reading “Skaggs, Blags and Rags: Hoaxes and the Press”

Baba Wa Simba Hits the Internet

In 1995, Baba Wa Simba (aka Joey Skaggs), a new-age therapist, whose mission was to work with disenfranchised and troubled youth and heal the wounded animal within, visited his lion pride in London. The Word, a television show on the UK’s Channel 4, documented the visit and aired it March 3, 1995. The video of this visit has just been released online:

Read more about Baba Wa Simba here.