…Exploring the role of the prankster as artist, activist and social observer and the significance of the prank in society.
Mutiny of Colours is a documentary in progress focusing on some of the higher-profile graffiti artists of Iran. Priscilla Frank at HuffPo profiles 12 of the artists showcased, with plenty of visuals and access to the trailer. Some of the work is satirical. Some is political. All of it arose in a climate uniquely hostile to this sort of expression.
Yes, you read that correctly.
“When Satire Conquered Iran”
Adapted by the Editors from Slavs and Tatars Presents: Molla Nasreddin: The Magazine That Would”ve Could”ve Should”ve
New York Review of Books Blog
September 18. 2012
Published between 1906 and 1930, Molla Nasreddin was a satirical Azeri magazine edited by the writer Jalil Mammadguluzadeh (1866-1932), and named after Nasreddin, the legendary Sufi wise man-cum-fool of the Middle Ages. With an acerbic sense of humor and realist illustrations reminiscent of a Caucasian Honoré Daumier or Toulouse-Lautrec, Molla Nasreddin attacked the hypocrisy of the Muslim clergy, the colonial policies of the US and European nations towards the rest of the world, and the venal corruption of the local elite, while arguing repeatedly for Westernization, educational reform, and equal rights for women. Publishing such stridently anti-clerical material, in a Muslim country, in the early twentieth century, was done at no small risk to the editorial team. Members of MN were often harassed, their offices attacked, and on more than one occasion, Mammadguluzadeh had to escape from protesters incensed by the contents of the magazine. Continue reading “Molla Nisreddin: A Classic of Iranian Satire”