See Spot Run. Run Spot Run!

30 years ago, I perpetrated a media hoax called Dog Meat Soup in which, pretending to be a Korean entrepreneur, I solicited dog shelters for their unwanted dogs to be used as food for human consumption. My intent was to expose hostility and racism that permeates both the public discourse and the media’s coverage. As I expected, all hell broke loose, as gullible animal lovers spewed outrageous invectives against ALL Asians (they apparently couldn’t tell the difference between Koreans, Japanese, Chinese and others) accusing them of outrageous acts of violence against animals and telling all Asians to go back to their countries and cook their own babies.

This cultural intolerance is eerily like what’s happening now based on fake information perpetrated by politicians with an agenda, targeting immigrants and accusing them of eating family pets in Springfield Ohio. Prejudiced and biased opinions about this are dominating our news and social media platforms. Let’s not be fooled by reactionary politicians who have a political agenda to confuse and divide the public.

Check out John Tierney’s 1994 expose of the Dog Meat Soup hoax for The New York Sunday Times Magazine.

And watch the Dog Meat Soup segment of a 2003 ABC TV 20/20 interview.

Cold as I.C.E.

Art Collective Indecline and cartoonist Rob Rogers writ large.


Bay Area Protests Trump’s Child Detention Policy with Billboard and Projection
Hyperallergic
by Benjamin Sutton
June 21, 2018

A clandestine modification of a junk removal billboard and a nighttime projection of a political cartoon called out the president’s family separation policy.

Is the US Immigration and Customs Enforcement (ICE) advertising its brutal practice of separating migrant families? If you were driving along Interstate 80 in California’s East Bay last night or early this morning, you might have seen what appeared to be a billboard for ICE flaunting its inhumane expertise — “We make kids disappear” — alongside the Munchian image of a shocked and screaming child.

The ignoble advertisement is in fact the work of satiric and shadowy public art collective Indecline, whose members scaled the billboard (which formerly promoted 1-800-Got-Junk?’s ability to “make junk disappear”) in the night and transformed it into a provocative indictment of ICE. At the time this article was published, a spokesperson for Indecline said that the modified billboard was still in place.

Read more here.