In what reads like a pitch for an art film or a postmodern fever dream, journalist Carey Dunne goes on a thoughtful search for the story behind artist Maurizio Cattelan’s “epic troll,” a solid gold toilet named “America”.
“Waiting To Pee in ‘America,’ the Gold Toilet at the Guggenheim”
by Carey Dunne
Hyperallergic
September 23, 2016
While waiting in line to pee in “America,” a toilet cast in 18-karat gold and installed in a Guggenheim Museum bathroom, I ran into my friend Fritz Mead, who lives in a shack he built himself out of scrap wood in a backyard next to a skate bowl he also built himself. The shack doesn”t have plumbing, so to use a working toilet he has to leave his shack and go into the basement apartment next door.
Given his apparent ambivalence about plumbing “” let alone luxury plumbing “” I was surprised to see Fritz waiting to use the gold toilet, which is the work of Italian artist Maurizio Cattelan. Estimated to be worth as much as $2.5 million, “America” (which opened at the Guggenheim last week), will remain installed in an otherwise ordinary fourth floor bathroom for a year. (When asked exactly how much the toilet cost, a guard said, “If you have to ask, you already know,” a riddle I am still trying to solve.)
Cattelan “intends visitors to use the toilet just as they would any other facility in the building,” according to the wall text. It gets special treatment, though: only one visitor is allowed inside the stall at a time, for no more than five minutes; the toilet seat must not be lifted; a security guard inspects the toilet after each visit; and a cleaning crew cleans it with a special gold-cleaning product every 20 minutes. The wait time when I visited was two hours.
Read the rest of the story here.
