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“When Satire Conquered Iran”
Adapted by the Editors from Slavs and Tatars Presents: Molla Nasreddin: The Magazine That Would”™ve Could”™ve Should”™ve
New York Review of Books Blog
September 18. 2012

MOLLA-move-forward-nocap Published between 1906 and 1930, Molla Nasreddin was a satirical Azeri magazine edited by the writer Jalil Mammadguluzadeh (1866-1932), and named after Nasreddin, the legendary Sufi wise man-cum-fool of the Middle Ages. With an acerbic sense of humor and realist illustrations reminiscent of a Caucasian Honoré Daumier or Toulouse-Lautrec, Molla Nasreddin attacked the hypocrisy of the Muslim clergy, the colonial policies of the US and European nations towards the rest of the world, and the venal corruption of the local elite, while arguing repeatedly for Westernization, educational reform, and equal rights for women. Publishing such stridently anti-clerical material, in a Muslim country, in the early twentieth century, was done at no small risk to the editorial team. Members of MN were often harassed, their offices attacked, and on more than one occasion, Mammadguluzadeh had to escape from protesters incensed by the contents of the magazine. Continue reading “Molla Nisreddin: A Classic of Iranian Satire”

John Callahan, Cartoonist, Dies at 59
by Bruce Weber
The New York Times
July 28, 2010

John Callahan, a quadriplegic, alcoholic cartoonist whose work in newspapers and magazines made irreverent, impolitic sport of both people with disabilities and diseases and those who would pity and condescend to them, died Saturday in Portland, Ore. He was 59 and lived in Portland.

The causes were complications of quadriplegia and respiratory problems, said his brother Tom.

Like his friend Gary Larson, the creator of “The Far Side,” Mr. Callahan made drawings with a gleeful appreciation of the macabre as it exists in everyday life. He was, however, a man who lived his whole life with disadvantages, some of them self-wrought, and he viewed the world through a dark and wicked lens.

“This is John, I”™m a little too depressed to take your call today,” the message on his answering machine said. “Please leave your message at the gunshot.”

Bemused by the culture of confession and self-help fostered by the likes of Oprah Winfrey, Geraldo Rivera and others, he was uninclined, in his work, to be outwardly sympathetic to the afflicted or to respect the boundaries of racial and ethnic stereotyping, and his cartoons were often polarizing: some found them outrageously funny, others outrageously offensive.

Continue reading “Cartoonist John Callahan, RIP”