“Are there more naked women than women artists in museums?”
The Male Graze

ACTIVISM: Does art imitate life or life imitate art?, by Anne Douglas, Morning Star Online, June 25, 2021

That’s the question posed by no-holds-barred activists The Guerrilla Girls in their latest assault on male behaviour in the arts

Pic credit: Rob Melen, Glynn Vivian Art Gallery, Swansea

GUERRILLA GIRLS, the anonymous group of US feminist female artists devoted to fighting sexism and racism within the art world, are bringing their unique form of “culture jamming” to billboard displays across Britain.

They formed in New York City in 1985 with the mission of highlighting gender and racial inequality in the visual arts community and, to remain anonymous, members don gorilla masks and use pseudonyms referencing deceased female artists.

Their latest project involves large-scale billboards across Britain in iconic locations from Glasgow Barrowlands to London Bridge, countryside locations and seaside towns until July 18.

They are part of The Male Graze which explores bad male behaviour through the lens of art history.

“What art historians call the male gaze, the masculine, heterosexual perspective in European and American art, mostly by white men, that depicts women as sexual objects for the pleasure of the male viewer, we call The Male Graze,” The Guerrilla Girls said.

“Lots of women are naked in post-colonial Western art. Some are idle: sleeping, splayed out on beds and couches, lounging around with their friends, bathing and maybe even dancing.

“When active, there is usually a sexual element present — voyeurism, seduction, harassment, assault, rape and sometimes murder.

Read the full article here.

Check out Indecline’s new film in Rolling Stone. h/t Dino

From: Indecline Debuts ‘The Art of Protest’ Documentary, Rolling Stone

In activist-artist collective Indecline’s new documentary, protest art is shown as not only relevant, but necessary for change

When Indecline started work on their documentary The Art of Protest in late 2018, they wanted to tell the history of resistance art. Over the previous two years — since they broke onto the national consciousness with their naked-Trump, guerilla-art instillation The Emperor Has No Balls, the activist-artist collective has staged numerous pieces of public art in protest of the Trump presidency. To tell the story, they reached out to Colin Day (director of Saving Banksy) and started shopping around the idea to streaming services. But as the pandemic unfolded, and the Black Lives Matter movement reignited across the streets of the nation, their mission changed. As a representative for Indecline puts it: “What was once set up to be a deep dive into the history of resistance art, soon became a ‘call to action.’”

Now, the 45-minute film — executive produced and distributed by Zero Cool films and premiering here on Rolling Stone — traces the history of protest art, from the Civil Rights movement through the 2020 Black Lives Matter protests. It does so in a way that is equal parts gut-wrenching and exhilarating, illustrating how despite the passage of time, little has changed. To this end, they were careful in their curation of who to talk to: not only did they bring in the heavy hitters most associated with the modern protest-art movement — like Shephard Fairey, Nadya Tolokonnikova, Tom Morello, and Dave Navarro (who also helped to finance the film) — they were careful to incorporate a wider range of voices. Leaders from youth-run 501(c) The Sunrise Movement talk about uniting movements, while the Yes Men discuss bringing absurdity to Capitol Hill. Atlanta’s Ash Nash remembers organizing the “Kaeperbowl” in Atlanta in 2019, spurring artists across the city to paint images of Colin Kaepernick in public places as the Super Bowl rolled into town. Damien Echols, one of the West Memphis Three, speaks to being literally saved from death row by protest art.

At the heart of the film is Indecline’s work over the past four years. Read the rest of this article here.

Danielle Baskin (@djbaskin) and Max Hawkins are busy!

QuarantineChat, An Encrypted Phone Service That Connects Quarantined People With Each Other
by Lori Dorn
LaughingSquid
March 16, 2020

Artists Danielle Baskin and Max Hawkins of Dialup, have created QuarantineChat, a voice-chat service that seeks to help people continue to have social interactions despite quarantines and cancellations due to the threat of Coronavirus. Read more here.

‘Culture Jamming’: US Woman Replaces Signs Of Sold Out Items With ‘Magical’ Ones
by Bhavya Sukheja
Republic TV
March 5, 2020

A woman based out of San Fransisco recently replaced the signs of all sold out items at a local Costco store with signs for magical items. Danielle Baskin recently took to Twitter to share the images of the things that she had put as the ‘sold out’ magical items. She replaced the signs of items, including toilet paper and bottled water with signs for magical items like ‘health potions’ and ‘tarot decks’. Read more here.

Extinction Rebellion floats “Sinking House” on the Thames.

Extinction Rebellion Sends a Sinking Home Along the River Thames, Warning of Climate Disaster
by Sarah Rose Sharp
Hyperallergic
November 13, 2019

Climate change activist group Extinction Rebellion staged a public protest over the weekend, in the form of a floating structure that created the illusion of a suburban house sinking into the River Thames in London. Titled “The Sinking House,” the intervention took place in the early hours on Sunday, November 10, and is intended as a public appeal to politicians to make a more stringent and immediate response to regulate the effects of human industry and waste on the environment. (more…)

Spanish Art and Activism Collective Homo Velamine Interviews Joey Skaggs [Spanish and English]

Joey Skaggs: “A fool is a fool, no matter what their political leaning is”
by Demófila Martínez and Luis Platypus
Homo Velamine
October 31, 2019

Joey Skaggs. PHOTO: Sam Ortiz for Observer

Homo Velamine: The increase of fake news in the media in recent years makes us feel that the limits between fact and fiction are more unclear than ever. In the documentary Art of the Prank (2015), you let the viewer peek into the creative process behind one of your hoaxes. The trickiest part seems to be deciding how far you can take it, without crossing the limits of plausibility and creating something that is impossible to believe. After all these years, does it still surprise you how far this limit can actually be pushed? Which of your performances would you say has pushed this limit the farthest and still has been successful?

Joey Skaggs: Pushing the limits of plausibility is the fun part for me. I create the problem and I create the solution. I take a gamble that what I’m doing is so ridiculous that no one’s going to believe it. I want it to be totally absurd because if the news media does fall for it, it will be even funnier and more effective in revealing their gullibility and/or hypocrisy. (more…)

I love telling success stories about my former SVA students. I now have the opportunity to boast about Michael De Feo. His book, “Michael De Feo: Flowers“, was just released by Abrams Books.

Michael De Feo’s dedication and singularity in the use of his iconic flower image has taken him on a creative adventure of self-discovery in a very public arena.

Michael paints flowers on walls and other public spaces. He has also appropriated advertisements, transforming them, much like billboard liberators, taggers, and graffiti artists do, to dramatically change one message to another. His choice to violate these public spaces with his decorative flowers has great irony. It’s non-threatening. One could paint bullet holes. Michael paints flowers. Bullet holes are obvious. You don’t have to think much about the message. But a flower…

The greater irony is that Michael’s work has now been appropriated by the advertisers whose campaigns he altered because of the positive attention he brings to their work. From my perspective, Michael has created a new meaning to the phrase “flower power.”

Don’t look down Mr. Trump.

Trump To Be Greeted In England By 650-Foot Crop Circle With A Very Rude Message
by Ed Mazza
Huffington Post
July 12, 2018

Massive message should be visible from the left window of the president’s chopper on Friday.

President Donald Trump may not want to look out the window as he passes over the English countryside later this week.

An artist has turned part of a field at Moat Farm in Stoke Mandeville into a 650-foot crop circle with “Fuck Trump” written in Russian, according to local newspaper Bucks Herald.

The Herald said the crop circle should be visible from the president’s chopper as he flies to a meeting with Prime Minister Theresa May at Chequers, the premier’s country home.

Read the rest of this article here.

Fun interview with Leo Murray, creator of the Trump Baby Balloon that will fly over London’s Parliament building to greet President Trump in London on July 13, 2018. Although, Trumps’ handlers plan to keep him far away.

‘Trump Baby’: Meet the Mind Behind the Inflatable Infant Set to Greet Trump on London Trip
by Chantal Da Silva and Chiara Brambilla
Newsweek
July 10, 2018

When London activist Leo Murray first came up with the idea to put a 20-foot “Trump Baby” blimp in the sky in time for President Donald Trump’s trip to Britain this week, he never could have anticipated just how well the plan would take off.

Trump baby / Leo Murray

Within weeks, an online fundraiser aiming to generate £5,000 to help fly the giant balloon reached more than £28,500 in donations. The blimp, which depicts Trump as an angry smartphone-wielding infant, will be floating outside the Palace of Westminster on Friday.

Watch the interview with Leo Murray here:
http://www.newsweek.com/b3b85d32-9593-4a25-87f6-8dcd2a591673

“This has wildly exceeded my expectations,” Murray, 41, told Newsweek. The British activist said his Trump Baby balloon has not only “captured something of the essence of the president’s character,” but has also managed to encapsulate an important moment in Trump’s presidency. (more…)

Art Collective Indecline and cartoonist Rob Rogers writ large.

Bay Area Protests Trump’s Child Detention Policy with Billboard and Projection
Hyperallergic
by Benjamin Sutton
June 21, 2018

A clandestine modification of a junk removal billboard and a nighttime projection of a political cartoon called out the president’s family separation policy.

Is the US Immigration and Customs Enforcement (ICE) advertising its brutal practice of separating migrant families? If you were driving along Interstate 80 in California’s East Bay last night or early this morning, you might have seen what appeared to be a billboard for ICE flaunting its inhumane expertise — “We make kids disappear” — alongside the Munchian image of a shocked and screaming child.

The ignoble advertisement is in fact the work of satiric and shadowy public art collective Indecline, whose members scaled the billboard (which formerly promoted 1-800-Got-Junk?’s ability to “make junk disappear”) in the night and transformed it into a provocative indictment of ICE. At the time this article was published, a spokesperson for Indecline said that the modified billboard was still in place.

Read more here.

In 1981, Don Joyce launched Over the Edge, a weekly program on KPFA in Berkeley comprised of cut-up tapes and surrealist social commentary. By the time he passed in 2015, he had been a core member of the legendary avant-garde rock band Negativland, engaged in numerous high-profile intellectual property controversies (including tangles with Pepsi and U2), helped popularize the plunderphonics movement (which intersected with hip-hop and helped define internet culture), and coined the phrase “culture jamming.”

A new documentary takes a thoughtful and haunting look at this bold, brilliant, and stubborn creative force.

An Affectionate and Honest Filmic Portrait of Negativland’s Don Joyce
By Paul Riismandel
Radio Survivor
April 8, 2018

Musician, DJ and radio artist Don Joyce passed away nearly three years ago, on July 22, 2015. He left behind a voluminous archive of his KPFA radio program “Over the Edge,” which took off in new, chaotic and creative directions when he welcomed the participation of the experimental band Negativland in 1981, then joining the group.

The documentary “How Radio Isn’t Done” (DVD) sheds light on Joyce and his life, work and his process for recontextualizing the never-ending flow of media messages that flood everyday life. Director Ryan Worsley paints an affectionate, but honest portrait of a man who poured tremendous quantities of inspiration, energy and effort into his community radio program, leaving the impression that it was something he just had to do. Read more.

Fake subway ads promoting the services offered by President Trump’s fixer, attorney Michael Cohen, have appeared in New York City subways. The anonymous force behind the ads, website and telephone message you receive when you call the phone number on the ad is interviewed in the Village Voice.

Meet the Creator of the Fake Michael Cohen Subway Ad
by Neil Demause
Village Voice
April 20, 2018

Dirty deeds, done for a reasonable retainer

Photo by Yana Paskova/Getty Images

This week, subway riders may have been surprised during their morning commutes to see a Dr. Zizmor–esque ad for another now-familiar face: “Michael Cohen, Attorney-at-Law. Got Problems? Call ‘The Fixer,’ ” the ad copy reads, above a checklist of services rendered — “Hush Payments, Physical Threats, Pay Off Porn Stars, Playboy Bunnies” — and the smarmily grinning face of Donald Trump’s embattled lawyer.

The ad — which, needless to say, was placed on trains without the knowledge or permission of the MTA — went a step further, though, by including a phone number that leads to a similarly deadpan voicemail message (“Press 3 if you are the president of the United States”), as well as a URL for a website advertising his skill set and office hours. (Apparently the fake Cohen is happy to “commit treason if it means helping a client” but doesn’t work weekends.)

The Voice, in what is apparently going to be an ongoing series of interviews with New Yorkers insistent on joining the daily subway-ad-strip dialogue, tracked down the anonymous Cohen impersonator for a brief email interrogation: Read the full interview here.

Oscar nominated movie poster alteration in service of the truth… h/t Miss Cellania

If The Posters For This Year's Oscar-Nominated Movies Were Honest
by Caleb Reading
uproxx.com
January 24, 2018

This year's Oscar nominations are in, and there have been some surprises, like a Wolverine sequel becoming the first superhero movie to garner a screenplay nomination. It seems The Academy seeks to reshape its image, and you know what would really reshape everyone's attitude toward this business of show? If movie posters were brutally, hilariously honest.

As we have in previous years, we've collected our favorite honest posters for the films with at least one nomination in any category for the 90th Academy Awards (full nominees list here). Many of these come courtesy of The Shiznit and this College Humor post, along with several other posts. Read more

Richard Hambleton, an artist credited with inspiring Banksy, passed away this week from unknown causes just days before his MoMA show and a month before the release of Shadowman, a new film about his life and work. Here’s an article about him from earlier this year.

The epic rise and disgusting flameout of the artist who ruled 80s New York
by Raquel Laneri
New York Post
April 15, 2017

In the early 1980s, a series of shadowy street paintings - life-size monsters and cowboys - loomed large over the East Village. Anticipating the works of Banksy by more than a decade, the unsigned figures were created under cover of darkness on buildings and bridges. They weren't mere graffiti, but painterly works reminiscent of Jackson Pollock. Downtown residents buzzed about who could be behind them.

The art world knew who it was: a soft-spoken Canadian - often clad in a cravat and sunglasses - named Richard Hambleton.

At downtown galleries, his mysterious figures fetched thousands of dollars more than work by his friends Jean-Michel Basquiat and Keith Haring. He attended parties with beautiful women on his arm, and Andy Warhol begged him, in vain, to sit for a portrait.

Hambleton canvased Manhattan with some 450 shadow men - and managed to get a few on the Berlin Wall, too. But by the 1990s, he was largely forgotten, living in a drug den on the Lower East Side. He was so poor that he would shoot himself up with heroin, then use the blood in his needle as paint. Read more here.

Donald Trump’s real estate holdings have provided excellent venues for pranksters, performance artists, and activists of all stripes. The Russian activist punk band Pussy Riot is using Trump’s Russia controversies to draw attention to the plight of political prisoners – and they know of what they protest.

“Pussy Riot storms Trump Tower”
by Gabrielle Fonrouge
The New York Post
October 24, 2017

Pussy Riot is at it again.

The infamous Russian feminist punk rock group, clad in bright dresses and wool masks that covered their faces, stormed Trump Tower on Monday night to protest the incarceration of political prisoners.

Hidden behind their usual makeshift balaclavas, this time in green, pink and purple, the women unfurled a massive sign from an upper floor of the 58-story skyscraper that said "Free Sentsov" and dropped what appears to be a series of photographs, [the] video shows.

Frantic security guards rushed up the stairs to stop the girls, who were not arrested for their actions as portions of Trump Tower are open to the public.

"We're calling on you today to raise attention to two guys from Ukraine: film director Oleg Sentsov and anarchist Olexandr Kolchenko, who are in Russian prison right now. Sentsov got 20 years in prison, Kolchenko got 10 years. Because they, like you, did not sit by - they were fighting for their freedom in Crimea, which was annexed by Putin," the bad-girl group posted on Facebook.

"We decided to do an action right now, while we are in New York, with activists here because we believe there are no borders to our solidarity." Read more.

As most celebrities know, there are advantages to letting other people handle your social media. Significantly, you don’t have to spend hours of your day engaging with strangers who hate you for no good reason. Now, a volunteer Facebook group gives non-famous people of color the same advantage.

“These White People Will Respond To Your Racist Trolls So You Don't Have To”
by Sara Ruiz-Grossman
The Huffington Post
September 19, 2017

“If a white person is filling your social media with white nonsense — anything from overt racism to well-intentioned problematic statements, tag us and a white person will come roundup our own," the group's Facebook post reads.

The volunteer-run Facebook group, founded last year by friends Layla Tromble and Terri Kompton in Washington state, has white people respond to racist trolls online at the request of people of color.

At a time of deep political divides and tensions around racism and white supremacy, the group exists to support people of color, who are all too often the targets of online hate but are also often asked by white people to explain everyday race-related issues, from why NFL player Colin Kaepernick took a knee during the national anthem to why you can't just touch a black woman's hair.

"It's the responsibility of us white folks to do the emotional labor that's required to educate other white folks — and it shouldn't be required of people of color again and again," Tromble told HuffPost. "One of the goals of the service is to do some of that labor for people. Let them go have a drink and not worry about nonsense going on on their Facebook." Read more.