Prank News - The Art of the Prank

December 19, 2025

Religious Iconography as Protest Art

Reminiscent of Joey Skaggs’ Vietnamese Christmas Nativity Burning, Central Park, 1968

“Zip-Tied Baby Jesus Guarded by ICE Agents in Illinois Church Nativity Scene,” by TMZ Staff, TMZ, December 4, 2025.

No Room at the Inn, or the Border!!! Baby Jesus Tied Up in Church Nativity Manger.

If Jesus comes to the U.S., he’d better have a valid visa … at least that’s the worry of an Illinois church that’s installed a controversial Nativity scene depicting the baby messiah zip-tied in a manger.

Lake Street Church of Evanston — just north of Chicago — reimagined the Nativity with masked centurions wearing green vests labeled “ICE” surrounding the Holy Family. Mother Mary and Joseph wear respirator masks to shield themselves from tear gas, according to the church. Read the whole article here.

December 19, 2025

Art That Mocks You

Fart art. Words don’t do it justice. The video in the article explains it…

“Wake Up, Beeple!,” by Valentina Di Liscia, Hyperallergic, December 4, 2025.

Crypto-backed artworks at Art Basel Miami Beach advance the wealth mechanisms they claim to subvert and make you, the viewer, a participant in the ploy.

A monstrous specimen of art as social commentary takes form when the work in question replicates the mechanisms the artist boasts about subverting, and at Art Basel Miami Beach, in a new section titled Zero 10 backed by the crypto marketplace OpenSea, Jack Butcher’s “Self Checkout” (2025) is its most shameless manifestation.

The installation consists of a checkout counter powered by Stripe terminals that beckon visitors to tap their cards and pay any amount, receiving a printed receipt whose length is proportional to their payment and comes with an “NFT companion.” A ticker above the counter tracks the lucre from an initial value of -$75,000, Butcher’s stated investment in the piece. Read the whole article here.

December 19, 2025

Ethical Vacancy

What happens when AI’s lack of conscience converges with people with no conscience?

“The ‘AI Homeless Man Prank’ reveals a crisis in AI education,” by External Contributor, Digital Information World, December 14, 2025.

The new TikTok trend “AI Homeless Man Prank” has sparked a wave of outrage and police responses in the United States and beyond.

The prank involves using AI image generators to create realistic photos depicting fake homeless people appearing to be at someone’s door or inside their home. Learning to distinguish between truth and falsehood is not the only challenge society faces in the AI era. We must also reflect on the human consequences of what we create.

As professors of educational technology at Laval University and education and innovation at Concordia University, we study how to strengthen human agency — the ability to consciously understand, question and transform environments shaped by artificial intelligence and synthetic media — to counter disinformation. Read the whole article here.

December 12, 2025

Social Media Compliance Certificates Available Now!

Traveling into or out of the United States (and want to be able to travel without the fear of deportation)? Show the authorities that your online activity from the past five years has been pre-screened and approved.

Print your customizable Social Media Compliance Certificate, by artist Joey Skaggs, and keep it with your passport and other important travel documents.

https://joeyskaggs.com/works/social-media-compliance-certificate/.

December 12, 2025

Guerrilla of My Dreams

It’s about time…

“Learn ‘How to Be a Guerrilla Girl’ at The Getty,” by Beverly Press, November 26, 2025.

Coinciding with the Guerrilla Girls’ 40th anniversary, “How to Be a Guerrilla Girl,” on view at the Getty through April 12, 2026, offers a rare, behind-the-scenes look into the inner workings of the iconic feminist art collective.

Drawing from the Getty Research Institute’s remarkable Guerrilla Girls archive, the exhibition highlights the strategies – anonymity, data gathering, protest actions, culture jamming and grassroots distribution – that have defined the group’s groundbreaking practice since the mid-1980s.

The Guerrilla Girls have created a newly-commissioned work for the exhibition that explores the Getty’s own collection of European painting and sculpture. Using comic strip style speech bubbles, they reimagine the voices of women represented in these artworks through a twenty-first century lens. The commission exposes deeply rooted biases in the representation of women in Guerilla Girls characteristic witty style. Read the whole article here.