Lawless John Law Revealed
by Joey Skaggs, EditorFiled under: Art Pranks, Creative Activism, Culture Jamming and Reality Hacking, Media Pranks, Political Pranks, Prank News, Pranksters, The History of Pranks
John Law, co-editor of Tales of the San Francisco Cacophony Society, is a pioneering adventurer who defies gravity and the status quo. From the Suicide Club to Burning Man to the Billboard Liberation Front to the Cacophony Society and beyond, John is a true inspiration to artists and activists. He’s also a helluva driver. I’m glad to call him a friend. His one-man show “SIGNMAN: John Law” is at the Pro Arts Gallery in Oakland until August 24.
John Law, iconic Bay Area prankster, now has his own ‘art’ show
by Angela Hill
Mercury News
July 5, 2019
A famed Bay Area prankster and underground artist just got his first exhibit
Here’s the way one of John Law’s longtime cohorts describes an early encounter with the neon artist/prankster/culture jammer/urban adventurer/enigma:
It was 1982 and Mark Pauline got a phone call from Law saying he had a bunch of body parts in the refrigerator at his house and they had to get them out of there before the cops came. “Sure enough, he had a big plastic bag full of human body parts, preserved in formaldehyde,” says Pauline, director of performance art group Survival Research Labs (known for building things that spew fire and blow stuff up).
“John was in the Cacophony Society and those guys would go in abandoned buildings and do adventures,” Pauline says. “They’d gone into an abandoned mortuary college and found all these body parts left in these tubs there, so they took ‘em.”
Frankenstein-style, for another pal to tattoo and display in a big Lexan case which hung around for a while and eventually cracked and rats got in and ate all the skin. But that’s a story for another day.
“That is one of my hundreds of John Law tales,” Pauline says. “At least one we can talk about in public.”
Indeed, if you add up all the pranks and adventures and happenings Law’s been part of over the decades, it becomes a cacophonous calculus, an astronomical amalgamation of mischief in the Bay Area’s underground arts scene.
Now, Law has gone above ground for his first art show, “SIGNMAN: John Law,” a retrospective of his four-plus decades of devilish deeds, on view at Pro Arts Gallery in downtown Oakland through Aug. 24. All this despite the fact that he doesn’t really consider himself an artist and uses air quotes whenever he talks about his “work.”
So who is this man? Culture jammer? Gentleman joker? Prankster with a purpose?
“I’m an unindicted co-conspirator,” he says, a sly smile curling above his silver goatee. “But I guess I’m an artist now, since I have an art show.”
Before April Fools’ Day 2019 even began, the tech giant 
Of the branded pranks that did go down, the most interesting had satirical or meta-comedic elements.
Others were just plain, dumb, silly, marginally self-aware fun. Here are the best of the rest:
And there was even some good news!
April 1 has long been a spectacularly annoying day to be alive, with brands falling over themselves to be “funny” and usually revealing themselves to be anything but. This was almost tolerable in the days when we were talking simply fake advertisements in print media, but it has taken on a new dimension online, as companies have actually modified the services that we rely on daily in an attempt to be “funny.”
In this year of 2019, I use payphones regularly. As such, I feel fortunate to live in New York City, where thousands of old-fashioned landline payphones still line the streets.
In November, managers of rock clubs across the United Kingdom began sharing the same weird tale. A pop-metal performer, Threatin, had rented their clubs for his 10-city European tour. Club owners had never heard of the act when a booking agent approached them promising packed houses. Threatin had fervent followers, effusive likes, rows of adoring comments under his YouTube concert videos, which showed him windmilling before a sea of fans. Websites for the record label, managers and a public-relations company who represented Threatin added to his legitimacy. Threatin’s Facebook page teemed with hundreds of fans who had RSVP’d for his European jaunt, which was supporting his album, Breaking the World.
EXCERPT FROM THE FULL ARTICLE: “She didn’t verify who I am once. Never did she make an attempt,” Gillen said. “Everything I gave her as ‘info,’ she took as gospel. She hasn’t batted an eye or questioned anything that I said, ever.”
Robert Mueller has a new action figure, and its as tight lipped as the real-life special counsel.
