Spencer Pelton, the State Archeologist from Wyoming, has written a compelling history of what happens when today’s values don’t match yesterday’s intent.
h/t Beauvais Lyons
The Centaur Excavations at Volos, by Spencer, Social Stigma, March 13, 2026
Using repatriation to stage an art heist.
In 1980, archaeologists working near the shores of the Aegean Sea uncovered a remarkable find. Peeling back layers of sediment in an ancient necropolis, they first encountered the head of an ancient Grecian man, mouth agape as if surprised to have been awoken from an ancient slumber. They traced the neck further down his body, gently brushing away sediment from the convoluted contours of the vertebrae, finding arms where arms should be and shoulder blades the same. But as they continued, the man’s character changed. Where there should be a pelvis, there was more spine, and then second sets of ribs and legs, not altogether human. As the archaeologists brushed the final bits of sediment from a third set of legs, the shocking reality of their discovery came into focus. The mythical centaur of old Greece, entombed with a modest assemblage of tablets and vessels for over 3,000 years.
This is, of course, not true. But it is an accurate description of The Centaur Excavations at Volos, an art installation located until recently for 30 years in the lobby of the University of Tennessee’s (UT) Hodges Library. I visited The Centaur many times growing up around UT’s campus. As a young child, I’m pretty sure I believed it. As a teen, I scoffed at those fooled by it. And later, I came to appreciate the piece for its ability to inspire curiosity and conversation. Read the whole article here.
A gold-colored statue inspired by the “Titanic” pose has appeared on the National Mall — but instead of portraying Jack supporting Rose from behind as she pretends to fly, it depicts President Trump and the deceased sex offender Jeffrey Epstein.
