Reminding us about the good old days, artist Joseph Reginella just placed statues around New York commemorating Mayor Ed Koch’s (1978-1989) strategy for ridding the city of taggers by releasing wild wolves in the subway yards. According to Joseph, they’ve since multiplied and are roaming the city’s nether regions. H/T Felipe.

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Sculptures of wolves mauling tourist appear in New York City parks
by Rusty Blazenhoff
BoingBoing
October 10, 2019

This is weird.

A series of identical monuments depicting a tourist being mauled by a pack of wolves have surreptitiously been installed in different New York City parks with plaques that read:

Dedicated to the many tourists that go missing every year in New York City.

And a reminder as to why the parks close at dusk.

Erected by the Ed Koch Wolf Foundation and the NYC Fellowship.

A brilliant prankster with mad sculpting skills is taking credit.

Watch the video:

Here’s Mayor Koch pontificating on his brilliant idea:

Read the full story here.

Banksy conquers retail with a storefront selling satire.

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Banksy Opens London Art Shop Same Week He Sets $12M Auction Record
by Naomi Polonsky
Hyperallergic
October 4, 2019

The anonymous artist has opened a shop in the south London borough of Croydon to showcase some of his characteristically humorous items.

LONDON — Banksy has always had a complicated relationship with the art market. His unsanctioned street works deliberately challenge the idea of art as a tradeable commodity, but often still end up at auction, commanding astronomical prices. A stunt last year during which his “Girl with a Balloon” (2006) self-destructed at a Sotheby’s sale seemed like a rebuke to the art market, but in fact simply doubled the piece’s value.

But as of this week, Banksy has officially gone into business. A new installation of his work, unveiled on Tuesday, features a storefront filled with branded merchandise. Although Banksy has exhibited his works in storefront installations before, this is the first time that the items are for sale. All of the products will go on sale online in a couple of weeks with prices starting at £10. Gross Domestic Product, which is located in a disused carpet shop in the south London borough of Croydon, includes old and new works by the artist including the iconic stab vest worn by the grime artist Stormzy at Glastonbury last year…

Playing on the double meaning of “gross,” Banksy’s store stocks various disturbing and unsavoury items, such as a rug made from the skin of Tony the Tiger, who has died of diabetes after eating too much Frosted Flakes cereal. A label, written in Banksy’s characteristically irreverent tone, explains that “the floor covering makes quite the conversation piece — especially if the conversation centres around the UK spending over £7.8 million a year on tooth extractions for the under 5s.”

Behold humankind’s most primitive man. h/t Naomi.

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Skull of humankind’s oldest-known ancestor unearthed
Associated Press
August 29, 2019

NEW YORK — A fossil from Ethiopia is letting scientists look millions of years into our evolutionary history — and they see a face peering back.

The find, from 3.8 million years ago, reveals the face for a presumed ancestor of the species famously represented by Lucy, the celebrated Ethiopian partial skeleton found in 1974.

Read the whole (real) article here.

Congratulations to artist, activist Stephen Barnwell whose “Capital Offenses” moneyart will be on display at Monmouth Museum, 765 Newman Springs Road, Lincroft, NJ, as part of the NJ Emerging Artists Series, now through September 8, 2019.

John Law, co-editor of Tales of the San Francisco Cacophony Society, is a pioneering adventurer who defies gravity and the status quo. From the Suicide Club to Burning Man to the Billboard Liberation Front to the Cacophony Society and beyond, John is a true inspiration to artists and activists. He’s also a helluva driver. I’m glad to call him a friend. His one-man show “SIGNMAN: John Law” is at the Pro Arts Gallery in Oakland until August 24.

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John Law, iconic Bay Area prankster, now has his own ‘art’ show
by Angela Hill
Mercury News
July 5, 2019

A famed Bay Area prankster and underground artist just got his first exhibit

Here’s the way one of John Law’s longtime cohorts describes an early encounter with the neon artist/prankster/culture jammer/urban adventurer/enigma:

It was 1982 and Mark Pauline got a phone call from Law saying he had a bunch of body parts in the refrigerator at his house and they had to get them out of there before the cops came. “Sure enough, he had a big plastic bag full of human body parts, preserved in formaldehyde,” says Pauline, director of performance art group Survival Research Labs (known for building things that spew fire and blow stuff up).

“John was in the Cacophony Society and those guys would go in abandoned buildings and do adventures,” Pauline says. “They’d gone into an abandoned mortuary college and found all these body parts left in these tubs there, so they took ‘em.”

Frankenstein-style, for another pal to tattoo and display in a big Lexan case which hung around for a while and eventually cracked and rats got in and ate all the skin. But that’s a story for another day.

“That is one of my hundreds of John Law tales,” Pauline says. “At least one we can talk about in public.”

Indeed, if you add up all the pranks and adventures and happenings Law’s been part of over the decades, it becomes a cacophonous calculus, an astronomical amalgamation of mischief in the Bay Area’s underground arts scene.

Now, Law has gone above ground for his first art show, “SIGNMAN: John Law,” a retrospective of his four-plus decades of devilish deeds, on view at Pro Arts Gallery in downtown Oakland through Aug. 24. All this despite the fact that he doesn’t really consider himself an artist and uses air quotes whenever he talks about his “work.”

So who is this man? Culture jammer? Gentleman joker? Prankster with a purpose?

“I’m an unindicted co-conspirator,” he says, a sly smile curling above his silver goatee. “But I guess I’m an artist now, since I have an art show.”

Read more…

Artist JR has augmented his earlier haunting installation of immigrant photos pasted in the derelict Ellis Island Immigrant Hospital with new photos pasted on the outside of the building. This time, he altered the faces of the 19th and 20th century migrants to the faces of current day Syrian immigrants he had photographed in a refugee camp in Jordan. Asked what the project’s commissioners thought of this unsanctioned transformation, he said, “No one noticed.”

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Artist’s hidden message on Ellis Island
by Brit McCandless Farmer
CBS News
July 07, 2019

The street artist JR has brought his trademark oversized photographs to an abandoned immigrants’ hospital, but there’s more than meets the eye

The building is derelict. On the walls, paint peels, illuminated only by what sunlight peeks through the grimy windows. Time has worn the floors. The filing cabinets, covered in dirt and dust, have been sitting empty for decades. Rust peppers the metal lockers.

But turn a corner, and see something remarkable: A group of men, dressed in fine hats and overcoats, appears to ascend the stairs. The sound of the wooden steps creaking under their weight is almost audible. Close a shabby door, and a young girl stares back, her hands folded calmly in front of her. In another vacant room, a family of three gazes out the window. Over their shoulders rises the Statue of Liberty, the symbol of a new life just out of reach.

These black-and-white photographs feature some of the 12 million immigrants who passed through New York Harbor from the late 19th century to the mid-20th century. They’re part of an installation by French street artist JR, who blew them up to life-size and pasted them in the former Ellis Island Immigrant Hospital, where they bring new life to the abandoned building. He also used photos of doctors and nurses who worked at the hospital.

Read more about this second phase of the project

r/Place, an incredible 2017 reddit experiment with a simple premise and strict parameters, stands out for the spirit of challenge and community it ignited. It brought the best of collaborative street art into the heart of the digital realm, it earned its place in the annals of internet culture, and it’s worth revisiting and remembering. Here’s how it went down, through the eyes of one very engaged participant.

(If you’re unfamiliar with reddit, here’s a pretty good primer.)

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“The story of r/Place. As told by a foot soldier for r/Mexico.”
By Arturo Gutierrez
ART + Marketing
April 3, 2017

I’m sure other historians can tell you who was the first. Others much more knowledgeable than me who can pinpoint where exactly in the vast Canvas did the cursors of hundreds aimed themselves into a singular area, and willed order out of the chaos. But I’m not the one to tell.

Instead, what I saw as a bystander that April 1st was the emergence of life, color, and memes of all sizes and kinds growing almost by magic. And as the hours passed, as I laid a pixel here, waited, and laid another pixel there, the whole Canvas evolved and grew between each of my visits. It was an amazing sight to behold. An inspiring feat of human ingenuity, humor, and improvised politics in slow motion.

Yes, that’s right. For even in these early hours, even before the dedicated subreddits, the forums, Discord channels and massive bot armies of the later days, a silent, wordless body of politics was being established right before our eyes. Read more.

Join us at the 34th Annual April Fools’ Day Parade and 3rd Annual Trumpathon, April 1, 2019. The theme this year is “Liar, Liar, Pants on Fire.” The Grand Marshall, once again, is Donald Trump, who will be wearing flaming pants and pushing his Trump Kool-Aid Cart.

Watch the prep video here:

Chased by a mob of fact-checkers screaming, “Liar, liar, pants on fire!” Trump will steer the parade to Trump Tower on Fifth Avenue where the crowd of Trump look-alikes will toast his greatness while drinking his Kool-Aid.

The parade leaves from 5th Avenue & 59th Street at 12:00 Noon and will make one stop at Trump Tower to toast the President with his own Kool-Aid.

Read the details and print a Trump mask to bring to the parade here:
https://joeyskaggs.com/april-fools-day-parade-press-release.

Street theater is flourishing in the era of Trump.

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DC’s many prankster activists turn anger into street theater
by Ashraf Khalil
AP
February 18, 2019

WASHINGTON (AP) — In the nation’s capital, it can be hard for protesters to stand out. A group of 50 people — or even 500 — holding signs and shouting hardly merits a second glance in this city of protests.

That’s why Washington activists have to get creative. There’s an ethos of performative prankster-style protest wired into the District of Columbia’s history, dating back decades.

This confrontational street-theater school is flourishing with the Trump administration as its nemesis. Each month brings new acts of political theater — some confrontational, some deliberately absurdist.

“It can take a serious issue into more of a playful place,” said Robin Bell, who regularly projects disparaging messages onto the outside of the Trump International Hotel. “Oftentimes we visualize the absurdity of the situation.”

In January, a group of activists associated with political pranksters The Yes Men passed out dozens of fake Washington Posts, with detailed articles depicting President Donald Trump resigning and fleeing the White House. For about a month last fall, a Robert Mueller investigation-themed ice cream truck roamed Washington, passing out free scoops with names like IndictMint Chip and Rocky Rod Rosenstein.

While some protests are designed to get attention, others hide in plain sight like Easter eggs for the observant. Within sight of the White House, a realistic-looking street sign declares the street Khashoggi Way, after Jamal Khashoggi, the dissident Saudi journalist killed inside the Saudi Consulate in Istanbul. About 10 of these signs have been scattered around Washington.

Read the rest of this article here.

Protestors target opioid drug money that funds major museums.

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Nan Goldin Leads a Protest at the Guggenheim Against the Sackler Family
by Masha Gessen
New Yorker
February 10, 2019

The Guggenheim Museum is crowded after five on a Saturday, when the price of admission is “pay what you wish.” Even in below-freezing weather this weekend, the ticket line snaked around the corner. People came in groups, couples, and alone. As happens in large crowds, at times the noise level rose spontaneously, as though something or someone were demanding attention, but immediately subsided. At any given time, there were people milling around in the lobby, looking at the door as though waiting for someone and up at the galleries as though planning something. Some of them were.

A bit after six, a group went up to one of the galleries. They were people of different ages, from their late teens to their sixties. They could have been New Yorkers or visitors; some of them looked like they might be artists, and some looked like they were probably students. They were all of those things. If one looked closely, similar groups of between a half-dozen and a dozen people were coalescing on all levels of the museum.

A few minutes after six-thirty, the photographer Nan Goldin appeared in the lobby. There was a flurry of hugs and hellos, and several people snapped photos. It could have been a celebrity sighting—Goldin, whose work is in the museum’s collection, is a Guggenheim type of celebrity. She stood in the middle of the lobby, visible from almost any point of the great round building. Then the noise level rose and did not subside.

Small flyers started falling, as though from the glass dome, swirling like snow as they descended the six stories. Within minutes the floor was coated in white. The sheets of paper were prescriptions, made out by a “Robert Sackler, MD,” to a Solomon R. Guggenheim, for eighty-milligram pills of OxyContin, to be taken twenty-four times a day. Each script contained a quotation: “If OxyContin is uncontrolled, it is highly likely that it will eventually be abused. . . . How substantially would it improve our sales?”

Read the rest of this story here.

Roaches are yummy and good for you too! Joey Skaggs’ Metamorphosis: Miracle Roach Hormone Cure hoax remembered…

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The Right Chemistry: Cockroach milk a ‘superfood’?
by Joe Schwarcz
Montreal Gazette via The London Free Press
October 12, 2018

It’s not a prank, but any suggestion that the crystals represent a viable alternative to dairy milk for people is a very, very big stretch.

Back in 1981, entomologist Josef Gregor called a press conference to announce a remarkable discovery. He had bred a novel species of cockroach from which he managed to extract a hormone that, when incorporated into a pill, exhibited amazing properties. It cured conditions ranging from acne and allergies to asthma and arthritis! “Roach hormone hailed as miracle drug” crowed headlines. Some 175 newspapers went on to feature testimonials attesting to the wonders of the hormone pills.

Subsequently, Gregor was invited to appear on various television programs where he described that cockroaches were impervious to radiation and that in addition to its curative properties for a plethora of ailments, his pills would offer protection against radiation exposure. It all sounded great, but there was one tiny little problem. There was no Josef Gregor, and there was no cockroach hormone! Gregor was actually Joey Skaggs, a teacher at New York’s School of Visual Arts, who relished pulling off hoaxes to show how the media could be duped into reporting nonsensical stories because of a failure to fact-check. And that was decades before the current wave of publicity about “fake news!”

Watch the video

Recalling the “cockroach hormone” episode, I figured a prankster must have been at work when the headline, “Scientists Think Cockroach Milk Could Be the Next Superfood,” recently scooted across the internet. Obviously, fact-checking was in order. While the headline was typical click-bait, it was actually spawned by legitimate research.

In 2016, a paper in the Journal of the International Union of Crystallography reported some intriguing research about the unique “Pacific Beetle” cockroach (Diploptera punctate). Why unique? Because it is viviparous, meaning the females give birth to live offspring. The term derives from the Latin “vivus” for “alive,” and “parere,” meaning “to bring forth” or “to bear.”

Read the rest of this article here.

A good prank attempts to shed light on issues to change perceptions or awareness by jolting sensibilities. MutualArt pays homage to Joey Skaggs’ April Fools’ Day Parade. In 2017, it became real with Trump’s Golden Throne.

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A Look Behind Some of the Biggest Pranks in Art History
by Adam Heardman
MutualArt
October 8, 2018

Pretty-much-anonymous street artist Banksy was back in the headlines this weekend thanks to his self-shredding picture. We take a look at other classic art-world pranks that have confounded and delighted through history.

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As a street artist and activist, Banksy’s career has consisted almost exclusively of anti-establishment pranks and stunts. On Friday evening, at Sotheby’s Contemporary Art auction, the hammer fell on a print of his Balloon Girl image at a price of $1.1 million. Seconds later, an alarm sounded through the room and the print began feeding through the bottom of its own frame, inside which was a hidden shredder, leaving half of the work in ribbons.

Promptly, the piece’s value doubled. Commodification appears to move as quickly as protest in the contemporary market-place.

Speculation already abounds as to how far Banksy collaborated with Sotheby’s in setting up the stunt. It certainly seems far-fetched that the auction house’s handlers wouldn’t have noticed the machinery in the frame.

But the impact of the prank has been huge, bringing Banksy his biggest burst of media-attention since Dismaland closed. His market-value has increased. Haters have been won over. The search for his true identity is back on. All in all, it’s been a successful prank.

As a space in which publicity, politics, and aesthetics can meet, ‘the prank’ is an established mode within the art world. Here are some of the more prominent and successful examples from art history.

1. Hogarth and Wilson’s Rembrandt Roast – Read this here.

2. Joey Skaggs’ Fake ‘Fake Parade’

Joey Skaggs is the maybe the most prolific prankster out there. Over the years, the performance artist and writer has staged the thieving of celebrity sperm, “attempted” to “windsurf across the Pacific”, and exposed Western racism by fooling people into thinking that a Chinese businessman was buying dogs to make into soup.

Every April Fools’ Day since 1986, Skaggs has held a Parade with floats, banners, streamers extensive press coverage and pertinent contemporary themes. Except that the Parade doesn’t ever actually take place, existing purely within the press-hype. Fake News.

Until last year, that is. In a neat reversal of his own prank, Skaggs actually did hold a real-life parade on April 1st, 2017 after 31 years of pretending. The march functioned as a protest against Donald Trump’s presidency and was also the largest gathering of Trump-look-alikes in history. The imposters marched to Trump Tower and sat tweeting on golden thrones. Maybe Joey Skaggs’ greatest prank was to make Fake News real.

3. Stromberg’s Stickers – Read the rest of this article here.

The Hippie Bus Tour To Queens revisited…

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Before Banksy: Art pranksters and provocateurs who Banksy’d us first
by Mookie Katigbak-Lacuesta
ANC news.abs-cbn.com
October 10, 2018

As that cynical adage goes, It’s all been done before. But at least in the art world, each prank takes on a wildly different form

Banky’s latest stunt at a Sotheby’s auction (a self-destructing artwork automated to shred itself after being sold) recalled other art pranksters who played the system with the same wink wink nudge nudge kind of subversion. There’s a joke that’s being played and it’s not on the artist—which means it’s on whoever believes that the numbers on a price tag equate to the value of a work of art. Other pranksters have also poked fun at institutions that house high art (what is high art anyway?), or at spectators of art who don’t know what art is. Here are a few stunning and smug indictments of all of us art heathens.

Harvey Stromberg’s Stickers

In 1971, Harvey Stromberg wad described by the New York Times as a “photographer, or a media manipulator, or a self-made chance factor, or a guerilla artist or a fraud. All of the above. None of the above.” This description set the tone for how he was regarded in the art world.

One prank he famously pulled was a photographic “exhibit” at the Museum of Modern Art (MOMA) where he made exact-to-scale photographs of utility objects—light switches, alarm buzzers, bricks, and keyholes, among other things. Using double-sided tape, Stromberg stuck these photographs in spaces it was customary to find them. It was described as the “longest-running one-man photo exhibit,” as it took museum personnel all of two years to discover and remove the stickers. The “show” ran hitchless for two years so Stromberg threw in another prank. He decided it was time to officially “open” the exhibit at the MOMA—complete with formal invitations to both guests and media. If MOMA administrators treated the opening nonchalantly, it would encourage other such pranks; if they treated it as a criminal offense, it would cheapen their position as champions of conceptual art.

Joey Skaggs and “The Hippie Bus Tour to Queens”

Joey Skaggs and his East Village “hippie” friends would be gawked at as city curiosities by bridge and tunnel people—so he decided to change the narrative and turn the show around. In 1968, he rented a Greyhound bus and took 60 hippies to Queens where they could take snapshots of, and gawk at, normal people going about their typical, suburban preoccupations. “Look, it’s someone mowing the lawn!,” one can imagine one of the passengers saying, or “Look it’s a man washing his car!” or even “Why’s the plumber taking so long at Mrs. Robinson’s house?”

Read the rest of this article here.

ART OF THE PRANK movie Blu-rays with 38 minutes of never before seen Extras and DVDs are now available!

**Use coupon code “ABRACADABRA” to magically get $5.00 off of each disc purchased.**

Watch a video promo:

Banksy pulls confetti stunt with/at auction house to shock art buyers.

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Banksy painting ‘self-destructs’ moments after being sold for $1.4 million at auction
CNN
by Andreas Preuss
October 6, 2018

For an artist that’s known for his stunts, this could be Banksy’s most perfect art world prank.

After the gavel fell Friday at Sotheby’s auction house in London, Banksy’s Girl with Balloon was reduced to shreds — another apparent act in the disruptive career of the anonymous British graffiti artist.

The iconic image of a girl reaching out for a red, heart-shaped balloon, sold for $1.4 million and moments later, a shredder hidden inside the “artist’s frame” started its work, according to a news release from Sotheby’s and the art “self-destructed.”

Banksy summed up the stunt with this quote on his Instagram account – “Going, going, gone…” and a posted picture showed stunned onlookers as the shredded art emerges from the bottom of the frame. (more…)