Media Alert: New York City’s 41st Annual April Fools’ Day Parade, 2026 – Details

The New York April Fools’ Committee Proudly Announces
NEW YORK CITY’S 41st ANNUAL APRIL FOOLS’ DAY PARADE, 2026

“What’s Real and What’s Not”

Photo from the 33rd Annual April Fools’ Day Parade, 2018

WHAT:
An emergency civic drill disguised as a parade. The public is invited to participate in or out of costume, with or without a float.

WHEN:
Wednesday, April 1, 2026
Noon Assembly | Step-off shortly after

WHERE:
– Assembly: Fifth Avenue & 59th Street
– Route: Fifth Avenue (brief stop at Trump Tower)
– Finale: Washington Square Park

WHO:
– Self-appointed Grand Marshal: President Donald J. Trump
– Theme Song: “Don’t Worry, Be Happy”
– Marching Band: Recently pardoned January 6 participants

WHY:
Because truth is optional, elections are negotiable, and democracy is now a limited-time offer.

VISUALS:
– Collapsed Statue of Liberty float
– Rusted “Drill Baby Drill” oil derrick
– AI oracle dispensing nonsense
– Barbed-wire cage to collect illegals along the route
– Flyover confetti drop of shredded Constitution
– Demolition Derby with celebrity and political look-alikes on e-bikes

WASHINGTON SQUARE PARK FINALE:
– Crowning of the King of Fools
– Recalled Food BBQ
– Immunization Lottery
– Greenland Resettlement Kiosk
– Public reading of all formerly redacted names from the Epstein Files

SPONSORS:
Select billionaire members of the President’s Board of Peace

PARADE ANNOUNCEMENT
PARADE ANNOUNCEMENT VIDEO

CONTACT:
Joey Skaggs, Committee Chair
212-254-7878 | info@joeyskaggs.com
aprilfoolsdayparade.com

Curses on the Rats Who Exposed Banksy

May your dick look just like Trump’s


Guerrilla artist Banksy finally unmasked — along with the remarkable way he hid in plain sight, by Stuart A. Thompson and Anthony Blair, New York Post, March 15, 2026

The infamous graffiti artist known as Banksy has finally been unmasked — after changing his name to something so generic, he could hide in plain sight..

The notorious guerrilla street artist, whose polarizing works have sold for millions of dollars, was identified as Robin Gunningham, 51, from the English city of Bristol, in a detailed investigation by Reuters on Friday.

The report found that Gunningham changed his name to David Jones — one of the most common British male names — in 2008 to avoid identification. Read the whole article here.

More Banksy coverage here.

You Say You Want a Revolution

Now, with AI, you can have one.


Cascade of A.I. Fakes About War With Iran Causes Chaos Online, by Stuart A. Thompson and Alexander Cardia, The New York Times, March 13, 2026

A torrent of fake videos and images generated by artificial intelligence have overrun social networks during the first weeks of the war in Iran..

The videos — showing huge explosions that never happened, decimated city streets that were never attacked or troops protesting the war who do not exist — have added a chaotic and confusing layer to the conflict online.

The New York Times identified over 110 unique A.I.-generated images and videos from the past two weeks about the war in the Middle East. The fakes covered every aspect of the fighting: They falsely depicted screaming Israelis cowering as explosions ripped through Tel Aviv, Iranians mourning their dead and American military vessels bombarded with missiles and torpedoes. Read the whole article here.

 

Excavating Society’s Ever Changing Values on Art

Spencer Pelton, the State Archeologist from Wyoming, has written a compelling history of what happens when today’s values don’t match yesterday’s intent.

h/t Beauvais Lyons


The Centaur Excavations at Volos, by Spencer, Social Stigma, March 13, 2026

Using repatriation to stage an art heist.

In 1980, archaeologists working near the shores of the Aegean Sea uncovered a remarkable find. Peeling back layers of sediment in an ancient necropolis, they first encountered the head of an ancient Grecian man, mouth agape as if surprised to have been awoken from an ancient slumber. They traced the neck further down his body, gently brushing away sediment from the convoluted contours of the vertebrae, finding arms where arms should be and shoulder blades the same. But as they continued, the man’s character changed. Where there should be a pelvis, there was more spine, and then second sets of ribs and legs, not altogether human. As the archaeologists brushed the final bits of sediment from a third set of legs, the shocking reality of their discovery came into focus. The mythical centaur of old Greece, entombed with a modest assemblage of tablets and vessels for over 3,000 years.

This is, of course, not true. But it is an accurate description of The Centaur Excavations at Volos, an art installation located until recently for 30 years in the lobby of the University of Tennessee’s (UT) Hodges Library. I visited The Centaur many times growing up around UT’s campus. As a young child, I’m pretty sure I believed it. As a teen, I scoffed at those fooled by it. And later, I came to appreciate the piece for its ability to inspire curiosity and conversation. Read the whole article here.

 

The US Department of Hate

George Orwell was right…


“The US Department of Hate” by Coco Fusco, Noah Fischer, Pablo Helguera, Hyperallergic, February 20, 2026.

The Siren is back for a fourth edition. Read, ponder, and rise up before it’s too late.

The editors of The Siren have been thinking about the parallels between our current political moment and the dystopian world of George Orwell’s novel 1984 for quite a while, but the escalating efforts by the Trump Administration to wage war against immigrants and silence critics compelled us to devote our latest issue to highlighting those connections. After witnessing the killing, torture, and forced expulsion of immigrants by federal agents, as well as the execution of US citizens and the criminalization of activists, we have no choice but to conclude that Orwell’s “Hate Week” has arrived.

We’ve done our best to bring the perspectives of those who are under attack, and who have survived totalitarian regimes, to the foreground. Writers Junot Diaz, Enrique Del Risco, and Pamela Sneed shed light on the ways that authoritarianism is taking over our world. Political cartoonists hailing from Iran, Cuba, Venezuela, the Philippines, and the Americas offer their perspectives on the impact of tyrannical forces in our lives. Read the whole article here.