Culture Jamming and Reality Hacking
Filed under: Creative Activism, Culture Jamming and Reality Hacking, Pranksters
Filed under: Culture Jamming and Reality Hacking, Prank News, Pranksters
Filed under: Creative Activism, Culture Jamming and Reality Hacking, Political Pranks, Prank News, Pranksters
Update from thetab.com about artist, Ginger (thanks Sal): Meet the sculptor behind the naked Donald Trump statues
A Cleveland-based group, INDECLINE, erected flacid Trump statues overnight in New York, San Francisco, Los Angeles, Cleveland and Seattle.
Wall Street Journal reporter Josh Dawsey tweeted the New York City Parks Department comment about the statue’s removal:
Watch the “making of” video:
Original Score: Ryder Reynolds
Filed under: Bullshit Detector Watch, Culture Jamming and Reality Hacking, Media Pranks, Prank News, Pranksters, Satire
Apparently, it can be difficult to distinguish satire of California startup culture’s frivolity from the real thing, even when it’s combined with the most tried-and-true prankster tropes. Perhaps the oddest thing about Elliot Glass and Ben Becker’s “Uber for Poop” prank is that the app itself isn’t real. It’s hardly surprising that the tech media picked it up with no gloves.
“How a Fake Dog Poop App Fooled the Media”
by Zach Schonfeld
July 29, 2016
Pooper, the bold new app that markets itself as an Uber for dogshit, was nothing but dogshit all along.
Well, pretty clever dogshit: What appeared to be an outrageously inessential poop-disrupting start-up was really—of course—”an art project that satirizes our app-obsessed world.”
What’s more surprising is that it worked: Since its initial announcement, Pooper has secured attention from dozens of media outlets—most of whom were bamboozled into thinking it’s real—and piqued interest from investors. Pooper also intrigued a bunch of eager would-be users, who (if the app were real, which it is not) would be able to summon nearby strangers to scoop up dog turds with the push of a button.
“We’ve gotten hundreds of sign-ups,” claims Ben Becker, who devised the hoax with a friend, Elliot Glass. “People have been signing up to be both poopers and scoopers.”
Becker, a creative director in the advertising world, and Glass, a designer and web developer in Los Angeles, hatched the idea this past winter during a discussion about navel-gazing startup culture. “We wanted to begin a project that reflected the state of technology—specifically apps,” says Becker in a phone interview. “Taking the visual signifiers and language and the entire world and inhabiting it, inserting an absurd purpose for it. In this case, that would be dog poop.” Read more.
Filed under: Culture Jamming and Reality Hacking, Practical Jokes and Mischief
From Charlie Todd of Improv Everywhere: A series of even more epic surprises emerge from what appears to be a normal porta potty.
Created and Directed by Charlie Todd / Produced by Deverge
For our latest mission, we staged a series of surprises at the porta potty area of the Governors Ball music festival in New York. When random concertgoers opened our “magical” porta potty, they were surprised by a variety of unexpected performers streaming out of the door. This mission is a sequel to last year’s Magical Porta Potty.
Enjoy the video and then go behind the scenes with our mission report and photos.
Filed under: All About Pranks, Art of the Prank - the movie, Creative Activism, Culture Jamming and Reality Hacking, Prank News, Pranksters
The Observer welcomes Joey Skaggs back to New York and ponders his relationship with the media.
If You’re Reading This, You’ve Already Been Conned: Joey Skaggs Doc Premieres in LES
by Spencer Roth-Rose
The New York Observer
June 13, 2016
Film documenting media hoax artist opens up LES Film Festival
Good God, we’re easy to fool.
It feels a bit counterintuitive to be writing, in the media, about media hoaxer Joey Skaggs. Skaggs, who was interviewed this past week by the Observer, has made a name for himself since the 1960s through elaborate pranks that aim to highlight the absurdity of our media culture. So how’s a writer to know he’s not being punk’d by a man who describes fooling the media “as easy as a bowel movement”?
A new documentary detailing the greatest hits of Skagg’s hoaxing career opened up the Lower East Side Film Festival on Thursday night. Art of the Prank, directed by Italian newcomer Andrea Marini, is both an upbeat summary of decades of mischief (a confession booth on the back of a tricycle, a brothel for dogs, cockroaches that hold the key to the human immune system, each one eagerly lapped up by hasty news outlets), and an intimate portrait of an earnest man earnestly engaged in the business of tomfoolery.
Filed under: Culture Jamming and Reality Hacking, Parody, Pranksters, Satire
Meet Ken M, an uncommonly sharp internet troll whose mix of surreal humor and remarkable tenacity has helped him build a fanbase.
“The world’s greatest internet troll explains his craft”
by Phil Edwards
May 6, 2016
“How does an internet troll build his own following?
That’s a question that Ken McCarthy, a.k.a. Ken M, can answer: He’s the subject of a dedicated subreddit with more than 150,000 fans, as well as popular Facebook and Twitter pages. And that following is all for … leaving comments. As the above video shows, those comments are funny enough to create a legion of devoted fans.
Calling Ken a troll is a bit of a category error — though he does lure in commenters with false premises and hilariously mistaken information, his act is more like a new kind of improv comedy. To my critical eye, he’s an internet love child of early Smothers Brothers and Jack Handy, with a dash of Greg Packer, too. (Packer is a non-comedian famous for showing up as the “man on the street” in countless news articles, the same way Ken M is likely to pop up in comment sections.)
Ken experiments a lot. His persona easily transforms from that of a confused old man to a punctilious professor, but the result always has the same absurd sense of humor. Though his audience changes as well — he shifts between news comment sections and branded Facebook pages, among others — he adapts to each with jokes that he constructs on the fly.”
Filed under: Art of the Prank - the movie, Art Pranks, Creative Activism, Culture Jamming and Reality Hacking, Prank News, Pranksters
It’s a homecoming! Andrea Marini is interviewed by Kavitha Surana of Bedford + Bowery about his new film ART OF THE PRANK and about working with Joey Skaggs as he and Joey head towards Joey’s haunts from the 60s for the film’s New York premiere at the Lower East Side Film Festival June 9.
“Meet the King of All Media Hoaxes at the LES Film Festival”
by Kavitha Surana
Bedford + Bowery
June 2, 2016
‘Tis the season for festivals, apparently, and the Lower East Side is not one to be left in the dust. Along with an art festival in Bushwick, music festivals in Brooklyn, and more coming up in the next weeks, the Lower East Side Film Festival is coming to the nabe from June 9-16. It’ll hit the Sunshine Cinema, natch, as well as Hotel Indigo, the new Ludlow House and The Standard, East Village.
The headliner for opening night is the premier of The Art of the Prank, about a mischievous LES artist who loves nothing more than exposing the media’s hunger for sensational story with outrageous tall tales that sound just (barely) plausible enough to swallow. Lambasting the media has certainly been in fashion this election season, but no one has been doing it longer and in better style than Joey Skaggs (sorry, “Settle for Hillary” guys).
“I can connect with Joey’s art because at the end of the day, it’s the essence of storytelling to me,” said director Andrea Marini, who co-produced the film with Judy Drosd. “Keep it simple, keep it meaningful, keep it strong, immediate, and you’ll get people.”
Indeed, Skaggs “got” many people over a remarkable history, repeatedly pranking major news networks with weird fake stories, such as cockroach vitamin pills, fat squad “commandos,” and a brothel for dogs. (Marini said he was first inspired to create hoaxes after a newspaper completely misinterpreted one of his early performances against the Vietnam War.) As Skaggs says in the trailer, “People want an easy answer, they want a pill, the magic pill.” Read more.
Filed under: Art Pranks, Culture Jamming and Reality Hacking, Illusion and Magic
“JR at The Louvre” at Musée du Louvre, Paris from May 25 – June 28, 2016, presented by French Street Artist JR
This Summer, the Louvre’s Pyramid Will “Disappear”
By Erin Blakemore
March 15, 2016
A French street artist promises a tantalizing trick of the eye
I.M. Pei’s grand pyramid brought controversy, modernity and a new entrance to the Louvre. But is it time for the pyramid to disappear? Kind of: As Henri Neuendorf reports for artnet News, a French artist will eliminate the pyramid through a mind-bending optical illusion this summer. Read the full story here.
Filed under: Creative Activism, Culture Jamming and Reality Hacking, Political Pranks, Pranksters, Publicity Stunts
PETA isn’t known to shy away from aggressive and theatrical tactics. Its recent campaigns include a fake pop-up shop worthy of Edgar Allan Poe, created in partnership with ad agency Ogilvy & Mather.
“PETA Gives Leather Shoppers A Grisly Surprise”
by Landress Kearns
The Huffington Post
May 16, 2016
The animal-rights group People for the Ethical Treatment of Animals doesn’t appear to consider subtlety a virtue in its fight against animal products.
In the graphic PETA Asia video below, unsuspecting shoppers are shown browsing leather goods. But within every purse, glove and jacket is a grisly surprise.
PETA produced the video by setting up a fake storefront called “The Leather Work” in a mall in Bangkok. The animal rights activists then affixed artificial skin and fake organs — including beating hearts — inside wallets, jackets, purses, belts and other leather goods. They also put fake blood inside gloves and shoes, allowing unsuspecting shoppers to try them on.
Everything looks scarily real, and the shoppers were understandably horrified. The video is hard to watch, but PETA says drastic times in Southeast Asia call for drastic measures. Read more.
Filed under: Culture Jamming and Reality Hacking
Brooklyn Street Art blog showcases creative civic repurposing.
“Art Silos Rise in the Harbor of Catania, Sicily”
By Stephen P. Harrington and Jamie Rojo
Brooklyn Street Art
May 4, 2016
They’ve been here since the 1950s, these silos for wheat and corn on the harbor of Catania on the east coast of the island of Sicily at the foot of Mount Etna. 28 meters tall and facing the Ionian Sea, they are now some of the largest canvasses in Italy by a small group of international and local Street Artists.
The “Art Silos” project includes works completed during an eight month installation begun in June 2015 as part of Festival “I-ART” organized by “Emergence”, thanks to Angelo Bacchelli, curated by Giuseppe Stagnitta. The artists taking part in the project were Okuda (Spain), ROSH333 (Spain), Microbo (Italy), BO130 (Italy), VladyArt (Italy), Danilo Bucchi (Italy) and the duo Interesni Kaxki (Ukraine), mostly all from the graffiti/Street Art world. A separately organized but related project on the harbor-facing row of eight silos was completed by one artist alone, the Lisbon-based Vhils.
The project’s completion at the turn of the year culminated in one of the largest Street Art/Graffiti artists’ collective shows in Italy held in the city’s main public gallery Palazzo Platamone, entitled “Codici Sorgenti” (Source Code), which was curated by Stefano S. Antonelli and Francesca Mezzano from Rome’s 999 Contemporary Gallery.
There is talk about the possibility that this exhibition of about 60 artists work will tour throughout Europe with its message of the historic roots of modern graffiti and Street Art along with many of its most impactful practitioners pushing into the contemporary art world.
Filed under: Creative Activism, Culture Jamming and Reality Hacking, Media Pranks, Political Challenges, Political Pranks, Prank News, Pranksters
After planting a special Arabic message on the set of Showtime’s hit show Homeland, Heba Yehia Amin, Caram Kapp, and Don Karl became internationally notorious. They explain themselves in Homeland Is Not a Series, a short film from The Intercept’s wonderful Field of Vision video series. Check out the video and the accompanying interview.
“Interview With Hebia Yehia Amin, Caram Kapp, and Don Karl of Homeland Is Not a Series”
by Eric Hynes
December 20, 2015
Commissioned to apply realistic graffiti to sets for the popular Showtime series Homeland, three artists and activists took the opportunity to critique their employer by painting satirical and damning phrases in Arabic — such as “Homeland is NOT a series” and “Homeland is racist” — that nobody on the Homeland team seemed to notice. That is, until an episode that aired worldwide in October was watched by viewers who could read Arabic. Within days, the political prank became an international media sensation.
The conspirators behind the Homeland hack, Heba Yehia Amin, Caram Kapp, and Don Karl, come from a diverse array of disciplines and backgrounds. Amin is a visual artist and professor born and based in Cairo; Kapp is a Cairo-born, Berlin-based graphic designer and multimedia artist; and Karl is a Berlin-based graffiti writer and author. When the following interview was conducted, kaleidoscopically via Google Hangout, the trio was collaborating on the edit for Homeland Is Not a Series from three separate cities.
In anticipation of bringing this latest iteration of their project to Field of Vision, the “Arabian Street Artists,” as they cheekily refer to themselves, talked about the effectiveness of humor as a weapon against intolerance, the challenges of making a movie when they don’t consider themselves filmmakers by trade, and how they’re trying to foster further discussion around Western representations of Middle Eastern culture.
Filed under: Culture Jamming and Reality Hacking, Fraud and Deception, Hype, Media Literacy, Media Pranks, Pranksters
Davy Rothbard of Found fame profiles a company that hires out fake crowds. H/t Dave Pell.
“Crowd Source: Inside the company that provides fake paparazzi, pretend campaign supporters, and counterfeit protesters”
by Davy Rothbard
The California Sunday Magazine
March 31, 2016
When he can, Adam trains his hired crowds himself, but more often he relies on local coordinators who manage the events. In Los Angeles, Del Brown — the woman I met at the Marriott — is Adam’s point person. Del moved to California in 2012 to pursue an acting career and soon landed a Doritos commercial, but after that, she mostly found work as an extra in student films and small indie projects. She worked a gig with Crowds on Demand, and Adam was so impressed he immediately put her on staff. Del has established a wide network she can reach out to when she needs, say, 60 crowd-fillers for a party on the roof deck of the W Los Angeles hotel or a 6-foot-6-inch man in a leather kilt to act as a fan at the launch of a book about S&M culture. Many of Del’s recurring crowd members are background actors she’s met on film sets, yet she is continually trawling for fresh faces.
At the Marriott, I’d met Jackie Greig, who typifies the crowd members Del and Adam often hire. Jackie is 50 years old, a film student at Los Angeles City College. A teacher had shared a posting about what she thought was an upcoming film shoot that was looking for paid help. Jackie showed up at the Marriott only to discover that this was not a film shoot. Yes, she was being asked to aim her camera at the life coaches, but whether she hit record was immaterial. On one hand, Jackie was frustrated. She’d skipped class and driven more than an hour to be there. On the other hand, after a couple of hours, she’d made $37.50 and could now afford a Foo Fighters concert for her daughter. “I just wish they’d been more transparent about what the gig really was,” Jackie tells me.
If you’re hiring a crowd to fill a campaign event or a film premiere, the last thing you want to do is let anyone know.
The tricky thing, Adam says, is how many of his clients insist on secrecy. If you’re hiring a crowd to fill a campaign event or a film premiere, the last thing you want to do is let anyone know. Adam must balance his goal of spreading awareness of his company, so he can attract more clients, with the benefits of keeping the public in the dark. If people start to doubt the veracity of crowds, his business might suffer. “Right now, we’re still kind of this secret weapon,” Adam says. “We have the element of surprise. Yeah, you might’ve heard about political candidates paying to bring some extra bodies into their campaign events, but it’s beyond the realm of most people’s imagination that crowds are being deployed in other ways. Nobody is skeptical of crowds. Of course, in five years that could change.”
Adam says he gives Del wide latitude to recruit crowd members. Most often, she presents the gigs as background acting work. This is only slightly misleading: Crowd members won’t bulk up their IMDB profile, but being part of a fake crowd is a kind of acting. In a world where everybody is constantly playing a part, staging moments to be broadcast later on social media, the line between counterfeit and authentic has become blurred. Is curating a version of yourself on Facebook any less fake than pretending to be a superfan of a life coach? Read more.
Filed under: Art Pranks, Creative Activism, Culture Jamming and Reality Hacking, Practical Jokes and Mischief, The World of the Prank
3 Notorious April Fools Day Pranks Played by Notable New Yorkers
by Nicole Levy
DNAInfo New York
March 31, 2016
April Fools’ Day is this Friday, and we sincerely hope you don’t get taken for one.
Concern for your own dignity doesn’t, however, exclude you from enjoying the pranks played on others. We’ve culled three of our favorite gags from the annals of recent history, all orchestrated by notable New Yorkers:
Literary journalist George Plimpton, pop star David Bowie and career prankster Joey Skaggs have all set up hoaxes that fooled the media and the masses. Getty/Evan Agostini, Bryan Bedder; Flickr/Andres Rodriguez
► The 15th Annual New York City April Fools Day Parade
On April 1, 2000, television crews from CNN and the Fox affiliate WNYW arrived at the intersections of 59th Street and Fifth Avenue at noon, expecting to cover a non-existent parade.
According to the press release they’d received, the 15th Annual NYC April Fools Day Parade would march down the avenue to Washington Square Park. It would feature “Beat ’em, Bust ’em, Book ’em Floats created by the New York, Los Angeles and Seattle Police Departments, portraying themes of brutality, corruption and incompetence,” and a “Mayor Rudy ‘Doody’ Giuliani” lookalike throwing elephant dung at passersby.
Longtime media prankster Joey Skaggs had been issuing fake news releases for the non-event recognizing “the day designated to commemorate the perennial folly of mankind” since 1986.
Read the rest of the article here.