Mirror, Mirror on the Wall–Who is the Fakest of Them All?

Is that social media influencer you’re following real?


These Influencers Aren’t Flesh and Blood, Yet Millions Follow Them
by Tiffany Hsu
The New York Times
June 17, 2019

Balmain commissioned the former fashion photographer Cameron-James Wilson to create a “virtual army” of digital models, including, from left, Margot, Shudu and Zhi. Credit Balmain.

The kiss between Bella Hadid and Miquela Sousa, part of a Calvin Klein commercial last month, struck many viewers as unrealistic, even offensive.

Ms. Hadid, a supermodel, identifies as heterosexual, and the ad sparked complaints that Calvin Klein was deceiving customers with a sham lesbian encounter. The fashion company apologized for “queerbaiting” after the 30-second spot appeared online.

But Ms. Hadid, at least, is human. Everything about Ms. Sousa, better known as Lil Miquela, is manufactured: the straight-cut bangs, the Brazilian-Spanish heritage, the bevy of beautiful friends.

Lil Miquela, who has 1.6 million Instagram followers, is a computer-generated character. Introduced in 2016 by a Los Angeles company backed by Silicon Valley money, she belongs to a growing cadre of social media marketers known as virtual influencers.

Each month, more than 80,000 people stream Lil Miquela’s songs on Spotify. She has worked with the Italian fashion label Prada, given interviews from Coachella and flaunted a tattoo designed by an artist who inked Miley Cyrus.

Until last year, when her creators orchestrated a publicity stunt to reveal her provenance, many of her fans assumed she was a flesh-and-blood 19-year-old. But Lil Miquela is made of pixels, and she was designed to attract follows and likes. Continue reading “Mirror, Mirror on the Wall–Who is the Fakest of Them All?”

Cutting the Cheese Takes on New Meaning

Food: Bigger than the Plate at Victoria and Albert Museum, “examining various approaches to the future of food through contemporary design, art, and engineering”, opened on May 18 in London and is scheduled to run through October 20, 2019.


These Dairy Devils Are Making Cheese From Celebrities’ Bacteria
by Rohini Chaki
MAY 14, 2019

Aged, ripe, and not for consumption.


(right), trying to brie calm, with Thomas Meany, maker of cheeses from humans. COURTESY OF OPEN CELL

ON MAY 18, A TEAM of renegade cheesemakers will showcase some very outré cheese at the Victoria and Albert Museum’s forthcoming exhibition, Food: Bigger than the Plate. No samplings of this cheese, which will be showcased in climate-controlled glass, shall be on offer. Which is just as well, since they have been made with bacteria from the bodies of British celebrities.

Alex James of the rock band Blur, Michelin-star chef Heston Blumenthal, former Great British Bake Off finalist and author Ruby Tandoh, the singer-songwriter Suggs, and the rapper Professor Green all volunteered their bodily bacteria for science. More specifically, a chef, a synthetic biologist, and a biodesigner turned their body swabs into starter culture for the five cheeses that make up the exhibit, named Selfmade.

Helene Steiner and Thomas Meany are the team behind Open Cell, a biotechnology research hub housed within 45 shipping containers in Shepherd’s Bush, London. Together with chef John Quilter, who goes by Food Busker, the human-cheese artisans have been maturing a cheshire cheese (from Alex James), a comté (Heston Blumenthal), a mozzarella (Professor Green), a Stilton (Ruby Tandoh), and a Cheddar (Suggs). All five cheeses are maturing at the Open Cell lab, and will continue to age at the V&A’s Food exhibition, one of 70 exhibits examining various approaches to the future of food through contemporary design, art, and engineering.

The Selfmade team has launched a Youtube series to promote and explain the project, whose first episode aired on May 11, on Food Busker’s channel. In it, Professor Green gamely declares, “I hate cheese, but I’m here to be made into one.”

Read the rest of this article here.

Paul Krassner, RIP

Sadly, my friend Paul Krassner, satirist, activist, comedian, author, and publisher of The Realist, has passed away. Since the 1960s, he was always there for me, as I was for him.

Paul was with me on my Hippie Bus Tour To Queens and was part of my Vietnamese Christmas Nativity Burning in Central Park, both in 1968.

In 1969, he published a photo of himself standing with my Grotesque Statues of Liberty on the back cover of his book How a satirical editor became a Yippie conspirator in ten easy years.

Paul used his voice to draw attention to social injustice, inequality and challenges to our freedom. I’ll miss his satirical wit.

Here’s his full obit in The New York Times (for people who can’t access it).

[Editor’s note: The New York Times covered my Hippie Bus Tour to Queens in 1968 when it happened. Years later, in 1992, they misattributed it to Abbie Hoffman and had to print a retraction. They’ve now done it a second time in Paul’s obit. Paul was one of 60 hippies who accompanied me on the tour (Hippie Bus Tour to Queens Remembered 50 years later! by Joey Skaggs, Artsy.net). I know he’d want to set this record straight.]


Paul Krassner, Anarchist, Prankster and a Yippies Founder, Dies at 87
by Joseph Berger
The New York Times
July 21, 2019

Paul Krassner, right, in 1969 with, from left, Ed Sanders of the rock group the Fugs and Abbie Hoffman. Mr. Krassner helped start the Yippie movement and was the founder of The Realist magazine. Credit The New York Times

He was a prankster, a master of the put-on that thumbed its nose at what he saw as a stuffy and blundering political establishment. Continue reading “Paul Krassner, RIP”

In Review: April Fools’ Day 2019 Branding, Marketing, and Media Stunts

Before April Fools’ Day 2019 even began, the tech giant Microsoft announced that it would not be indulging in any branded foolishness this year. And that sort of set the tone for the day.

From the rise of the internet and social media through the election of Donald Trump, distinguishing truth from fiction in the online landscape has become less about comedy and more about horror. Even the cutest and cleverest April Fools’ publicity stunts are not as well received as they may have been in the past. The overall online mood is darker, more skittish, and more reflective. Still, there’s still some levity to be found in the chaos and desperation.

A few editorials addressed the cynicism and fatigue around April Fools’ Day from high-level perspectives.

Of the branded pranks that did go down, the most interesting had satirical or meta-comedic elements.

Others were just plain, dumb, silly, marginally self-aware fun. Here are the best of the rest:

And there was even some good news!

As with any holiday, the best way to spend April Fools’ Day is probably not on the internet, but engaged in revelry and camaraderie IRL, fighting the forces of oppression and no-fun-ness in the company of loved ones and loved ones you haven’t met yet. So naturally the best news of the day was the annual April Fools’ Day Parade – see the highlights [HERE].