The Library Pranksters Who Paid a Heavy Fine

These men pranked their local library. Homophobic outrage ensued. A bitter look back at a time of high stakes for creative pranksters.


“The Strange, Sad Story of Joe Orton, His Lover, and 72 Stolen Library Books”
by Natasha Frost
Atlas Obscura
August 9, 2017

A search warrant might seem excessive for library book hoarding””but Halliwell and Orton were no ordinary library pilferers. For over two years, Orton and Halliwell had been smuggling books out of their local libraries, the magnificent Art Nouveau Islington Central Library on London”™s Holloway Road and nearby red-brick Essex Road Library””and then returning them.

Orton hid books in a satchel; Halliwell, six-and-a-half years older, used a gas mask case. They would take them home, redo their covers and dust-jackets, and then slip them back onto the shelves.

Sometimes, these alterations were obscene: a reader scanning a relatively tame Dorothy Sayers whodunit would find themselves confronted with a mystery even before they opened the book. The blurb now described some missing knickers and a seven-inch phallus, and concluded: “READ THIS BEHIND CLOSED DOORS! And have a good s*** while you are reading!” Meanwhile, the collected plays of Emlyn Williams, a Welsh dramatist, suddenly included “Knickers Must Fall,” “Olivia Prude,” “Up The Front,” and “Up The Back.” Read more.


And You Thought that Doggedly Fanatic Approach to Accuracy Was Working…

Turns out the accomplished academic Dr. Olivia Doll, who sits on numerous medical journal editorial boards, is a terrier. Huh? H/t to Ed Coll.


“The Perth Dog That’s Probably Smarter Than You”
by Cathy O’Leary
PerthNow
May 21, 2017

Move aside quokkas and black swans, Perth is now home to the world”™s smartest dog, at least on paper.

Local “academic” Dr Olivia Doll “” also known as Staffordshire terrier Ollie “” sits on the editorial boards of seven international medical journals and has just been asked to review a research paper on the management of tumours.

Her impressive curriculum vitae lists her current role as senior lecturer at the Subiaco College of Veterinary Science and past associate of the Shenton Park Institute for Canine Refuge Studies “” which is code for her earlier life in the dog refuge.

Ollie”™s owner, veteran public health expert Mike Daube, decided to test how carefully some journals scrutinised their editorial reviewers, by inventing Dr Doll and making up her credentials.

The five-year-old pooch has managed to dupe a range of publications specialising in drug abuse, psychiatry and respiratory medicine into appointing her to their editorial boards.

Dr Doll has even been fast-tracked to the position of associate editor of the Global Journal of Addiction and Rehabilitation Medicine.

Several journals have published on their websites a supplied photo of Dr Doll, which is actually of a bespectacled Kylie Minogue. Read more.

Gender Studies Hoaxers Kick an Academic Hornet’s Nest

Skeptic magazine reveals an Alan Sokal-style hoax on the journal Cogent Social Sciences–an attempt to mock both what the authors perceive to be the excesses of feminist academia and open-access or pay-to-publish journals. So far, they have at least succeeded in getting a lot of attention, pro and con.


“The Conceptual Penis as a Social Construct: A Sokal-Style Hoax on Gender Studies”
by Peter Boghossian and James Lindsey
Skeptic
May 19, 2017

The androcentric scientific and meta-scientific evidence that the penis is the male reproductive organ is considered overwhelming and largely uncontroversial.

That”™s how we began. We used this preposterous sentence to open a “paper” consisting of 3,000 words of utter nonsense posing as academic scholarship. Then a peer-reviewed academic journal in the social sciences accepted and published it.
This paper should never have been published. Titled, “The Conceptual Penis as a Social Construct,” our paper “argues” that “The penis vis-à -vis maleness is an incoherent construct. We argue that the conceptual penis is better understood not as an anatomical organ but as a gender-performative, highly fluid social construct.” As if to prove philosopher David Hume”™s claim that there is a deep gap between what is and what ought to be, our should-never-have-been-published paper was published in the open-access (meaning that articles are freely accessible and not behind a paywall), peer-reviewed journal Cogent Social Sciences. (In case the PDF is removed, we”™ve archived it.)

Assuming the pen names “Jamie Lindsay” and “Peter Boyle,” and writing for the fictitious “Southeast Independent Social Research Group,” we wrote an absurd paper loosely composed in the style of post-structuralist discursive gender theory. The paper was ridiculous by intention, essentially arguing that penises shouldn”™t be thought of as male genital organs but as damaging social constructions. We made no attempt to find out what “post-structuralist discursive gender theory” actually means. We assumed that if we were merely clear in our moral implications that maleness is intrinsically bad and that the penis is somehow at the root of it, we could get the paper published in a respectable journal. Read more.

Ubiquitous Bard Portrait Is More Than Meets the Eye

Everything is not as it seems… Take for example, the exalted portrait of William Shakespeare and it’s uncanny resemblance to a portrait of Queen Elizabeth. Thank you Lawrence Gerald.


“The Prank of the Face: Unmasking the ‘Droeshout’ Portrait of William Shakespeare”
by Simon Miles
SirBacon.org

In 1977, art historian and pioneer computer artist Lillian Schwartz made a remarkable observation with potentially far-reaching implications for the Shakespeare authorship debate.

She took a copy of the famous “Droeshout” portrait of William Shakespeare which appears in the First Folio of 1623, and scanned it into her computer. Then she did the same with a portrait of Queen Elizabeth 1. She overlaid the two images one on top of the other, scaling them to the same size. Then, adjusting their relative transparency so that they could be readily compared, she noticed something very strange: there were certain portions of the Shakespeare portrait which exactly reproduced the features of Elizabeth.

It was not a question of an approximate copy, or a close facsimile, or a loose likeness. There was an exact reproduction of the key sections.

Her discovery, extraordinary as it appears to be, seems to have attracted almost no commentary in the intervening years. It”™s perhaps not hard to see why. There does not seem to be any obvious reason why a portrait of Shakespeare should share elements of a portrait of Elizabeth. I must admit that when I first heard of this discovery, my initial reaction was to dismiss it out of hand as too ridiculous to contemplate. The internet is awash with foolish claims of identity between different people based on dubious photo-shop manipulations, wishful thinking and outright stupidity. This claim, I thought when I first heard about it, no doubt fell directly into such a category. That, however, was before I looked at the superimposed images for myself.

Watch the video here:

In this short article, I would like to revisit Lillian Schwartz”™ original discovery, with an open mind. I will present the images, and allow the reader to make up her own mind. Then, once we have seen for ourselves the extent to which the two portraits share common elements, we will explore some possible implications of this challenging discovery. Read more.

The Great Modernist Poetry Prank

The Futility Closet podcast investigates two Australian army officers whose antipathy for the arts establishment inspired them to create a fake writer and receive embarrassing critical acclaim. Take some time to pore over the copious background materials and keep in mind that this predates the Sokal Hoax by almost five decades.


“The Great Australian Poetry Hoax”
by Greg Ross
Futility Closet
October 17, 2016

2016-10-17-podcast-episode-126-ern-malleyIn 1943, fed up with modernist poetry, two Australian servicemen invented a fake poet and submitted a collection of deliberately senseless verses to a Melbourne arts magazine. To their delight, they were accepted and their author hailed as “one of the most remarkable and important poetic figures of this country.” In this week”™s episode of the Futility Closet podcast we”™ll tell the story of the Ern Malley hoax, its perpetrators, and its surprising legacy in Australian literature.

We”™ll also hear a mechanized Radiohead and puzzle over a railroad standstill. Read more.