Filed under: Literary Hoaxes, Media Literacy
Here’s an essay by Scott Warmuth for New Haven Review regarding Dylan’s hidden charlatanism subtext in Chronicles: Volume One
Deconstructing Dylan’s Chronicles: Volume One
by Scott Warmuth
New Haven Review
When Bob Dylan’s memoir Chronicles: Volume One was released in 2004 it received overwhelmingly positive reviews. Dylan’s recollections came off as disarmingly personal; the use of language in his prose was said to be as distinctive and captivating as it is in his songs. But over the past several years, in loose collaboration with Edward Cook, of Washington, DC, I have been giving Chronicles a closer look. Ed is, among other things, an editor of The Dead Sea Scrolls: A New Translation—deciphering and translating are his business—but he is also a Bob Dylan fan and blogger. In 2006, he first posted about borrowings in Chronicles: Volume One from Mark Twain, Marcel Proust, and jazzman Mezz Mezzrow’s 1946 autobiography Really the Blues; later he posted about borrowings from Jack London and even Sax Rohmer, creator of Dr. Fu Manchu. And together Ed and I have found in Chronicles an author, Bob Dylan, who has embraced camouflage to an astounding degree, in a book that is meticulously fabricated, with one surface concealing another, from cover to cover.
Dozens upon dozens of quotations and anecdotes have been incorporated from other sources. Dylan has hidden many puzzles, jokes, secret messages, secondary meanings, and bizarre subtexts in his book. After many months of research my copy of Chronicles: Volume One is drenched in highlighter and filled with marginalia and I have a thigh-high stack of books, short stories, and periodicals that Dylan drew from to work his autobiographical alchemy. (more…)