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We Are Movie Geeks Interview: Joey Skaggs – Subject of ART OF THE PRANK

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Filed under: Art of the Prank - the movie, Art Pranks, Creative Activism, Culture Jamming and Reality Hacking, Prank News, Pranksters, The Prank as Art

SLIFF 2016 Interview: Joey Skaggs – Subject of ART OF THE PRANK
by Tom Stockman
We Are Movie Geeks
November 2, 2016

artoftheprankatsliff

ART OF THE PRANK offers a hilarious and provocative profile of New York artist Joey Skaggs, the godfather of the media hoax. Famed for such media fictions as the Celebrity Sperm Bank, the Cathouse for Dogs, the Fat Squad, and the Portofess (a mobile confessional booth) — all reported as fact by reputable journalists — the prankster qualifies as one of America’s greatest living satirists. Chronicling the most demanding hoax of Skaggs’ career, filmmaker Andrea Marini provides privileged access to the thoughts and actions of this most unconventional man, following the evolution of an artist who has dedicated his life to seeking social change by relentlessly challenging the status quo. With unprecedented access to Skaggs and his archives, the documentary reveals the man behind the curtain, interweaving his current unfolding hoax with a look behind the scenes at some of his classic performance pieces. The New York Observer calls the film “an upbeat summary of decades of mischief” and “an intimate portrait of an earnest man earnestly engaged in the business of tomfoolery.”

Joey Skaggs took the time to talk to We Are Movie Geeks about ART OF THE PRANK.


A Visit to Scarfolk, the UK’s Weirdest Fake Town

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Filed under: Art Pranks, Prank News, Pranksters, Satire, The Prank as Art

Atlas Obscura presents a tourist’s guide to Richard Littler’s eerie, anachronistic, made-up universe. Fans of Welcome to Night Vale may be particularly intrigued.


“Digging Through the Archives of Scarfolk, the Internet’s Creepiest Fake Town”
by Cara Giaimo
Atlas Obscura
October 17, 2016

scarfolkIn 1978, the town of Scarfolk, in northwest England, cut its police budget in half. This drastic measure was followed by a wave of violent crime. To deal with the influx of dead bodies, the remaining police did the obvious thing—they teamed up with the “Keep Britain Tidy” campaign, and encouraged citizens, especially children, to pick up “victim debris” themselves.

If this sounds too grotesque to be true, don’t worry—it is! There were never any smiling, appendage-finding kids in Scarfolk, because Scarfolk never existed. But the town’s online presence is meticulously detailed and impressively creepy. For three years, graphic designer Richard Littler has been using his design skills and bone-dry wit to write a whole history of Scarfolk, a fictional, supernatural-tinged town that finds humor in dystopia, and is closer to today’s world than we might like to think.

Scarfolk is perpetually stuck in the 1970s, and repeats the decade on loop. On his blog, “Scarfolk Council,” Littler presents the town’s story through materials from the council’s “archive”: posters, pamphlets and packaging that reveal aspects of everyday life. Carefully Photoshopped and inspired by real source material, Littler’s creations pack a punch—with their pastel, large fonted bombast, they could easily be mistaken for actual ’70s artifacts. Read more.

A Peek Inside the Process of Faux-Documentarian Christopher Guest

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Filed under: Parody, Prank News, Pranksters, Satire, The Prank as Art

Christopher Guest has built a career on the quirks of his passionate and unusual characters, from rock stars to dog-show emcees, while faithfully mimicking the documentary format. As he returns to explore the inner lives of sports mascots, Time looks at what makes his humanistic comedy machine run.


Mascots and the Very Serious Business of Making a Christopher Guest Movie”
by Eliza Berman
Time
October 14, 2016

poseyWhen Parker Posey got a call from Christopher Guest offering her a part in his next movie, she already knew the drill. Having appeared in all four of the faux-documentaries Guest had written and directed since 1997, she knew he’d give her the basic character sketch—in this case, Cindi Babineaux, a mascot for a Mississippi women’s college basketball team who’s aging out of her tenure as Alvin the Armadillo—and it would be her job to fill in the details. “The nine-banded armadillo is limited,” she says, recalling her attempts to crack the character. “They’re mainly roadkill.” She pauses. “That’s an interesting angle.”

Finding the interesting angle on idiosyncratic subcultures and the Cindi Babineauxs that comprise them has driven Guest’s work over the past two decades. Movies like Best in Show, about competitive dog breeders and trainers, and A Mighty Wind, about a folk-music reunion concert, have won the onetime Saturday Night Live cast member legions of devoted fans. His particular brand of comedy, which originated with the cult classic This Is Spinal Tap in 1984, directed by Rob Reiner and co-written by Reiner, Guest, Harry Shearer and Michael McKean, applies the conventions of self-serious documentary filmmaking to unexpected, if not undeserving, fictional subjects.

In Mascots, Guest’s first film in a decade, premiering on Netflix Oct. 13, he and co-writer Jim Piddock turn their gaze—with the help of a flock of returning cast members including Posey, Jane Lynch, Fred Willard and Ed Begley Jr.—toward the men and women who dance in poorly ventilated animal suits to bring smiles to the faces of amateur sports fans. Read more.


A Golden Throne for America’s Royal Hiney

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Filed under: Art Pranks, Prank News, Pranksters, The Prank as Art

In what reads like a pitch for an art film or a postmodern fever dream, journalist Carey Dunne goes on a thoughtful search for the story behind artist Maurizio Cattelan’s “epic troll,” a solid gold toilet named “America”.


“Waiting To Pee in ‘America,’ the Gold Toilet at the Guggenheim”
by Carey Dunne
Hyperallergic
September 23, 2016

aotp_americaWhile waiting in line to pee in “America,” a toilet cast in 18-karat gold and installed in a Guggenheim Museum bathroom, I ran into my friend Fritz Mead, who lives in a shack he built himself out of scrap wood in a backyard next to a skate bowl he also built himself. The shack doesn’t have plumbing, so to use a working toilet he has to leave his shack and go into the basement apartment next door.

Given his apparent ambivalence about plumbing — let alone luxury plumbing — I was surprised to see Fritz waiting to use the gold toilet, which is the work of Italian artist Maurizio Cattelan. Estimated to be worth as much as $2.5 million, “America” (which opened at the Guggenheim last week), will remain installed in an otherwise ordinary fourth floor bathroom for a year. (When asked exactly how much the toilet cost, a guard said, “If you have to ask, you already know,” a riddle I am still trying to solve.)

Cattelan “intends visitors to use the toilet just as they would any other facility in the building,” according to the wall text. It gets special treatment, though: only one visitor is allowed inside the stall at a time, for no more than five minutes; the toilet seat must not be lifted; a security guard inspects the toilet after each visit; and a cleaning crew cleans it with a special gold-cleaning product every 20 minutes. The wait time when I visited was two hours.

Read the rest of the story here.

ART OF THE PRANK Movie News

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Filed under: Art of the Prank - the movie, Creative Activism, The History of Pranks, The Prank as Art

For information about ART OF THE PRANK movie, visit
http://artoftheprank-themovie.com


 

Upcoming Screenings:


Santa Fe Film Festival
Saturday, December 10, 2016, 1:00 pm
Center for Contemporary Arts (CCA1 – Cinema)
1050 Old Pecos Trail
Santa Fe, NM 87505

Q&A with Joey Skaggs


New Jersey Film Festival
Sunday, January 29, 2017 at 7:00 pm
Rutgers University
Voorhees Hall #105
71 Hamilton Street/College Avenue Campus
(Near the corner of George Street and Hamilton Street)
New Brunswick, New Jersey

Q&A following the screening


More screening dates coming soon!

Check for updates at:
http://artoftheprank-themovie.com/screenings
and see what people are saying at
http://artoftheprank-themovie.com/press

Movie Website | Teaser | Facebook | Twitter | Updates


This “sticky” post will be here for a while. Scroll down for other posts.


Peter Markus, RIP

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Filed under: Art Pranks, Creative Activism, The History of Pranks, The Prank as Art

Peter Markus, former classmate from the 60s at the School of Visual Arts, a talented artist, satirist and cartoonist, and a very dear friend, passed away on Wednesday, November 18, 2015. He was 70 years old. Peter was a frequent co-conspirator, working with me on numerous projects, usually behind-the-scenes, using his significant design talents to create graphic images of all sorts.

This is an image he created in 2000 purportedly for his own memorial as part of my Final Curtain media hoax, in which we promoted a cemetery theme park for creative people who wished to celebrate their own demise with satirical markers and mausoleums:

Peter Markus' self-made memorial tombstone from Joey Skaggs' Final Curtain media hoax in 2000

Peter broke his back in a motorcycle accident in the sixties, but it never stopped his indomitable creative spirit. He’ll be sorely missed.

Here are a couple of archive photos of Peter from the 70s:

PeterMarkusDog-1970s-72

Peter Markus Flag Shirt-1970s


Banksy’s Dismaland Theme Park Opens

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Filed under: Art Pranks, Culture Jamming and Reality Hacking, Parody, Satire, The Prank as Art

Channel 4 News reports, August 20, 2016:

Banksy’s “family theme park unsuitable for small children” has opened on the Weston-super-Mare seafront. It features migrant boats, dead princesses and Banksy’s trademark dark humour.

The park features Banksy’s artistry as well as works by 50 other artists including Damien Hirst and Jenny Holzer.

Buzzfeed published these photos:

Banksy's Dismaland: Little Mermaid

Dismaland is a five-week show housed inside and around a derelict Tropicana building in Weston-super-Mare, a seaside town in Somerset, England. Photo by Christopher Jobson for Colossal

Banksy's Dismaland theme park Seaworld-like attraction. Christopher Jobson for Colossal

Banksy’s Dismaland theme park Seaworld-like attraction. Christopher Jobson for Colossal

Banksy's tanker truck disaster at Dismaland. Yui Mok / PA WIRE

Tanker truck disaster in Banksy’s Dismaland theme park. Yui Mok / PA WIRE

Grim reaper on bumper cars at Banksy's Dismaland theme park. Yui Mok / PA WIRE

Grim reaper on bumper cars at Banksy’s Dismaland theme park. Yui Mok / PA WIRE

Radio controlled refugee boat game at Banksy's Dismaland theme park. Yui Mok / PA WIRE

Radio controlled refugee boat game at Banksy’s Dismaland theme park. Yui Mok / PA WIRE

Pigeon hazard at Banksy's Dismaland theme park. Yui Mok / PA WIRE

Pigeon hazard at Banksy’s Dismaland theme park. Yui Mok / PA WIRE

Banksy’s theme? According the BBC he said, “”I guess you’d say it’s a theme park whose big theme is ‘theme parks should have bigger themes’.”

Read more about what Banksy describes as a “family theme park unsuitable for children” at BBC.com and at Huffington Post.


Inside the Center for Tactical Magic

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Filed under: Art Pranks, Creative Activism, Culture Jamming and Reality Hacking, Pranksters, The History of Pranks, The Prank as Art

Here’s a rare glimpse behind the enigma of the legendary Center for Tactical Magic as founder Aaron Gach shares his background, philosophy, and success stories in this interview with Regine Debatty.


“Interview with The Center for Tactical Magic”
by Regine Debatty
We Make Money Not Art
August 14, 2015

The Center for Tactical Magic uses any craft and scheme available, from the most magical to the most pragmatic, to address issues of power relations and self-empowerment.

At the CTM we are committed to achieving the Great Work of Tactical Magic through community-based projects, daily interdiction, and the activation of latent energies toward positive social transformation.

Tactical Ice Cream Unit

CTM’s work combines appealing aesthetics, humour and language with actions that invite people to think, question and reclaim their civil rights. Their most famous project is the Tactical Ice Cream Unit, a truck distributing free ice cream along with propaganda developed by local progressive groups. Another of their initiative saw them launch a bank heist contest. And a year before that, they responded to New York’s stop-and-frisk policy by screening Linking & Unlinking on a digital billboard in Manhattan. The billboard showed amateur footage demonstrating how to pick a pair of handcuffs, magicians performing a classic magic trick called “linking rings“, while a text from the American Civil Liberties Union was scrolling down and explaining passersby what their rights were if they were stopped by the police. In 2013, they set up big Witches’ Cradles that evoke the Inquisition and enveloped people into an altered state (of consciousness, or an altered political state). Most recently, Gach directed and performed a radical magic show which drew parallels between magic acts and contemporary issues such as economic manipulation, political deception, vanishing resources, and social transformation.

Read the interview here.


John Law Reminisces with Broke-Ass Stuart

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Filed under: Culture Jamming and Reality Hacking, The History of Pranks, The Prank as Art

An Interview With John Law on ‘The Kinda Late Show with Broke-Ass Stuart’
by E.D.W. Lynch
Laughing Squid
March 9, 2015

Broke-Ass Stuart interviews Laughing Squid partner John Law about his adventures in the San Francisco underground including The San Francisco Suicide Club, Cacophony Society and Burning Man on a live episode of The Kinda Late Show with Broke-Ass Stuart.

Watch the video:

Art of the Hoax – Joey Skaggs on PRI

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Filed under: Creative Activism, Definitions, Media Literacy, The Prank as Art, What Makes a Good Prank?, Why Do a Prank?

Jester_waitscmMarch 30, 2014: Pranks and Hoaxes, produced by Wisconsin Public Radio and distributed by Public Radio International, presents an interview with Joey Skaggs called Art of the Hoax – Joey Skaggs.

Listen here

Announcing RE/Search Pubs “Pranks 2” eBook

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Filed under: The History of Pranks, The Prank as Art

From V. Vale of RE/Search Pubs:


The iconic, game changing Pranks 2 book, published by RE/Search, is now available for epub (ipad), Kindle Fire, and online “cloud” reading. Somewhat still in BETA, the cost is $9.99.

RE-SearchPranks2-425

To purchase, click on the link or the image and then toggle the menu navicon in the upper left corner.

For more information:

  • PRANKS 2, on RE/Search Pubs website
  • PRANKS 2: Reviews, various publications
  • RE/Search: Pranks 2, Laughing Squid
  • The Golden Age of the Cockroach

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    Filed under: The History of Pranks, The Prank as Art

    Spoiler alert! According to author John Reed, Joey Skaggs’ Metamorphosis: Cockroach Vitamin Pill hoax headlines the Golden Age…


    The Golden Age of the Cockroach
    by John Reed
    Vice.com
    February 6, 2013

    Illustration by Michele Witchipoo

    Illustration by Michele Witchipoo

    Every era in art has a new favored subject. The Etruscans looked to Hercules; painters of the Renaissance reenvisioned the Bible; the American Ashcan School rendered sensitive tableaus of poor urban life; and the later half of the 20th century, dominated by the PoMo-ism of downtown NYC, crowned a new king, the cockroach, which was not only an available resource, but a stand-in for the artist—a heroic outcast, thriving in the ruins of civilization.

    The oeuvre of the cockroach is best understood as a series of distinct ages that, in turn, comprise a whole. During the Reformation, the cockroach was reconsidered; the Enlightenment percieved the cockroach as potentially “divine”; the Golden Age saw the pinnacle of the discipline; the Silver Age was consumed by celebrity; the Bronze Age refigured the subject as metaphor and victim; the Age of Decline represented the subject in absentia and/or in parts. As far as I can tell, no one has completed, or even attempted, to survey the cockroach’s place in the art world, so consider this seven-part piece that examines an artistic era that scuttled by so quickly, hardly anyone even noticed it. (more…)

    Alison Klayman Film About Ai Weiwei Premieres

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    Filed under: Creative Activism, Political Challenges, The Prank as Art

    For Ai Weiwei, Politics And Arts Always Mix
    by NPR Staff
    July 25, 2012

    Listen to this Story on All Things Considered [7 min 49 sec]

    Last week, a Chinese court rejected artist Ai Weiwei’s lawsuit against the tax bureau that had imposed a massive fine on his company.

    Ai was fined more than $2 million after being detained for three months last year.

    This marks yet another political struggle for Ai, who is famous abroad for his art and has emerged as a leading Chinese dissident, a voice for individual freedom. A year after being released, Ai is still monitored heavily by officials, although he uses his Twitter feed to continue criticizing China’s government.

    Filmmaker Alison Klayman was an intern on NPR’s All Things Considered before she left for China, where she wound up chronicling Ai on video. The result is a documentary — her first film — called Ai Weiwei: Never Sorry, part of which chronicles Ai’s crusade to seek justice for an alleged police beating.

    Movie trailer:

    (more…)

    The Artiness of Naughtiness Radio Show

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    Filed under: Sociology and Psychology of Pranks, The History of Pranks, The Prank as Art

    The Artiness of Naughtiness
    BBC Radio
    April 1, 2011

    Toby Amies discovers how tricksters have turned the poking of fun into an art form.

    Produced by Rob Alexander and hosted by Toby Amies, this 30:00 radio show is now available here for listening.

    There are pranksters who have been determined to show us our folly all year round and most have philosophical, political and artistic reason to do so… Toby investigates this reasoning behind pranking – discovering why people will risk consequences as serious as prison to make a point or get a laugh. Sometime the motivation behind a prank is not always only a good laugh at someone else’s expense. It can be a very serious business.

    Fool School: The Art of the Perfect Prank

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    Filed under: Pranksters, The History of Pranks, The Prank as Art, What Makes a Good Prank?

    Update, April 3, 2011: You can now listen to this 30:00 radio show here.


    The Artiness of Naughtiness, hosted by Toby Amies, aired on BBC Radio 4 on Friday, April 1, 2011. Until April 7, 2011, you can listen to it here.


    The art of the perfect prank
    by Toby Amies
    BBC News Magazine
    30 March 2011

    As April Fools jokers hatch their plans, what’s the secret to a perfect prank, asks broadcaster Toby Amies. And how far do the very best tricksters go in preparing their practical jokes?

    This article is not a hoax. I promise you. It’s a serious work about the practical joke.

    How far would you go to pull off a prank? The dole queue? In 1987, a young British broadcaster called Chris Morris let off helium into the BBC Bristol studio, causing the newsreader’s stories to reach a higher and higher pitch. Chris lost his job. And started his career in satire.

    Would you risk prison? Pranks are often protests, against unfairness or authority or reality. And protest is increasingly risky in the 21st Century.

    As the film director Billy Wilder said: “If you are going to tell people the truth, be funny or they will kill you.”

    Whether personal or public, the prank has a point to make, but if you’re planning on tricking someone, it’s best to ensure everyone gets the joke. (more…)