The High Cost of Dissent in Russia

Droplifting–adding objects or messages to store shelves to make a political statement–is treated as a minor irritant in the United States. Placing 5 labels protesting Russia’s war against Ukraine on grocery store items has yielded 7 years in a penal colony for artist Aleksandra Skochilenko.

If we take our freedoms for granted, we might lose them.


Russian artist jailed for seven years over Ukraine war price tag protest, by Andrew Roth, The Guardian, November 16, 2023

Aleksandra Skochilenko replaced five supermarket price tags with pieces of paper urging shoppers to stop the war

…“How fragile must the prosecutor’s belief in our state and society be, if he thinks that our statehood and public safety can be brought down by five small pieces of paper?” said Skochilenko, 33, in a final statement in court on Thursday.

“Despite being behind bars, I am freer than you,” she said. “I’m not afraid to be different from others. Perhaps that’s why my state is so afraid of me and others like me and keeps me caged like a dangerous animal.” Read the whole article here.

Take the Money and Run

Actually the paintings depict a polar bear eating marshmallows in a snow storm.


Danish artist told to repay museum €67,000 after turning in blank canvasses, by Alex Smith, BBC News, September 18, 2023

A Danish artist has been ordered to return nearly 500,000 kroner ($72,000; £58,000) to a museum after giving it two blank canvasses for a project he named Take the Money and Run.

The Kunsten Museum in Aalborg had intended for Jens Haaning to embed the banknotes in two pieces of art in 2021.

Instead, he gave it blank canvasses and then told dr.dk: “The work is that I have taken their money.”

A court has now ordered him to return the cash – but keep some for expenses.

The art project was intended as a statement on salaries in Denmark and Austria. Read the rest of this article here.

Sometimes Art Imitates Art

Flattering fakes.


The Illicit Allure of Art Forgery, by Olivia McEwan, Hyperallergic, September 11, 2023

An anarchic desire to undermine the art world’s institutions lends art forgers a roguish, rebellious identity that is both compelling and unsavory.

LONDON — A certain romanticism surrounds art forgery. Unlike other material goods, such as watches, handbags, or even coins, artworks are unique objects, the value of which is determined by quantitative and qualitative factors. For this reason their trade within art markets relies to a great extent on good faith. The success of commercial galleries and dealers depends on integrity — that what they are selling is what they say. Deliberate deceit, and on a significant scale, is cause for scandal and a career’s end, as in the high-profile case of Knoedler, an art dealership established in 1846 but closed in 2011 following a flurry of lawsuits.

It is arguably especially embarrassing when national museums, staffed by art historical experts who are (on paper at least) driven by the interests of the public as opposed to financial gain, become tangled up in a contested artwork. The Louvre and the Musée Jacquemart-André in Paris, the National Gallery of London, the Metropolitan Museum of Art in New York, and the Kunsthistorisches Museum in Vienna have all at some point endorsed the authenticity of works sold by the alleged forger Giuliano Ruffini, charged with gang fraud and money laundering in December 2022…

…the Courtauld Gallery presents an unconventional exhibition, Art and Artifice: Fakes from the Collection, which comprises nothing but forgeries it has acquired during its history. Read the whole article here

The Battle of Burning Disinformation

A war with never ending ammunition.


Ukraine’s fight against disinformation is creating a new startup sector, by Thomas Macaulay, thenextweb.com, September 6, 2023

Counter-disinformation is a growing industry

When Russian troops flooded into Ukraine last year, an army of propagandists followed them. Within hours, Kremlin-backed media were reporting that President Zelenskyy had fled the country. Weeks later, a fake video of Zelenskyy purportedly surrendering went viral. But almost as soon as they emerged, the lies were disproven.

Government campaigns had prepared Ukrainians for digital disinformation. When the crude deepfake appeared, the clip was quickly debunked, removed from social media platforms, and disproven by Zelenskyy in a genuine video.

The incident became a symbol of the wider information war. Analysts had expected Russia’s propaganda weapons to wreak havoc, but Ukraine was learning to disarm them. Those lessons are now fostering a new sector for startups: counter-disinformation.

Like much of Ukrainian society, the country’s tech workers has adopted aspects of military ethos. Some have enlisted in the IT Army of volunteer hackers or applied their skills to defence technologies. Others have joined the information war.

In the latter group are the women who founded Dattalion. A portmanteau of data and battalion, the project provides the world’s largest free and independent open-source database of photo and video footage from the war. All media is classified as official, trusted, or not verified. By preserving and authenticating the material, the platform aims to disprove false narratives and propaganda.

Dattalion’s data collection team leader, Olha Lykova, was an early member of the team. She joined as the fighting reached the outskirts of her hometown of Kyiv.

“We started to collect data from open sources in Ukraine, because there were no international reporters and international press at the time,” Lykova, 25, told TNW in a video call. “In the news, it was not possible to see the reality of what was happening in Ukraine.” Read the rest of this article here.

It’s a Bird. It’s a Plane. It’s a… What?

It’s not Casper the Friendly Ghost!


‘Flying Aliens’ Harassing Village in Peru Are Actually Illegal Miners With Jetpacks, Cops Say, by Nathaniel Janowitz, Vice, August 14, 2023

Authorities announced their theory after visiting the isolated Indigenous community where the attacks took place.

The mysterious attacks began on July 11.

“Strange beings,” locals said, visiting an isolated Indigenous community in rural Peru at night, harassing its inhabitants and attempting to kidnap a 15-year-old girl.

“These gentlemen are aliens. They seem armored like the green goblin from Spider Man. I have shot one twice and it didn’t fall. Instead, it elevated and disappeared,” Jairo Reátegui Ávila, a local leader of the Indigenous Ikitu group living in the northwestern Maynas province, told Peruvian radio station RPP Noticias on August 1. “We’re frightened by what is happening in the community.”

“Their color is silver, their shoes are round in shape and with those, they rise up. They float one meter high and have a red light on their heel,” said Ávila. “Their heads are long, their mask is long, and their eyes are sort of yellowish.” Read the rest of the story here.