Alex Jones: Post-Reality Rodeo Clown?

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Filed under: Conspiracy Theories, Fact or Fiction?, Legal Issues, Media Literacy, Media Pranks, Political Pranks, Pranksters, Spin, You Decide

Talk show host and conspiracy theorist Alex Jones began his career as an Austin eccentric, known for his associations with comedian Joe Rogan and filmmaker Richard Linklater. His paleoconservative media profile has risen steadily since the election of Barack Obama – he’s now better known for egging on Charlie Sheen’s meltdown, describing the victims of the Sandy Hook massacre as “crisis actors,” and throwing his bulk behind the presidential candidacy of Donald Trump.

Now, he’s engaged in a vicious custody battle, and his lawyers are suggesting that he’s not an increasingly unhinged paranoid maniac, but a performance artist playing a character.

Blogger Ken White adds some insight on the importance of this story.


“Alex Jones Says He’s A Performance Artist. Surprisingly, Actual Performance Artists Agree.”
by Priscilla Frank
The Huffington Post
April 19, 2017

Following his 2015 divorce, far-right radio host and conspiracy theorist Alex Jones is embroiled in an ugly and somewhat bizarre custody battle.

In response to his ex-wife’s claims that the InfoWars founder and Pizzagate controversy propagator is “not a stable person” ― and therefore should not receive custody of their children ― Jones is arguing that his publicly jacked-up, trumped-up, vitriolic rants are merely instances of “performance art.”

Jones’ lawyer Randall Wilhite outlined the novel defense, telling those present at a recent pretrial hearing that Jones’ InfoWars persona does not reflect who he is as a person. “He’s playing a character,” Wilhite said. “He is a performance artist.”

Jones himself made a similar claim in early April while facing criticism ― and potential criminal proceedings ― after calling Rep. Adam Schiff (D-Calif.) an “archetypal cocksucker” and threatening in an expletive-laden rant to “beat [his] goddamn ass.” Jones later posted a follow-up video describing the comments as “clearly tongue-in-cheek and basically art performance, as I do in my rants, which I admit I do, as a form of art.”

Jones’ most famed “performances” to date include calling the 9/11 attacks an inside job, claiming the 2012 shooting at Sandy Hook Elementary School was “completely fake with actors,” and suggesting that the American government is “encouraging homosexuality with chemicals so that people don’t have children.” Is it possible that Jones has been putting on some sort of persona to stir up controversy and garner public attention? Of course. It is unlikely, however, and ultimately dangerous, that Jones’ approximately 2 million listeners ― including his most famed fan, President Donald Trump ― were all aware that Jones’ red-faced tirades are for show.

In calling himself a performance artist, Jones is referencing a controversial live art tradition with roots in the 1950s and ‘60s, involving movements like Gutai and Fluxus and individuals like Marina Abramović and Vito Acconci. One of the earliest artists recognized for her performances is Carolee Schneemann, who was recently awarded the Venice Biennale’s Golden Lion for Lifetime Achievement. In one of her most iconic performances, 1975’s “Interior Scroll,” Schneemann stood nude on a table, painted her body with mud, and extracted a scroll from her vagina, from which she proceeded to read.

When asked about Jones’ performance art defense, Schneemann responded swiftly: “I think it’s all a load of crap,” she told The Huffington Post. But ultimately, any attempts to strictly classify what is or is not performance art, she clarified, are futile. Read more.